Toxic (Ruin, #2)(38)
He was playing through me, using my body as an instrument to convey the story of his life. Each time he pressed down on one of my fingertips or guided me to another area of the piano, I felt the sadness of the song clench deeper. The notes became floating tendrils of pain, each one of them slowly invading my body and taking hold until it hurt to breathe.
He moved faster and faster, my hands couldn’t keep up. I pulled back as he continued the song, in such a rush it was like he was yelling but doing it with music. Unable to convey it in any other way.
With a final burst of movement, he lifted his hands off the piano and smashed them against the keys, causing a chaos of notes to burst forth.
Gabe’s breathing was uneven, ragged as he leaned heavily against me, his chin resting on my head, and he whispered brokenly, “I can’t.”
“You were doing so good.”
“It’s like getting into a car with suicidal tendencies. You keep going faster and faster, needing the adrenaline to keep you alive until suddenly you turn the wheel and everything goes black. The notes, they go higher and higher, and right when I feel like I can change the outcome — I panic. Some things…” He sighed and pulled away. “Some things are better left in chaos.”
“Are you sure about that? Are you sure about perfection?” I folded my hands in my lap, but didn’t turn around.
“Sure.” He moved from behind me and sat on the bench. “If life was perfect, how in the hell would we ever learn to depend on someone other than ourselves? If anything, that’s what life’s taught me. The need to be perfect is stemmed in the very belief that it’s actually something we can achieve. Self-actualization — doesn’t exist.”
I licked my lips and looked down at the keys. “Does that mean we don’t try then?”
“No.” Gabe tickled a few of the ivory keys in front of him, the music note tattoos on his fingertips looking darker against the white of the piano. “It just means when you reach the end of your rope, you shouldn’t regret a damn thing, but applaud yourself for trying to do the impossible.”
I felt like he was using double meanings. The philosophical Gabe was a bit terrifying because he made me feel more insecure than the jackass Gabe. But the guy sitting next to me right now? I was beginning to understand, he wasn’t just one person. He was every person, everything, whatever he needed to be, he was.
Like a chameleon.
And suddenly the ending to the story made sense.
Ten different notes all clamoring at once.
Chaos.
Gabe was Chaos.
“So.” He sniffed and cleared his throat. “Now that I’ve totally ruined the moment by talking in my serious voice and scaring the shit out of you — why don’t we work on one of your performance pieces?”
“Okay.” I placed my hands on the piano again, careful to angle my wrists at the perfect degree and keep my eyes on the music ahead. Sometimes I wondered if my posture was better than my playing.
“What the hell are you doing?” he asked in calm voice.
I turned and gave him a resolute nod. “I’m getting ready.”
“To go to battle?”
“What?” I relaxed my hands a bit. “No.” I straightened. “This is the right posture, it’s—”
“If you say perfect, I’m going to kill myself.”
“Someone should have majored in drama.”
He burst out laughing. “Oh, honey, you have no idea.”
“So?” I lifted my wrists again and looked ahead.
“Fine.” He smirked. “Play just like that.”
“Okay.” I started one of my harder pieces, Piano Sonata 14. It felt exactly the same. The movement wasn’t as fast as some of the others, but the timing for it had to be perfect.
“Close your eyes,” Gabe instructed.
“But—”
He swatted my wrists. “No arguing with your piano master.”
“Fine.”
“Say ‘yes, master’.”
I smiled tightly, my eyes focusing on the music in front of me. I started slowly playing. “Not in this lifetime.”
“Bet I could make you say it.” His voice had an arrogant lift to it, which made me all the more irritated. Master? Um, no.
“Eyes.” He growled again.
With a resigned sigh, I closed my eyes. “Better?”
“Immensely,” he said smoothly.
Darkness enveloped my world. All I had were the notes at my fingertips. All I had was the music — that and Gabe.
He wasn’t saying anything.
Which killed me.
It also made me want to open my eyes, but I knew he’d probably just tell me to close them again, so I kept playing.
And then, with a teasing touch, his fingers grazed my chin, slowly tilting it down toward the piano while his other hand went to my upper back then slowly moved down until it was in the middle, with a gentle push, he urged my body closer to the keys.
Eyes closed, posture completely off, I leaned over the piano. Everything felt wrong as I continued playing.
“Slower,” he said softly.
With a sigh, I started playing slower. His hands moved to my hips. And stayed there. Other than jumping a foot, I was still able to concentrate.
“The music,” he whispered, “It’s not just your story — it’s your lover.”
“Okay,” I squeaked. Heat washed over me as the word lover bounced around in my brain. I knew it, but I’d never experienced it. How was I supposed to use something I didn’t know how to use? And how embarrassing was it that I was stuck in that tiny room having never been… stuck in a tiny room with any guy? Lover. I’d take him. If I got a choice. It would be him. But people like Gabe, beautiful people who had music in their soul, who knew how to speak without words… they weren’t for girls like me.
Rachel Van Dyken's Books
- Where Shadows Meet
- Destiny Mine (Tormentor Mine #3)
- A Covert Affair (Deadly Ops #5)
- Save the Date
- Part-Time Lover (Part-Time Lover #1)
- My Plain Jane (The Lady Janies #2)
- Getting Schooled (Getting Some #1)
- Midnight Wolf (Shifters Unbound #11)
- Speakeasy (True North #5)
- The Good Luck Sister (Wildstone #1.5)