Geek Girl (Geek Girl, #1)(34)



“She gets that from her stepmother,” Dad explains and I quickly try to calculate how much injury I’ll cause if I wait until there’s a red light and then just casually kick Dad’s car door open.

“I didn’t know you’d be here,” I say as nonchalantly as I can.

Nick shrugs. “I got the Baylee gig a while ago,” he says as if he’s just landed a Saturday job at the local supermarket. “They were just waiting to find the right girl.”

Oh my God. I’m the Right Girl? I’m usually the Girl That Will Have To Do I Suppose Because That Other One Got Chicken Pox (Year Five play Cinderella).

Wilbur leans forward. “Plum-pudding,” he says in an awe-filled voice. “He’s done it all. Gucci, Hilfiger, Klein, Armani. Barely sixteen years old and one of the most successful young male models in London. You’re very lucky to work with him, my little Pot of Bean Paste. He can hold your hand. Walk you through it.”

I look briefly at Nick’s hand. I wish, I think wistfully. And then my cheeks go pink.

“It’s nothing to be worried about, honestly,” Nick says in a calm voice, staring out of the window. “We rock up, we do our job, we get snowed on, we go home again. It’s no biggy.”

I nod quickly, my whole head now zinging with nerves. No biggy. The closer we get, the more real it’s starting to feel, and the more I can feel the panic rising. The last few days have been less like a funfair rollercoaster and more like one of those round balls they strap astronauts into in preparation for space. I’m never quite sure which way is up any more.

But it’s fine: this is no biggy. It’s just me, Dad and Wilbur, hanging out in Moscow for twenty-four hours, taking photos. Casual, breezy photos, with a really expensive camera. And one of London’s top male models and a famous photographer. And maybe fashion legend Yuka Ito drinking coffee 100 metres away and switching lights on and off with a disgusted look on her face. Just six people and one of them is Lion Boy.

No biggy. Sure.

My heart is starting to hammer like one of the little toy soldiers in a Christmas cartoon, and my mouth has gone suddenly fuzzy. I lick my lips and try to focus. This is what I wanted. This was my choice. This is what I’m lying for. And what’s the point if I’m so scared I can’t enjoy my own transformation?

I look out of the window while I try to calm my breathing down. It is really beautiful. The buildings are massive and majestic, everyone is wrapped up in furry hats and scarves and there are Christmas lights twinkling between the snowflakes. And every so often, if you look really hard, it’s possible to see a man in uniform, standing on a corner with a massive gun in his hands.

Which distracts a little bit from the Christmas ambience, but still.

And then there’s the river: huge and shining with the lights stretching out in reflections across the water. Exactly like the books I have at home and much, much better than La Seine in Paris.

Which is not being racist towards rivers. I’m just saying.

“We’re nearly here, my little Chocolate-drops,” Wilbur says as the taxi turns a corner. “Baby-baby Unicorn, how are you feeling? Calm? Cool? Deeply and irretrievably fashionable?”

I give the least convincing nod of my life. “I feel fine,” I lie as the taxi stops. My hands suddenly feel like live fish in my lap: all slippery and incapable of staying still. “I feel great,” I continue, looking out of the window. “I feel—”

Then I stop. Because in front of us is a huge square, filled with snow. On one side is an elaborate red wall and on the other side is a large white palace, delicately carved. I know that if I was to turn round, there would be a red castle behind us, but directly in front of us is the most beautiful building I have ever seen. Red, and blue, and green, and yellow, and striped and starred and carved like the most expensive cake you could possibly imagine.

And in front of that are about thirty-five people, sixty lights, trailers, chairs, hangers full of clothes, clusters of passers-by and – inexplicably – a small white kitten on a pillow, wearing a lead.

And it looks like every single one of them is waiting for us.





ion Boy lied.



There’s no other way of putting it: he totally and utterly lied. This is a biggy, in every possible sense of the word. As soon as we get out of the taxi in Red Square – which is where I’ve already worked out we are – we’re surrounded. It’s like being in some kind of zombie movie, except that instead of the undead wearing ripped clothes and trying to eat us, it’s fashionable people wearing black and fur and trying to talk to us about our journey.

“At last!” somebody shouts at the back. “They’re finally here!”

“Sweetums,” Wilbur announces as he gets majestically out of the car. The snow has slowed down, but Wilbur still opens a huge umbrella in case his hair gets “damp”. “I’d like to say it was the traffic, but it really wasn’t. It’s just so much easier making an entrance when everybody’s waiting already, isn’t it?”

I’m glaring at Nick so hard that my eyebrows are starting to hurt. “No biggy?” I hiss as we’re helped out into the snow. “No biggy?”

Nick grins at me and shrugs. “Oh, come on,” he says in a low voice. “If I’d told you the truth, you’d have just tried to climb out of the taxi window.”

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