The Cruel Prince (The Folk of the Air #1)(84)

“You saved him,” I say, because if she doesn’t want to talk about that part, she doesn’t have to.

“I named him for Liriope’s acorn,” she tells me, her voice barely more than a whisper. “My little golden Oak.”

I wanted so badly to believe that being in Dain’s service was an honor, that he was someone worth following. That’s what comes of hungering for something: You forget to check if it’s rotten before you gobble it down. “Did you know it was Dain who poisoned Liriope?”

Oriana shakes her head. “Not for a long time. It could have been another of Eldred’s lovers. Or Balekin—there were rumors he was the one responsible. I even wondered if it could have been Eldred, if he had poisoned her for dallying with his son. But then Madoc discovered Dain had obtained the blusher mushroom. He insisted I never let Oak be anywhere near the prince. He was furious—angry in a frightening way I had never seen before.”

It’s not hard to see why Madoc would be furious with Dain. Madoc, who once thought his own wife and child were dead. Madoc, who loved Oak. Madoc, who reminded us over and over that family came before all else.

“And so you married Madoc because he could protect you?” I have only blurry memories of his courting Oriana, and then they were sworn, with a child on the way. Maybe I thought it was unusual, but anyone can have good fortune. And it had seemed like bad fortune to me at the time, since Taryn and I worried what the new baby would mean for us. We thought Madoc might tire of us and drop us somewhere with a pocket full of gold and riddles pinned to our shirts. No one finds bad fortune suspicious.

Oriana looks out the glass doors at the wind blowing the trees. “Madoc and I have an understanding. We do not pretend with each other.”

I have no idea what that means, but it sounds like it makes for a cold and careful marriage.

“So what’s his play?” I ask her. “I don’t imagine he intends for Balekin to keep the throne long. I think he would consider it some kind of crime against strategy to leave such an obvious move unexploited.”

“What do you mean?” She looks honestly baffled. They don’t pretend with each other, my ass.

“He’s going to put Oak on the throne,” I tell her, as though it’s obvious. Because it is obvious. I don’t know how he intends to do it—or when—but I am sure he does. Of course he does.

“Oak,” she says. “No, no, no. Jude, no. He’s just a child.”

Take him far from the dangers of this Court. That’s what Liriope’s note had said. Maybe Oriana should have listened.

I remember what Madoc told us at the dinner table ages ago, about how the throne was vulnerable during a change in power. Whatever he intended to happen with Balekin—and now I am wondering if what he imagined was for Dain to die and Balekin to die, too, for the High King to suspend the coronation, for Madoc to make a different play—he had to see the opportunity in front of him, with only three royals left. If Oak was the High King, then Madoc could be the regent. He would rule over Faerie until Oak came of age.

And then, who knew what might happen? If he could keep Oak in check, he might rule over Faerie forever.

“I was just a child once, too,” I tell her. “I don’t think Madoc was enormously concerned about what I could handle then, and I don’t think he will be too worried about Oak now.”

It’s not like I don’t think he loves Oak. Of course he loves him. He loves me, too. He loved my mother. But he is what he is. He cannot be other than his nature.

Oriana grabs my hand, squeezing it tightly enough that her nails sink into my skin. “You don’t understand. Child kings do not survive long, and Oak is a frail boy. He was too little when he was brought into this world. No king or queen from any Court will bow their heads to him. He wasn’t raised for this burden. You must stop it.”

What might Madoc do with so much power unchecked? What might I do with a brother on the throne? And I could put him there. I have the winning card to play, because while Balekin would resist crowning Oak, I bet Cardan wouldn’t. I could make my brother the High King and myself a princess. All that power is right there for the taking. All I have to do is reach out my hand.

The odd thing about ambition is this: You can acquire it like a fever, but it is not so easy to shed. Once, I was content to hope for knighthood and the power to force Cardan and his friends to leave me alone. All I wanted was to find some place to fit in here in Faerie.

Now I wonder what it would be like to choose the next king.

I think of the tide of blood running over the stone dais to drip down onto the packed-earthen floor of the hill. Running over the bottom edge of the crown so that when Balekin had lifted it, his hands had been smeared red. I imagine that crown on Oak’s brow and flinch from the image.

I remember, too, what it had felt like to be glamoured by Oak. Over and over I’d slapped myself until my cheek was red and hot and sore. A bruise bloomed the next morning, a bruise that didn’t fade for a week. That’s what children do with power.

“What makes you think I can stop it?” I demand.

Oriana doesn’t release my hand. “You once said that I was wrong about you, that you would never hurt Oak. Tell me, can you do anything? Is there a chance?”

I’m not a monster, I’d told her, back when I said I would never hurt Oak. But maybe being a monster was my calling. “Maybe,” I tell her, which is no answer at all.