The Cruel Prince (The Folk of the Air #1)(73)
As for what he wants to keep from the revel, it could be anything.
Cardan is clever, but it’s not a nice kind of cleverness. And it’s a little too close to my own propensity for lying to be comfortable. Still, we’re free. Behind us, what should have been a celebration of a new High King continues: the shrieking, the feasting, the whirling around in endless looping dances. I glance back once as we climb, taking in the sea of bodies and wings, inkdrop eyes and sharp teeth.
I shudder.
We climb the steps together. I let him keep his possessive grip on my arm, guiding me. I let him open the doors with his own keys. I let him do whatever he wants. And then, once we’re in the empty hall in the upper level of the palace, I turn and press the point of my knife directly underneath his chin.
“Jude?” he asks, up against the wall, pronouncing my name carefully, as though to avoid slurring. I am not sure I have ever heard him use my actual name before.
“Surprised?” I ask, a fierce grin starting on my face. The most important boy in Faerie and my enemy, finally in my power. It feels even better than I thought it would. “You shouldn’t be.”
I press the tip of the knife against his skin so he can feel the bite. His black eyes focus on me with new intensity. “Why?” he asks. Just that.
Seldom have I felt such a rush of triumph. I have to concentrate on keeping it from going to my head, stronger than wine. “Because your luck is terrible and mine is great. Do what I say and I’ll delay the pleasure of hurting you.”
“Planning to spill a little more royal blood tonight?” He sneers, moving as if to shrug off the knife. I move with him, keeping it against his throat. He keeps talking. “Feeling left out of the slaughter?”
“You’re drunk,” I say.
“Oh, indeed.” He leans his head back against the stone, closing his eyes. Nearby torchlight turns his black hair to bronze. “But do you really believe I am going to let you parade me in front of the general, as though I am some lowly—”
I press the knife harder. He sucks in a breath and bites off the end of that sentence. “Of course,” he says, a moment later, with a laugh full of self-mockery. “I was passed out cold while my family was murdered; it’s hard to fall more lowly than that.”
“Stop talking,” I tell him, pushing aside any twinge of sympathy. He never had any for me. “Move.”
“Or what?” he asks, still not opening his eyes. “You’re not really going to stab me.”
“When was the last time you saw your dear friend Valerian?” I whisper. “Not today, despite the insult implied by his absence. Did you wonder at that?”
His eyes open. He looks as though I slapped him awake. “I did. Where is he?”
“Rotting near Madoc’s stables. I killed him, and then I buried him. So believe me when I threaten you. No matter how unlikely it seems, you are the most important person in all of Faerie. Whosoever has you, has power. And I want power.”
“I suppose you were right after all.” He studies my face, giving nothing away on his own. “I suppose I didn’t know the least of what you could do.”
I try not to let him know how much his calmness rattles me. It makes me feel as though the knife in my hand, which should lend me authority, isn’t enough. It makes me want to hurt him just to convince myself he can be frightened. He’s just lost his whole family; I shouldn’t be thinking like this.
But I can’t help thinking that he will exploit any pity on my part, any weakness.
“Time to move,” I say harshly. “Go to the first door and open it. When we’re inside, we’re going to the closet. There’s a passageway through there.”
“Yes, fine,” he says, annoyed, trying to push my blade away.
I hold it steady, so that the knife cuts into his skin. He swears and puts a bleeding finger in his mouth. “What was that for?”
“For fun,” I say, and then ease the blade from his throat, slowly and deliberately. My lip curls, but otherwise I keep my expression as masklike as I know how, as cruel and cold as the face that reoccurs in my nightmares. It is only as I do it that I realize who I am aping, whose face frightened me into wanting it for my own.
His.
My heart is hammering so hard I feel sick.
“Will you at least tell me where we’re going?” he asks as I shove him ahead of me with my free hand.
“No. Now move.” The growl in my voice is all mine.
Unbelievably, he does, swaying as he makes his way down the hall and then into the study I indicate. When we get to the hidden passageway, he crawls in with only a single inscrutable glance back at me. Maybe he’s even drunker than I thought.
It doesn’t matter. He’ll sober up soon enough.
The first thing I do when I get to the nest of the Court of Shadows is tie Prince Cardan to a chair with shredded pieces of my own dirty dress. Then I remove both of our masks. He lets me do it all, an odd look on his face. No one else is there, and I have no idea when anyone might come back, if they will at all.
It doesn’t matter. I can manage without them.
I have made it this far, after all. When Cardan found me, I knew that having control of him was the only path to having some control over the fate of my world.
I think of all the vows I made to Dain, including the one I never spoke out loud: Instead of being afraid, I will become something to fear. If Dain isn’t going to give me power, then I am going to take it for myself.
Holly Black's Books
- Book of Night
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Queen of Nothing (The Folk of the Air #3)
- How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5)
- The Wicked King (The Folk of the Air #2)
- The Cruel Prince (The Folk of the Air #1)
- The Golden Tower (Magisterium #5)
- The Silver Mask (Magisterium #4)
- The Copper Gauntlet (Magisterium #2)
- The Bronze Key (Magisterium #3)