The Cruel Prince (The Folk of the Air #1)(77)
I nod. If it wasn’t for Prince Dain’s geas, they might have compelled me. Of course, whether Prince Dain’s geas lasted past his death, I do not know and am afraid to find out.
“And if you take more than the day you asked for to get back, we’ll kill him and cut our losses,” the Ghost continues. “Prisoners are like damson plums. The longer you keep them, the less valuable they become. Eventually, they spoil. One day and one night. Don’t be late.”
Cardan flinches and tries to catch my eye, but I ignore him.
“I’ll agree to that,” I say, because I am no fool. None of us is feeling all that trusting at the moment. “So long as you swear Cardan will be here and hale when I return tomorrow, alone.”
And because they’re not fools, either, they swear it.
I don’t know what I expect to find when I get home. It’s a long walk through the woods, longer because I give the encampments of the Folk here for the coronation a wide berth. My dress is dirty and tattered at the hem, my feet are sore and cold. When I arrive, Madoc’s estate looks the way it always does, familiar as my own step.
I think of all the other dresses hanging in my closet, waiting to be worn, the slippers waiting to be danced in. I think of the future I thought I was going to have and the one yawning in front of me like a chasm.
In the hall, I see that there are more knights here than I am used to, coming in and out of Madoc’s parlor. Servants rush back and forth, bringing tankards and inkpots and maps. Few spare me a look.
There’s a cry from across the hall. Vivienne. She and Oriana are in the parlor. Vivi runs toward me, throws her arms around me.
“I was going to kill him,” she says. “I was going to kill him if his stupid plan got you hurt.”
I realize I have not moved. I bring one hand up to touch her hair, let my fingers slip to her shoulder. “I’m fine,” I say. “I just got swept up in the crowd. I’m fine. Everything’s fine.”
Everything is, of course, not at all fine. But no one tries to contradict me. “Where are the others?”
“Oak is in bed,” Oriana says. “And Taryn is outside Madoc’s study. She’ll be along in a moment.”
Vivi’s expression shifts at that, although I am not sure how to read it.
I go up the stairs to my room, where I wash the paint off my face and the mud off my feet. Vivi follows me, perches on a stool. Her cat eyes are bright gold in the sunlight streaming in from my balcony. She doesn’t speak as I take a comb to my hair, raking through the tangles. I dress myself in dark colors, in a deep blue tunic with a high collar and tight sleeves, in shiny black boots, with new gloves to cover my hands. I strap Nightfell onto a heavier belt and surreptitiously put the ring with the royal seal into my pocket.
It feels so surreal to be in my room, with my stuffed animals and my books and my collection of poisons. With Cardan’s copy of Alice’s Adventures in Wonderland and Through the Looking Glass sitting on my bedside table. A new wave of panic passes over me. I’m supposed to figure out how to turn the capture of the missing prince of Faerie to my advantage. Here, in my childhood home, I want to laugh at my daring. Just who do I think I am?
“What happened to your throat?” Vivi asks, frowning at me. “And what’s wrong with your left hand?”
I forgot how carefully I had concealed those injuries. “They’re not important, not with everything that happened. Why did he do it?”
“You mean, why did Madoc help Balekin?” she says, lowering her voice. “I don’t know. Politics. He doesn’t care about murder. He doesn’t care that it’s his fault Princess Rhyia is dead. He doesn’t care, Jude. He’s never cared. That’s what makes him a monster.”
“Madoc can’t really want Balekin to rule Elfhame,” I say. Balekin would influence how Faerie interacts with the mortal world for centuries, how much blood is shed, and whose. All of Faerie will be like Hollow Hall.
That’s when I hear Taryn’s voice float up the stairwell. “Locke has been in with Madoc for ages. He doesn’t know anything about where Cardan is hiding.”
Vivi goes still, watching my face. “Jude—” she says. Her voice is mostly breath.
“Madoc’s probably just trying to frighten him,” Oriana says. “You know he’s not keen on arranging a marriage in the middle of all this turmoil.”
Before Vivi can say anything else, before she can stop me, I’ve gone to the top of the stairs.
I recall the words Locke said to me after I’d fought in the tournament and pissed off Cardan: You’re like a story that hasn’t happened yet. I want to see what you will do. I want to be part of the unfolding of the tale. When he said that he wanted to see what I would do, did he mean to find out what would happen if he broke my heart?
If I can’t find a good enough story, I make one.
Cardan’s words when I asked if he thought I didn’t deserve Locke echo in my head. Oh no, he’d said with a smirk. You’re perfect for each other. And at the coronation: Time to change partners. Oh, did I steal your line?
He knew. How he must have laughed. How they all must have laughed.
“So I suppose I know who your lover is now,” I call to my twin sister.
Taryn looks up and blanches. I descend the stairs slowly, carefully.
Holly Black's Books
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)
- The Copper Gauntlet (Magisterium #2)
- The Bronze Key (Magisterium #3)