The Best of Me(15)



“Some motherfucker told me to get the fuck out of his motherfucking face, so I said, ‘Fuck off, fuckface.’”

“Then what?”

“Then he turned away and I reached up and punched him on the back of his motherfucking neck.”

“What happened next?”

“What the fuck do you think happened next, bitch? I ran like hell and the motherfucker caught up with me in the fucking parking lot. He was all beefy, all flexed up and shit. The motherfucker had a taste for blood and he just pummeled my ass.”

“When did he stop?”

My brother tapped his fingertips against the tabletop for a few moments before saying, ‘I’m guessing he stopped when he was fucking finished.”

The physical pain had passed, but it bothered Paul that his face was “all lopsided and shit for the fucking holidays.” That said, he retreated to the bathroom with my sister Amy’s makeup kit and returned to the table with two black eyes, the second drawn on with mascara. This seemed to please him, and he wore his matching bruises for the rest of the evening.

“Did you get a load of that fake black eye?” my father asked. “That guy ought to do makeup for the movies. I’m telling you, the kid’s a real artist.”

Unlike the rest of us, the Rooster has always enjoyed our father’s support and encouragement. With the dream of college officially dead and buried, he sent my brother to technical school, hoping he might develop an interest in computers. Three weeks into the semester, Paul dropped out, and my father, convinced that his son’s lawn-mowing skills bordered on genius, set him up in the landscaping business. “I’ve seen him in action, and what he does is establish a pattern and really tackle it!”

Eventually my brother fell into the floor-sanding business. It’s hard work, but he enjoys the satisfaction that comes with a well-finished rec room. He thoughtfully called his company Silly P’s Hardwood Floors, Silly P being the name he would have chosen were he a rap star. When my father suggested that the word silly might frighten away some of the upper-tier customers, Paul considered changing the name to Silly Fucking P’s Hardwood Floors. The work puts him in contact with plumbers and carpenters from such towns as Bunn and Clayton, men who offer dating advice such as “If she’s old enough to bleed, she’s old enough to breed.”

“Old enough to what?” my father asks. “Oh, Paul, those aren’t the sort of people you need to be associating with. What are you doing with hayseeds like that? The goal is to better yourself. Meet some intellectuals. Read a book!”

After all these years our father has never understood that we, his children, tend to gravitate toward the very people he’s spent his life warning us about. Most of us have left town, but my brother remains in Raleigh. He was there when our mother died and still, years later, continues to help our father grieve: “The past is gone, hoss. What you need now is some motherfucking pussy.” While my sisters and I offer our sympathy long-distance, Paul is the one who arrives at our father’s house on Thanksgiving Day, offering to prepare traditional Greek dishes to the best of his ability. It is a fact that he once made a tray of spanakopita using Pam rather than melted butter. Still, though, at least he tries.

When a hurricane damaged my father’s house, my brother rushed over with a gas grill, three coolers full of beer, and an enormous Fuck-It Bucket—a plastic pail filled with jawbreakers and bite-size candy bars. (“When shit brings you down, just say ‘fuck it,’ and eat yourself some motherfucking candy.”) There was no electricity for close to a week. The yard was practically cleared of trees, and rain fell through the dozens of holes punched into the roof. It was a difficult time, but the two of them stuck it out, my brother placing his small, scarred hand on my father’s shoulder to say, “Bitch, I’m here to tell you that it’s going to be all right. We’ll get through this shit, motherfucker, just you wait.”





Me Talk Pretty One Day



At the age of forty-one, I am returning to school and have to think of myself as what my French textbook calls “a true debutant.” After paying my tuition, I was issued a student ID, which allows me a discounted entry fee at movie theaters, puppet shows, and Festyland, a far-flung amusement park that advertises with billboards picturing a cartoon stegosaurus sitting in a canoe and eating what appears to be a ham sandwich.

I’ve moved to Paris with hopes of learning the language. My school is an easy ten-minute walk from my apartment, and on the first day of class I arrived early, watching as the returning students greeted one another in the school lobby. Vacations were recounted, and questions were raised concerning mutual friends with names like Kang and Vlatnya. Regardless of their nationalities, everyone spoke in what sounded to me like excellent French. Some accents were better than others, but the students exhibited an ease and confidence I found intimidating. As an added discomfort, they were all young, attractive, and well dressed, causing me to feel not unlike Pa Kettle trapped backstage after a fashion show.

The first day of class was nerve-racking because I knew I’d be expected to perform. That’s the way they do it here—it’s everybody into the language pool, sink or swim. The teacher marched in, deeply tanned from a recent vacation, and proceeded to rattle off a series of administrative announcements. I’ve spent quite a few summers in Normandy, and I took a monthlong French class before leaving New York. I’m not completely in the dark, yet I understood only half of what this woman was saying.

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