The Cruel Prince (The Folk of the Air #1)(98)
I am wearing a bottle-green gown with earrings in the shape of berries. In my pocket is Liriope’s golden acorn, and at my hip is my father’s sword. Against my skin, I have a collection of knives. It doesn’t feel like enough.
As we cross the floor, everyone turns to look. The lords and ladies of Faerie. Kings and queens of other Courts. The representative from the Queen of the Undersea. Balekin. My family. Oak, standing with Oriana and Madoc. I look over at Lord Roiben, his white hair making him easy to find in the crowd, but he does not acknowledge that we have ever met. His face remains unreadable, a mask.
I am going to have to trust that he will keep his part of the bargain, but I mislike this kind of calculation. I grew up thinking of strategy as finding weaknesses and exploiting them. That I understand. But making people like you, making people want to take your part and be on your side—that I am far less skilled at.
My gaze goes from a table of refreshments to the elaborate gowns to a goblin king crunching on a bone. Then my eyes settle on the Blood Crown of the High King. It rests on a ledge above us, a pillow beneath it. There, it glows with a sinister light.
At the sight, I imagine all my plans coming apart. The thought of stealing it, in front of everyone, daunts me. And yet, having to search Hollow Hall for it would have been daunting, too.
I see Balekin move from speaking with a woman I don’t recognize. She’s wearing a gown of woven seaweed and a collar of pearls. Her black hair is tied to a crown festooned with more pearls, appearing like webbing above her head. It takes me a moment to puzzle out who she must be—Queen Orlagh, Nicasia’s mother. Balekin leaves her and crosses the room toward us with purpose.
Cardan catches sight of Balekin and steers us in the direction of the wine. Bottles and carafes of it—pale green, yellow as gold, the dark purple-red of my heart’s own blood. They are redolent of roses, of dandelions, of crushed herbs and currants. The smell alone nearly makes my head spin.
“Little brother,” Balekin says to Cardan. He is dressed head to toe in black and silver, the velvet of his doublet so thickly embroidered with patterns of crowns and birds that it looks as heavy as armor. He wears a silver circlet on his brow, matching his eyes. It’s not the crown, but it is a crown. “I’ve sought high and low for you.”
“Doubtless so.” Cardan smiles like the villain I’ve always believed him to be. “I turned out to be useful after all. What a terrible surprise.”
Prince Balekin smiles back as though their smiles could duel without the rest of them even being involved. I am sure he wishes he could rail at Cardan, could beat him into doing what he wants, but since the rest of their family died at swordpoint, Balekin must have learned his lesson about needing a willing participant in a coronation.
For the moment, Cardan’s presence is enough to reassure people that Balekin will soon be the High King. If Balekin calls for guards or grabs him, that illusion will dissipate.
“And you,” Balekin says, turning his gaze to me, viciousness lighting his eyes. “What have you to do with this? Leave us.”
“Jude,” Madoc says, striding up to stand beside Prince Balekin, who immediately seems to realize I might have something to do with this after all.
Madoc looks displeased but not alarmed. I am sure he is thinking me a fool who expects to get a pat on the head for finding the missing prince and cursing himself for not making it more clear that he wanted Cardan brought to him and not to Balekin. I give him my best blithe smile, like a girl who thinks she has solved everyone’s problems.
How frustrating it must be to come so close to your goal, to have Oak and the crown in one place, to have the lords and ladies of Faerie assembled. And then your first wife’s bastard throws a spanner in the works by handing the one person most likely to put the crown on Oak’s head to your rival.
I note the evaluating look he’s giving Cardan, however. He’s replanning.
He rests a heavy hand on my shoulder. “You found him.” He turns to Balekin. “I hope you’re intending to reward my daughter. I am sure it took no small amount of persuasion to bring him here.”
Cardan gives Madoc an odd look. I remember what he said about it bothering him that Madoc treated me so well when Eldred barely acknowledged him. But the way he’s looking, I wonder if it’s just weird to see us together, redcap general and human girl.
“I will give her anything she asks for and more,” Balekin promises extravagantly. I see Madoc frown, and I give him a quick smile, pouring two glasses of wine—one light and the other dark. I am careful with them, sly-fingered. I do not spill a drop.
Instead of handing one to Cardan, I offer them both up for Madoc to choose between. Smiling, he takes the one the color of heart’s blood. I take the other.
“To the future of Faerie,” I say, tapping the globes together, making the glass ring like bells. We drink. Immediately, I feel the effects—a kind of floatiness, as though I am swimming through air. I don’t want to even look at Cardan. He will laugh and laugh if he thinks I can’t handle a few sips of wine.
Cardan pours his own glass and throws it back.
“Take the bottle,” Balekin says. “I am prepared to be very generous. Let us discuss what you’d like, whatever you’d like.”
“There’s no hurry, is there?” Cardan asks lazily.
Balekin gives him the hard stare of someone barely holding himself back from violence. “I think everyone would like to see the matter settled.”
Holly Black's Books
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)
- The Copper Gauntlet (Magisterium #2)
- The Bronze Key (Magisterium #3)