The Japanese Lover(64)



Neko’s absence had hit Alma like the beginning of a heart attack: there was a constant pain in her chest. The cat frequently appeared to her in the shape of a cushion on the sofa, a crumpled corner of the rug, her badly hung coat, or the shadow of a tree at the window. Neko had been her confidant for eighteen years. In order not to talk to herself, she would talk to him, knowing he was not going to answer her but understood everything in his feline wisdom. They had similar temperaments: arrogant, lazy, solitary. She loved not only that he was an unprepossessing street cat, but that time had left its mark on him: bare patches on his skin, a twisted tail, rheumy eyes, and the big belly of a good eater. She missed him in bed; without Neko’s weight at her side or feet she found it hard to sleep. Apart from Kirsten, that animal was the only being who stroked her. Irina would have liked to do so, to give her a massage, wash her hair, polish her nails, find some way to get physically close to Alma and make her feel she was not alone, but Alma did not encourage intimacy with anyone. Irina found this kind of contact with other old women at Lark House quite natural, and little by little she was starting to want it with Seth. She tried to make up for Neko’s absence by putting a hot water bottle in Alma’s bed, but when this absurd ruse only made things worse, Irina offered to go to the Society for the Prevention of Cruelty to Animals to find another cat. Alma explained there was no way she could adopt an animal that would outlive her. Neko had been her last cat.

Lenny’s dog, Sophia, waited in the doorway, just as she did when Neko was alive and defended his territory, sweeping the floor with her tail at the prospect of going for a walk, but Alma had exhausted herself with the effort of dressing and could not get up from the sofa. “I’m leaving you in good hands, Alma,” Irina said as she left. Lenny noted with concern how much both Alma and the apartment had changed: the room had not been aired and smelled musty and of rotting gardenias.

“What’s happened, dear friend?”

“Nothing serious. I may have something wrong in my ears that’s making me lose my balance. And sometimes it feels like an elephant is stamping on my chest.”

“What does your doctor say?”

“I don’t want any doctors, examinations, or hospitals. Once you get into their hands, you never get out. And forget the Belascos! They love drama and would only make a fuss.”

“Don’t you dare die before me! Remember what we agreed, Alma. I came here to die in your arms, not the other way around,” joked Lenny.

“I haven’t forgotten. But if I fail you, you can rely on Cathy.”

That friendship, discovered late in the day and savored like a fine wine, added color to a reality that was inexorably losing its brilliance for both of them. Alma was so solitary a person that she had never realized how lonely she was. Protected by her aunt and uncle, she had lived as part of the Belasco family in the vast mansion at Sea Cliff that was looked after by other people—her mother-in-law, the butler, her daughter-in-law—but had always felt she was a visitor. She felt disconnected and different everywhere else too, but far from being a problem this gave her a sense of pride, as it added to her view of herself as a distant, mysterious artist vaguely superior to the rest of mortals. This meant she had no need to mix with humanity in general, whom she considered in the main stupid, cruel when it had the opportunity, and sentimental at best. She was careful never to express these opinions in public, but old age had only reinforced them.

Looking back from this vantage point in her eighties, she had loved very few people, but she had loved them intensely, idealizing them with a fierce romanticism that resisted any assault from reality. She had not suffered the devastating infatuations typical of childhood and adolescence; she had been on her own at college, and had traveled and worked alone, without associates or colleagues, only subordinates. She had replaced all that with her obsessive love for Ichimei Fukuda and her exclusive friendship with Nathaniel Belasco, whom she thought of not as a husband but as her closest friend. During this final stage of her life she could count on Ichimei, her legendary lover; her grandson, Seth; and Irina, Lenny, and Cathy, who were the closest thing to friends that she had known in many years. Thanks to them, she was saved from boredom, one of the scourges of old age. The rest of the Lark House community was like the view of the bay: something to be enjoyed from a distance, without getting her feet wet.

For half a century she had been part of the closed little world of San Francisco’s upper class; she appeared at the opera, charity events, and social occasions she could not avoid, saved by the insuperable distance she established from the first introduction. She told Lenny how much she hated the noise, empty chatter, and eccentricities of the human race, and that it was only a vague empathy for others that prevented her from being a psychopath. It was easy to feel compassion for unfortunate people she didn’t know. She didn’t like humans; she preferred cats. She could only take the human race in small doses: more than three gave her indigestion. She had always shied away from groups, clubs, and political parties; she was never a militant for any cause, even if she supported it in principle, like feminism, civil rights, or peace.

“I am not into saving whales so I don’t have to mix with ecologists.”

She never sacrificed herself for another person or an ideal: self-denial was not one of her virtues. Apart from Nathaniel in his final illness, she had never had to look after anyone, not even her son. Motherhood was not the cataclysm of adoration and anxiety that all mothers are supposed to experience; instead it was tranquil, sustained affection. Larry was a solid, unconditional presence for her; she loved him with a combination of complete trust and long habit, a comfortable feeling that demanded little from her. Although she had admired and loved Isaac and Lillian Belasco, whom she went on calling Uncle and Aunt even after they had become her in-laws, none of their kindness and vocation to serve had rubbed off on her.

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