The Last of the Moon Girls(6)

Yes, she could find a Realtor to list the farm. She could even locate someone to clear out the furniture and her grandmother’s personal effects—but not the books. She had no idea what to do with them—it wasn’t the kind of thing anyone had ever talked about—but disposing of them was out of the question. Theirs was a subtle form of magick—quiet magick, Althea had called it. None of that nonsense with cauldrons and candles for the Moon girls. No summoning spirits or casting curses. No covens or midnight bonfires. Just healing work recorded for posterity, proof that they had lived, and done good in the world.

She’d have to make the trip to Salem Creek and box them up, even if all she wound up doing was shoving them in the back of her closet. At some point, she’d need to think about what would happen to them when she was gone—when there would be no one left to pass them on to—but not yet.

Althea saw her as the last and best of the Moons. But she wasn’t. Her gifts—if that’s what they were—were different from Althea’s. She wasn’t a healer or a charmer. She made perfume. And since her promotion to creative director, she didn’t even do much of that. The truth was that, beyond a functioning reproductive system, she had little to offer the Moons. No remedies to share, no wisdom to impart, no sacred rituals to pass on to the next generation.

But she would go back for the books—for Althea’s sake. And maybe Luc was right. Maybe she did need to spend some time with her memories, to look that other Lizzy Moon in the eye one last time before she walked away for good.





THREE

July 17

The sign for Moon Girl Farm was so faded Lizzy could barely make out the letters as she turned into the drive. It had taken six hours in a steady drizzle, the last of which had been spent winding along the frost-heaved backroads of rural New Hampshire, but she’d finally made it.

She had called Luc before 6:00 a.m., when she knew he’d be at the gym and unlikely to pick up. Her message said only that she had changed her mind about going home, and would call him when she had some idea how much time she would need. She had then turned off her phone, nixing any chance of a return call.

At the top of the drive, she cut the engine, reminding herself as she got out of the car that this was something she had to do, one last duty to be discharged before she could finally bolt the door on this chapter of her life. But even now, with a knot the size of a fist forming in her stomach, she could feel the pull of the place, a connection to the land that seemed to have been sewn into her soul.

There had always been something otherworldly about the farm, a sense that it had somehow been carved out of time, and stood apart from the rest of the world, like Brigadoon—a place that existed only in her imagination. And yet here it was. Her childhood, preserved in time, like a living thing suspended in amber.

There’d been nothing but open pasture on the outskirts of Salem Creek in 1786, when a pregnant Sabine Moon had fled France for the newly formed United States with nothing but a handful of jewels sewn into the hem of her skirt. And she’d put those jewels to good use, trading them for an eight-acre parcel of land, where she would set up a small but soon-to-be-thriving farm.

She’d been spurned by the villagers, who were wary of a woman brash enough to buy land without the help of a man, and then farm it herself. A woman who wore no ring, and offered no explanation for her swollen belly. Not to mention the bastard daughter she eventually paraded beneath their noses. And then two years of drought decimated the town’s crops—all except Sabine’s, which continued to flourish. And so began the whispers about the strange ways of the Moons, the women who never married and bred only daughters, who grew herbs, and brewed teas, and made charms.

Even now, no one was really sure what the Moons were, though there had been plenty over the years willing to venture an opinion, throwing around words like voodoo and witchery. Not that the good people of Salem Creek professed to believe in witches. Those superstitions had died more than a century ago, along with practices like pricking and dunking.

But the Gilman girls had acted as a touch paper, reigniting speculation and long-buried wives’ tales. The murders went unsolved but the whispers lived on, while Althea’s beloved farm withered for want of customers. Rhanna had been the first to go. Lizzy had moved to New York City a short time later, a twenty-eight-year-old freshman bound for Dickerson University—and a life as far from Moon Girl Farm as she could get.

And now Moon Girl Farm was hers.

She sighed as she surveyed the grounds, struck by the glaring signs of neglect. Behind the house, neatly parceled flower beds had long since gone to weed, leaving a smattering of stunted blooms visible through the damp, green overgrowth. The herb rows had fared no better. But the neglect ran deeper than just the land. Beyond the ruined fields, the old stone cider house that served as Althea’s apothecary had grown shabby as well. The slate-paved courtyard had once been filled with racks of potted herbs and bright summer flowers. Now crabgrass grew between the pavers, and the racks sat empty, the windows coated with grit. What must it have been like for Althea to see it shut up? To know her life’s work was at an end? And to bear it all alone?

Across the fields, the old drying barn stood like a sentinel, its vivid indigo-blue boards now weathered to a dull blue gray, the hand-painted clouds and milky white moon decorating its west-facing wall faded to little more than ghosts.

The skyscape had appeared almost overnight, a manifestation of Rhanna’s unpredictable and often outrageous muse. The fanciful artwork had caused quite a stir with the locals. An eyesore, some said, too hippie-dippie for the likes of Salem Creek. But the barn had eventually become something of a landmark, even appearing once in Yankee magazine as part of a feature on the hidden treasures of rural New England.