The Cruel Prince (The Folk of the Air #1)(96)
Bold, that’s what I need to be. Like I own the place. Like I am the general’s daughter. Like I can really pull this off.
The corner of the Ghost’s mouth turns up. He takes out four silver cups from the cupboard and sets them before me. “Drink?”
I shake my head, watching him pour. He returns to the divan but rests at the edge as though he’s going to have to jump up in a moment. He takes a big swallow of wine.
“You spoke of the murder of Dain’s unborn child,” I say.
The Ghost nods. “I saw your face when Cardan spoke of Liriope and when you understood my part in it.”
“It surprised me,” I say honestly. “I wanted to think Dain was different.”
Cardan snorts and takes the silver cup that was meant for me as well as his own.
“Murder is a cruel trade,” says the Ghost. “I believe Dain would have been as fair a High King as any prince of the Folk, but my father was mortal. He would not have considered Dain to be good. He would not have considered me good, either. You’d do well to decide how much you care for goodness before you go too far down the road of spycraft.”
He’s probably right, but there’s little time for me to consider it now. “You don’t understand,” I tell him. “Liriope’s child lived.”
He turns to the Bomb, clearly astonished. “That’s the secret?”
She nods, a little smug. “That’s the scheme.”
The Ghost gives her a long look and then turns his gaze to me. “I don’t want to find a new position. I want to stay here and serve the next High King. So, yes, let’s steal the kingdom.”
“We don’t need to be good,” I tell the Ghost. “But let’s try to be fair. As fair as any prince of Faerie.”
The Ghost smiles.
“And maybe a little fairer,” I say with a look at Cardan.
The Ghost nods. “I’d like that.”
Then he goes to wake the Roach. I have to explain all over again. Once I get to the part about the banquet and what I think is going to happen, the Roach interrupts me so many times I can barely get a sentence out. After I’m done speaking, he removes a roll of vellum and a nibbed pen from one of the cabinets and notes down who ought to be where at what point for the plan to work.
“You’re replanning my plan,” I say.
“Just a little,” he says, licking the nib and beginning to write again. “Are you concerned over Madoc? He won’t like this.”
Of course I am concerned about Madoc. If I wasn’t, I wouldn’t be doing any of this. I would just hand him the living key to the kingdom.
“I know,” I say, gazing at the dregs of wine in the Ghost’s glass. The moment I walk into the feast with Cardan on my arm, Madoc will know I am running a game of my own. When he discovers that I am going to cheat him out of being regent, he’ll be furious.
And he’s at his most bloodthirsty when he’s furious.
“Do you have something appropriate to wear?” the Roach asks. At my surprised look, he throws up his hands. “You’re playing politics. You and Cardan need to be turned out in splendor for this banquet. Your new king will need everything to look right.”
We go over the plans again, and Cardan helps us map out Hollow Hall. I try not to be too conscious of his long fingers tracing over the paper, of the sick thrill I get when he looks at me.
At dawn, I drink three cups of tea and set out alone for the last person I must speak with before the banquet, my sister Vivienne.
I go back to my house—Madoc’s house, I remind myself, never really mine, never mine again after tonight—as the sun rises in a blaze of gold. I feel like a shadow as I climb the spiral stairs, as I pass through all the rooms I grew up in. In my bedroom, I pack a bag. Poison, knives, a gown, and jewels that I think the Roach will find to be properly extravagant. With reluctance, I leave behind the stuffed animals from my bed. I leave slippers and books and favorite baubles. I step out of my second life the same way I stepped out of my first, holding too few things and with great uncertainty about what will happen next.
Then I go to Vivi’s door. I rap softly. After a few moments, she sleepily lets me inside.
“Oh good,” she mumbles, yawning. “You’re packed.” Then she catches sight of my face and shakes her head. “Please don’t tell me you’re not coming.”
“Something happened,” I say, resting my bag on the ground. I keep my voice low. There is no real reason to hide that I am here, but hiding has become habit. “Just hear me out.”
“You disappeared,” she says. “I’ve been waiting and waiting for you, trying to act like things were fine in front of Dad. You made me worry.”
“I know,” I say.
She looks at me like she’s considering giving me a swift smack. “I was afraid you were dead.”
“I’m not even a little bit dead,” I say, taking her arm and pulling her close so I can speak in a whisper. “But I have to tell you something I know you’re not going to like: I have been working as a spy for Prince Dain. He put me under a geas so I couldn’t have said anything before his death.”
Her delicately pointed eyebrows rise. “Spying? What does that entail?”
“Sneaking around and getting information. Killing people. And before you say anything else, I was good at it.”
Holly Black's Books
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)
- The Copper Gauntlet (Magisterium #2)
- The Bronze Key (Magisterium #3)