Rot & Ruin (Rot & Ruin, #1)(99)
“Absolutely,” agreed Benny weakly.
In single file they followed Lilah around the clearing toward the cliff wall. There was no way anyone could have picked out a safe route through without knowing exactly where to step. Benny
was impressed.
Along the wall was a screen of bushy pine trees, and it wasn’t until they’d all reached them that Benny and Nix could see that there was a narrow path behind them, which led to a
depression behind the waterfall. The water cascaded out and away from the wall, and there was a cave mouth five feet high and seven feet wide. The whole mouth of the cave was covered with
multiple sheets of heavy industrial plastic that Lilah had scavenged from somewhere. She pushed through, and they followed her into a short, damp chamber. Another set of plastic was hung ten
feet in, and behind that was a thick layer of heavy drapes. Benny was blown away by how smart this was. The plastic kept the water out and the drapes kept light in, and together they muffled
the roar of the waterfall. Lilah went in first and Benny followed, with Nix holding the drapes open to allow diffused light in. Lilah apparently didn’t need it, because she went into the
darkest depths of the cave, and soon there was the scrape and smell of a sulfur match. Lilah lit an oil lantern, and a comfortable yellow glow expanded out to fill the huge inner chamber.
Benny and Nix were speechless. The cave was a treasure trove. There was a comfortable chair and a small table, a wire rack of dishes, barrels filled with canned food, some old toys, and
books. Thousands and thousands of books. Technical manuals and novels, anthologies of short stories and collections of poetry, biographies of great thinkers and joke books, magazines and
comic books. There were stacks of books on every surface, heaped against the walls. Even in the town library, Benny had never seen so many books. Nix looked dazed, her mouth open in a silent
“oh.”
Lilah looked from them to the books and back again. “I read,” she said simply.
Then Benny noticed the second thing that Lilah had been collecting. There was a table made from boards stretched across stacks of heavy encyclopedias, and the table bent under the weight of
weapons. Handguns and boxes of bullets, knives and clubs, spears and axes. Enough weapons to start—and win—a war. Benny realized Lilah was doing exactly that—fighting a war. He walked
over to the table, aware the Lilah was watching him, and saw that a how-to manual for making bullet reloads was open and looked well-thumbed. There were coffee cans filled with lead pellets
and gunpowder, and a bullet mold with castings for various calibers. Several men in town had similar setups.
“This is amazing,” he said.
She shrugged. It was commonplace to her. It was her day-to-day life.
Lilah folded some blankets and set them on the floor, then indicated that they could sit down while she started a fire in a small stone cooking pit. Benny noticed that the smoke funneled
upward instead of filling the cave, and he bent forward to see that there was a hole in the ceiling. No daylight showed through, so he figured it didn’t rise straight up, but instead
filtered out through various fissures in the rock. He thought that Tom would approve.
Benny watched Lilah as she busied herself with what probably passed for her daily routine. Her first concern was security, and she checked the hang of the drapes to prevent any trace of
light from showing through. Even a pinpoint of firelight would be visible for miles in the absolute darkness of these mountains at night. Then Lilah strung two lines across the entrance. The
first was a length of twine on which dozens of empty tin cans and pieces of broken metal were strung. When it was in place, it lay against the drapes. If anyone moved the cloth, the metal
would kick up a jangling din, loud enough to wake her. The second line was a length of silver wire she positioned at mid-shin level. It was virtually invisible in the gloom, but once someone
passed the drapes, they would trip over it. Between the noise and this delaying trick, whoever broke in would not be sneaking up on a sleeping girl, but would be sprawled on the ground while
a practiced killer hunted them in the dark.
“Did you ever have to use that trip wire?” he asked. He and Nix and their friends had learned all about simple booby traps in the Scouts. They were great for slowing down a zombie attack.
Lilah tested the tension on the trip wire, plucking it like a guitar string, so that it hummed. “Once,” she said. “It worked.”
“Zom or human?” asked Nix.
Lilah shrugged. “What does it matter?”
Once the entrance was rigged, she unbuckled her gun belt and placed it next to the pallet she used as a bed. She put the spear into an old umbrella stand in which there were various clubs,
baseball bats, hockey sticks, and a long-handled axe.
“Lilah,” said Nix. “This place—all these things—it’s incredible. You brought all of this here by yourself?”
Lilah poured water into a cooking pot and began adding bits of meat and vegetables. “By myself. Who else?”
“How many of these books have you read?”
“All.” She smiled for the first time since they’d started walking. She leaned over and began stirring the mixture in the pot. “I … read, um, better than talk. Sorry.”
“Sorry?” said Benny enthusiastically. “Lilah, you’re amazing! Isn’t she amazing, Nix?”
Jonathan Maberry's Books
- Blow Fly (Kay Scarpetta #12)
- The Provence Puzzle: An Inspector Damiot Mystery
- Visions (Cainsville #2)
- The Scribe
- I Do the Boss (Managing the Bosses Series, #5)
- Good Bait (DCI Karen Shields #1)
- The Masked City (The Invisible Library #2)
- Still Waters (Charlie Resnick #9)
- Flesh & Bone (Rot & Ruin, #3)
- Dust & Decay (Rot & Ruin, #2)