The Best of Me(46)
We were still at it when Mrs. Peacock stepped from the breakfast nook and out into the carport. She was dressed, for once, and even had shoes on, but it was too late to play normal. In the presence of my mother, who was tanned and pretty, she looked all the more unhealthy, sinister almost, her mouth twisted into a freaky smile.
“She spent the whole week in bed and didn’t do laundry until last night.”
I guess I expected a violent showdown. How else to explain my disappointment when, instead of slapping Mrs. Peacock across the face, my mother looked her in the eye, and said, “Oh, come on. I don’t believe that for a minute.” It was the phrase she used when she believed every word of it but was too tired to care.
“But she abducted us.”
“Well, good for her.” Our mother led Mrs. Peacock into the house and left my sisters and me standing in the carport. “Aren’t they just horrible?” she said. “Honest to God, I don’t know how you put up with them for an entire week.”
“You don’t know how she put up with us?”
Slam! went the door, right in our faces, and then our mom sat her guest down in the breakfast nook and offered her a drink.
Framed through the window, they looked like figures on a stage, two characters who seem like opposites and then discover they have a lot in common: a similarly hard upbringing, a fondness for the jugged Burgundies of California, and a mutual disregard for the rowdy matinee audience, pitching their catcalls from beyond the parted curtain.
Town and Country
They looked like people who had just attended a horse show: a stately couple in their late sixties, he in a cashmere blazer and she in a gray tweed jacket, a gem-encrusted shamrock glittering against the rich felt of her lapel. They were my seatmates on the flight from Denver to New York, and as I stood in the aisle to let them in, I felt the shame of the tragically outclassed. The sport coat I had prided myself on now looked clownish, as did my shoes, and the fistful of pine straw I refer to as my hair. “Excuse me,” I said, apologizing, basically, for my very existence.
The couple took their seats and, just as I settled in beside them, the man turned to the woman, saying, “I don’t want to hear this shit.”
I assumed he was continuing an earlier argument, but it turned out he was referring to the Gershwin number the airline had adopted as its theme song. “I can’t believe the fucking crap they make you listen to on planes nowadays.”
The woman patted her silver hair and agreed, saying that whoever had programmed the music was an asshole.
“A cocksucker,” the man corrected her. “A goddamn cocksucking asshole.” They weren’t loud people and didn’t even sound all that angry, really. This was just the way they spoke, the verbal equivalent of their everyday china. Among company, the wife might remark that she felt a slight chill, but here that translated to “I am fucking freezing.”
“Me too,” her husband said. “It’s cold as shit in here.” Shit is the tofu of cursing and can be molded to whichever condition the speaker desires. Hot as shit. Windy as shit. I myself was confounded as shit, for how had I so misjudged these people? Why, after all these years, do I still believe that expensive clothing signifies anything more than a disposable income, that tweed and cashmere actually bespeak refinement?
When our boxed bistro meals were handed out, the couple really went off. “What is this garbage?” the man asked.
“It’s shit,” his wife said. “A box of absolute fucking shit.”
The man took out his reading glasses and briefly examined his plastic-wrapped cookie before tossing it back into the box. “First they make you listen to shit, and then they make you eat it!”
“Well, I’m not fucking eating it,” the woman said. “We’ll just have to grab something at the airport.”
“And pay some son of a bitch fifteen bucks for a sandwich?”
The woman sighed and threw up her hands. “What choice do we have? It’s either that or eat what we’ve got, which is shit.”
“Aww, it’s all shit,” her husband said.
It was as if they’d kidnapped the grandparents from a Ralph Lauren ad and forced them into a David Mamet play—and that, in part, is why the couple so appealed to me: there was something ridiculous and unexpected about them. They made a good team, and I wished that I could spend a week or two invisibly following behind them and seeing the world through their eyes. “Thanksgiving dinner, my ass,” I imagined them saying.
It was late afternoon by the time we arrived at LaGuardia. I caught a cab outside the baggage claim and stepped into what smelled like a bad tropical cocktail, this the result of a coconut air freshener that dangled from the rearview mirror. One hates to be a baby about this kind of thing, and so I cracked the window a bit and gave the driver my sister’s address in the West Village.
“Yes, sir.”
The man was foreign, but I have no idea where he was from. One of those tragic countries, I supposed, a land beset by cobras and typhoons. But that’s half the world, really. He had dark skin, more brown than olive, and thick black hair he had treated with oil. The teeth of his comb had left deep troughs that ran down the back of his head and disappeared beneath the frayed collar of his shirt. The cab left the curb, and as he merged into traffic the driver opened the window between the front and back seats and asked me my name. I told him, and he looked at me in the rearview mirror, saying, “You are a good man, David, is that right? Are you good?”