One Day in December(61)

‘How about something like this?’ Sarah says, holding up a silvery white shimmer of art deco material. It’s beautiful, but very detailed and looks like it fishtails at the bottom. On Sarah, it would be stunning. It’s on the tip of my tongue to say how fantastic she’d look in it herself, like a mermaid-bride, but then I remember the compact Jack and I found for her that Christmas and I hold my tongue. To be honest, that afternoon is the last day I want to think about either. I’m proud of how she’s refused to sink into self-pity since she and Jack split; she’s out there putting her best foot forward as always, and I know she’s been out a couple of times with Luke, though she doesn’t talk about it much. I think neither of them are in any hurry to put a label on what’s happening between them, it’s too early – but all the same, I’m glad he’s there in her life.

‘I was thinking something more simple,’ I say, slowly sliding the dresses along on the rail to look at them. We spend a happy ten minutes pulling them all out and laying aside the ones I like, or they like so much I agree to try on. Although it’s not my favourite experience ever, I can’t think of anyone I’d rather do this with than Mum and Sarah. I was a little bit low last night, imagining how it would have been to have Ginny with me for this, but Sarah somehow makes it all okay.

Gwenda glides over and claps lightly. ‘Looks like we’re going great guns here,’ she says, her eyes moving over the dresses we’ve hung on the special gold rail she ceremonially wheeled across to us earlier. ‘Mum, matron of honour, this way.’ She grasps their elbows and ushers them through a curtain with the steely force of a prison officer. I stand on the spot for a sec, then my curiosity gets the better of me and I poke my head through to see what’s happening. Oh, I see. This is where the champagne happens. Mum and Sarah are sitting on dusky-pink velvet thrones being handed chilled champagne flutes by a younger assistant.

‘Chloe will be here if you need a top-up, ladies,’ Gwenda twinkles. Sarah catches my eye, and the unadulterated humour in her eyes makes the insults I’ve endured up to now worthwhile. This is the happiest I’ve seen her in weeks. I’d dithered over whether to even ask her in case it upset her, but in the end she invited herself, as she does. Looking at her now with her legs crossed, swigging champagne, I’m glad she did.

Gwenda does a little bow, as if we’re actors about to pop back behind the curtain. ‘I’m going to spirit the bride away now and create some magic! We’ll be back anon.’ She glances at her assistant. ‘Tissues at the ready, Chloe!’

I sense a well-oiled performance as Chloe picks up a floral padded box of tissues and lays them ceremonially on the glass table between Mum and Sarah. I cast a slightly panicked glance over my shoulder at them as I’m steered away and they both raise their glasses in toast and do absolutely nothing to help me.

Gwenda has chosen the dress my mum picked out for me to try first. I don’t argue; this is her rodeo. She’s made me strip down to my eight-way one piece, and she’s standing behind me in the changing room with the dress over her arm. When I say changing room, I don’t mean a cubicle at the back of the shop with an ill-fitting curtain to pull across. I mean an actual room surrounded with mirrors. I’m like a ballerina in one of those mirror-lined music boxes.

‘This one is called the Vivienne,’ she says, pronouncing the name in a French accent and shaking the dress out so the sequins send shivers of light around the room. It’s fussier than I’d choose, with a heavily beaded bodice and layers of netted skirt. I follow her instructions, stepping into it carefully as she unbuttons it. I watch my reflection as she fastens me in, fixing all kinds of clips along the back so that it pinches in at the waist, then fanning out the layers of netting.

As I stare into the mirror, the weirdest thing happens. I slowly turn into a bride in front of my own eyes. It’s a shock. I’ve been swept along with the tide of Oscar and his mother’s enthusiasm, and somewhere along the line I’ve forgotten that this is my wedding day we’re planning, my once in a lifetime.

Gwenda is watching me, shrewd blue eyes over my shoulder.

‘Your mother was right, perhaps,’ she says, suddenly more serious.

‘It’s not that,’ I say, still staring at myself as if I’m looking into one of those magic mirrors where a different you is reflected in the glass. I half expect the bride in the mirror to wink at me, she’s so alien. ‘It’s me … I’m …’

‘A bride?’ She smiles sagely. ‘A lot of women feel a bit of a shock when they put their first wedding dress on. It’s certainly a special moment, isn’t it?’

I’m not sure Gwenda totally understands, but then I can’t quite articulate it either, so I just nod.

‘My goodness! If it has this effect on you, imagine how your groom is going to feel,’ she coos, probably as she has to many other brides standing in this exact spot. ‘There he’ll be, the man you’ve always dreamed of waiting for you at the altar, about to turn round and get his first glimpse of his blushing bride.’ She sighs, pure theatre. ‘It’s a precious moment.’

I stand completely still, her words swirling around my head so clearly it’s a wonder I can’t see them in the mirror. I see myself as Oscar and all our guests will see me as I walk up the aisle.