Zoe's Tale (Old Man's War, #4)(7)
"There are worse things," Jane said.
"I'm not asking for open warfare," I said. Another joke.
And once again, another stomping from Mom. "It'll be a brand-new colony world," she said. "They're the ones most at risk for attack, because they have the fewest people and the least amount of defense from the CDF. You know that as well as anyone."
I blinked, actually surprised. I did know it as well as anyone. When I was very young - before I was adopted by Jane and John - the planet I lived on (or above, since I was on a space station) was attacked. Omagh. Jane almost never brought it up, because she knew what it did to me to think about it. "You think that's what's going to happen here?" I asked.
Jane must have sensed what was going on in my head. "No, I don't," she said. "This is an unusual colony. It's a test colony in some ways. There will be political pressure for this colony to succeed. That means more and better defenses, among other things. I think we'll be better defended than most colonies starting out."
"That's good to know," I said.
"But an attack could still happen," Jane said. "John and I fought together at Coral. It was one of the first planets humans settled, and it was still attacked. No colony is totally safe. There are other dangers, too. Colonies can get wiped out by local viruses or predators. Bad weather can kill crops. The colonists themselves could be unprepared. Colonizing - real colonizing, not what we're doing here on Huckleberry - is hard, constant work. Some of the colonists could fail at it and take the rest of the colony with them. There could be bad leaders making bad decisions."
"I don't think we'd have to worry about that last one," I said. I was trying to lighten the mood.
Jane didn't take the bait. "I'm telling you this isn't without risk," she said. "It's there. A lot of it. And if we do this, we go in with our eyes open to that risk."
This was Mom all over. Her sense of humor wasn't as deprived as Hickory's and Dickory's - I can actually make her laugh. But it doesn't stop her from being one of the most serious people I've ever met in my life. When she wants to get your attention about something she thinks is important, she's going to get it.
It's a good quality to have, but right at the moment it was making me seriously uncomfortable. That was her plan, no doubt.
"Mom, I know," I said. "I know it has risks. I know that a lot of things could go wrong. I know it wouldn't be easy." I waited.
"But," Jane said, giving me the prompt she knew I was waiting for.
"But if you and Dad were leading it, I think it'd be worth the risk," I said. "Because I trust you. You wouldn't take the job if you didn't think you could handle it. And I know you wouldn't put me at risk unnecessarily. If you two decided to do it, I would want to go. I would definitely want to go."
I was suddenly aware that while I was speaking, my hand had drifted to my chest, and was lightly touching the small pendant there: a jade elephant, given to me by Jane. I moved my hand from it, a little embarrassed.
"And no matter what, starting a new colony wouldn't be boring," I said, to finish up, a little lamely.
Mom smiled, unplugged the sink and dried her hands. Then she took a step over to me and kissed the top of my head; I was short enough, and she was tall enough, that it was a natural thing for her. "I'll let your dad stew on it for a few more hours," she said. "And then I'll let him know where we stand."
"Thanks, Mom," I said.
"And sorry about dinner," she said. "Your dad gets wrapped up in himself sometimes, and I get wrapped up in noticing he's wrapped up in himself."
"I know," I said. "You should just smack him and tell him to snap out of it."
"I'll put that on the list for future reference," Jane said. She gave me another quick peck and then stepped away. "Now go do your homework. We haven't left the planet yet." She walked out of the kitchen.
[page]
Let me tell you about that jade elephant.
My mother's name - my biological mother's name - was Cheryl Boutin. She died when I was five; she was hiking with a friend and she fell. My memories of her are what you'd expect them to be: hazy fragments from a five-year-old mind, supported by a precious few pictures and videos. They weren't that much better when I was younger. Five is a bad age to lose a mother, and to hope to remember her for who she was.
One thing I had from her was a stuffed version of Babar the elephant that my mother gave to me on my fourth birthday. I was sick that day, and had to stay in bed all day long. This did not make me happy, and I let everyone know it, because that was the kind of four-year-old I was. My mother surprised me with the Babar doll, and then we cuddled up together and she read Babar's stories to me until I fell asleep, lying across her. It's my strongest memory of her, even now; not so much how she looked, but the low and warm sound of her voice, and the softness of her belly as I lay against her and drifted off, her stroking my head. The sensation of my mother, and the feeling of love and comfort from her.
I miss her. Still do. Even now. Even right now.
After my mother died I couldn't go anywhere without Babar. He was my connection to her, my connection to that love and comfort I didn't have anymore. Being away from Babar meant being away from what I had left of her. I was five years old. This was my way of handling my loss. It kept me from falling into myself, I think. Five is a bad age to lose your mother, like I said; I think it could be a good age to lose yourself, if you're not careful.
John Scalzi's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)