The Pisces(3)





She might have also judged me for being unmarried. When Jamie and I first met, I told him that marriage was an archaic declaration of ownership and it wasn’t for me. He said “good,” because it wasn’t his thing either. But four years into the relationship I wanted desperately for Jamie to ask me to marry him, if only because he wouldn’t. I’d never been a jewelry person, but something inside me longed for that ring. Outwardly I shit-talked blood diamonds, while quietly I studied other women’s rings, learning the names of the various diamond cuts: cushion, emerald, princess. I swore that married women used their left hands more than their right when they spoke, gestured, or wiped a stray hair out of their eyes, just to rub it in. They seemed to be saying, Look, someone wants me this much. I have safely made it to the other shore.

But what would I have even done as a married person? What would I have done with Jamie in my space or me in his? Choosing Jamie to love for so many years was perhaps more of a symbol of my own fear of intimacy than it was of his. He was intoxicating when we first met: a geologist, 6'2", handsome in an L.L.Bean travel vest sort of way, golden brown and unshaven, with sandy-brown hair, ten years my senior. He made me feel like a special little pea. Through his work in the desert with the university, he had received a grant from the American Geological Fund to make documentaries on the national parks. He always directed and edited the docs himself, and the grant gave him the power to travel, be free, and always be producing. Even though the documentaries aired at two a.m. on limited cable channels, he could never be accused of failing. “I’m more with the scientists than the artists,” he said. But he had the allure of an artist.

In our earlier years together I traveled to see him on location often. I spent my holiday breaks in an Airstream at Acadia National Park, Glacier, Yosemite. He would go on shoots all day and I would go out exploring, bringing back little souvenirs. He loved hearing what I had seen, correcting my landscape terminology. My favorites were the lakes and oceans, the rivers and waterfalls, like nothing we had in the desert. The rushing water, and traveling in general, made me feel like my life was moving forward, in spite of my flagging thesis. I identified myself with his work. It felt adventurous.



But later on, he began covering more desert locations: Death Valley, Arches. I would stay in the Airstream all day and wait for him to return. Why did I need to explore another desert when I had a desert right at home? And why had I come to see this man who was the same here as he was at home? Same face, same dick. Same ennui of a long relationship but with no desire to commit. I told him I was staying in the Airstream to work on the thesis. But when people asked me what I did for a living, I glossed over my Sappho and the library, and quickly brought up Jamie’s work. I pretended it was still exciting. But the only real excitement left was the challenge of roping him into our imaginary future.

On the day of our breakup, I had blown a tire on Camelback Road and called him for help. When he arrived he looked in my trunk and said, “But you don’t have a spare.” “No,” I said. It was late in the evening on a Sunday and the auto-body shops in town would be closed, so we called AAA. While we waited I felt hot and fussy and angry. I wasn’t sure exactly why. He looked silly to me, dough-bellied and chinless. Everything had rounded out. He was making little sucking noises with his front teeth, alternating with small whistling noises. It was one of those moments when you look at the person you have loved for a long time and everything is wrong with them. There is absolutely nothing right. You cannot believe you were ever captivated by them in the first place.

“I don’t feel happy,” I said.



“There are other places I’d rather be too,” he said.

“I’m serious,” I said. “I think we need to talk. About us.”

“Now?”

I watched him so at ease with himself, the fat in the middle, the various layers of padding around the chin, the chin disappearing into a soufflé of neck meat. His chin area looked like it was a second mouth and I imagined it talking. What was it saying?

Feed me, it said. I don’t give a fuck if I’m attractive or not. I don’t need to. I have options.

All of him said that. From his nervous laughter whenever I had brought up marriage—or even moving in together—the years of dismissals, the claims that I wouldn’t want that either, to the disappearance of the chiseled, handsome stranger I first met at a party into a honeybear I came to know and love into another kind of stranger: a physical manifestation of time and letting oneself go eclipsing both the stranger and the honeybear until they all but disappeared. I felt irate. How dare he not give a fuck? What a luxury, the luxury of a man. The luxury of someone who looked at the ravages of time and went, “Eh.” And that is when I said it.

“Maybe we should just break up.”

As soon as I said it, I knew it was an empty threat, something I tossed out. It was how I felt, but it was only a bit of it—a percentage. Maybe 22 percent. That 22 percent was loud right now. It wanted to punctuate the heavy evening ennui, the waiting-to-be-rescued. I wanted drama if only to sever the nothingness of things breaking, the heaviness of having to live in the world, dependent on things, dependent on others, waiting for roadside assistance with a talking chin. I wanted to have him try to stop me, to intervene. Maybe I wanted to hurt him a little bit. Mostly I wanted to hear him say no.

Melissa Broder's Books