For the Sake of Elena (Inspector Lynley, #5)(76)
Justine turned from the sink and walked into the dining room and from there to the sitting room. The house was still, with only the sound of the wind outside, rushing through the creaking branches of an old liquidambar. She felt suddenly chilled and pressed her palm to her forehead and then to her cheeks, wondering if she was coming down with something. And then she sat on the sofa, hands folded in her lap, and regarded the neat, symmetrical pile of artificial coals in the fireplace.
We’ll be giving her a home, he had said when he’d learned that Elena would be coming up to Cambridge. We’ll be filling her with love. Nothing, Justine, is more important than that.
For the first time since receiving Anthony’s distraught telephone call at work the previous day, Justine thought about how Elena’s death might actually affect her marriage. For how many times had Anthony spoken of the importance of providing a stable home for Elena outside the college, and how often had he alluded to the longevity of their ten-year marriage as a shining example of the kind of devotion, loyalty, and regenerative love which every couple sought and few couples found, describing it as an island of tranquillity to which his daughter could retreat and gain sustenance to face the challenges and battles of her life.
We’re both Gemini, he had said. We’re the twins, Justine. You and I, the two of us against the world. She’ll see that. She’ll know it. It’ll give her support.
Elena would bask and grow in the radiance of their marital love. She would come to her womanhood better for the experience of having been exposed to a marriage that was solid and happy and loving and complete.
That had been the plan, Anthony’s dream. And clinging to it in the face of all odds had allowed them both to continue to live in the middle of a lie.
Justine looked from the fireplace to her wedding photograph. They were sitting—had it been some sort of bench?—with Anthony behind her, his hair longer then but his moustache still conservatively trimmed and his spectacles the same wire-rimmed frames. They were both of them gazing intently at the camera, half-smiling as if a show of too much happiness might belie the seriousness of their undertaking. It is, after all, a sober business to embark upon establishing the perfect marriage. But their bodies weren’t touching in the picture. His arm wasn’t embracing her. His hands didn’t reach forward to cover her own. It was as if the photographer who had posed them had somehow seen a truth that they themselves had been unaware of, it was as if the photograph itself would not lie.
For the first time Justine saw what the possibilities were if she did not take action, no matter how little to her liking that action was.
Townee was still playing in the front garden when she left the house. Rather than take the time to shut him up at the rear of the house or in the garage, she called to him, opened the car door, and let him leap inside, unbothered by the fact that he left a muddy paw print on the passenger seat. There wasn’t time to consider a minor inconvenience like soiled upholstery.
The car started with the purr of a well-tuned engine. She reversed down the drive and turned east into Adams Road, heading towards the city. Like all men, he was most likely a creature of habit. So he’d be finishing his day near Midsummer Common.
The last of the sunlight fanned out behind the clouds, casting apricot beacons into the sky and throwing the fret-edged shadows of trees like lace silhouettes across the road. In the passenger seat, Townee barked his approval at the sight of hedgerows and cars dashing by. He shifted his weight from right to left front paw, he whined with excitement. Clearly, he thought they were engaged in a game.
And it was a game of sorts, she supposed. But although all the players had taken their positions, the rules were nonexistent. And only the most skilful opportunist among them would be able to shape the horrors of the last thirty hours into a victory that would outlast grief.
The college boathouses lined the north side of the River Cam. They faced south, looking across the river and onto the expanse of Midsummer Common where in the quick-falling darkness, a young girl was grooming one of two horses, her yellow hair streaming out from beneath a cowboy hat and great streaks of mud on the sides of her boots. The horse tossed his head, flicked his tail, and fought against her efforts. But the girl controlled him.
The open land made the wind seem both stronger and colder. As Justine got out of the car, snapping the lead onto Townee’s collar, three pieces of orange paper soared like rising birds into her face. She brushed them away. One fell against the bonnet of her Peugeot. She saw Elena’s picture.
It was a hand-out from DeaStu calling for information. She grabbed it before it could blow away and stuffed it into the pocket of her coat. She headed towards the river.
At this time of day, none of the rowing teams were out on the water. They generally used the morning for their practices. But the individual boathouses were themselves still open, a row of elegant facades fronting nothing more than capacious sheds. Inside these, some oarsmen and women were ending their day in the way they had begun it, with talk about the season that would come with the end of Lent term. Everything now was focussed upon preparation for that time of competition. Self-confidence and hopes had not yet been dashed by the sight of an unexpected eight flying by as if air and not water were the element against which they matched their strength.
Justine and Townee followed the slow curve of the river, the dog straining at the lead and eager to make the acquaintance of four mallards who swam away from the bank at his approach. He bounded and barked, and Justine wrapped his lead round her hand and gave it a quick tug.