Geek Girl (Geek Girl, #1) by Holly Smale
my name is Harriet Manners, and I am a geek.
I know I’m a geek because I’ve just looked it up in the Oxford English Dictionary. I drew a little tick next to all the symptoms I recognise, and I appear to have them all. Which – and I should be perfectly honest here – hasn’t come as an enormous surprise. The fact that I have an Oxford English Dictionary on my bedside table anyway should have been one clue. That I keep a Natural History Museum pencil and ruler next to it so that I can neatly underline interesting entries should have been another.
Oh, and then there’s the word GEEK, drawn in red marker pen on the outside pocket of my school satchel. That was done yesterday.
I didn’t do it, obviously. If I did decide to deface my own property, I’d choose a poignant line from a really good book, or an interesting fact not many people know. And I definitely wouldn’t do it in red. I’d do it in black, or blue, or perhaps green. I’m not a big fan of the colour red, even if it is the longest wavelength of light discernible by the human eye.
To be absolutely candid with you, I don’t actually know who decided to write on my bag – although I have my suspicions – but I can tell you that their writing is almost illegible. They clearly weren’t listening during our English lesson last week when we were told that handwriting is a very important Expression of the Self. Which is quite lucky because if I can just find a similar shade of pen, I might be able to slip in the letter R in between G and E. I can pretend that it’s a reference to my interest in ancient history and feta cheese.
I prefer Cheddar, but nobody has to know that.
Anyway, the point is: as my satchel, the anonymous vandal and the Oxford English Dictionary appear to agree with each other, I can only conclude that I am, in fact, a geek.
Did you know that in the old days the word ‘geek’ was used to describe a carnival performer who bit the head off a live chicken or snake or bat as part of their stage act?
Exactly. Only a geek would know a thing like that.
I think it’s what they call ironic.
ow that you know who I am, you’re going to want to know where I am and what I’m doing, right? Character, action and location: that’s what makes a story. I read it in a book called What Makes a Story, written by a man who hasn’t got any stories at the moment, but knows exactly how he’ll tell them when he eventually does.
So.
It’s currently December, I’m in bed – tucked under about fourteen covers – and I’m not doing anything at all apart from getting warmer by the second. In fact, I don’t want to alarm you or anything, but I think I might be really sick. My hands are clammy, my stomach’s churning and I’m significantly paler than I was ten minutes ago. Plus, there’s what can only be described as a sort of… rash on my face. Little red spots scattered at totally random and not at all symmetrical points on my cheeks and forehead. With a big one on my chin. And one just next to my left ear.
I take another look in the little hand-held mirror on my bedside table, and then sigh as loudly as I can. There’s no doubt about it: I’m clearly very ill. It would be wrong to risk spreading this dangerous infection to other, possibly less hardy, immune systems. I shall just have to battle through this illness alone.
All day. Without going anywhere at all.
Sniffling, I shuffle under my duvets a little further and look at my clock on the opposite wall (it’s very clever: all the numbers are painted at the bottom as if they’ve just fallen down, although this does mean that when I’m in a hurry, I have to sort of guess what the time is). Then I close my eyes and mentally count:
10, 9, 8, 7, 6, 5, 4, 3, 2…
At which point, absolutely on cue as always, the door opens and the room explodes: hair and handbag and coat and arms everywhere. Like a sort of girl bomb. And there, as if by very punctual magic, is Nat.
Nat – for the record – is my Best Friend, and we are so utterly in tune that it’s like we have one brain, divided into two pieces at birth. Or (more likely) two brains, entwined shortly afterwards. Although we didn’t meet until we were five years old, so obviously I’m speaking metaphorically or we’d both be dead.
What I’m trying to say is: we’re close. We’re harmonised. We’re one and the same. We’re like a perfect stream of consciousness, with never a cross word between us. We work with perfect, unquestioning synergy. Like two dolphins that jump at exactly the same time and pass the ball to each other at Sea World.
Anyway. Nat takes one step into the room, looks at me, and then stops and puts her hands on her hips.
“Good morning,” I croak from under the covers, and then I start coughing violently. Human coughs release air at roughly 60mph, and without being vain, I’d like to think that mine reaches 65mph or 70mph minimum.
“Don’t even think about it,” Nat snaps.
I stop coughing and look at her with my roundest, most confused eyes. “Hmmm?” I say innocently. And then I start coughing again.
“I mean it. Don’t even think about thinking about it.”
I have no idea what she’s talking about. The fever must be making my brain swell.
“Nat,” I say feebly, closing my eyes and pressing my hand against my head. I’m a shell of the person I used to be. A husk. “I have bad news.” I open one eye and take a peek round the room. Nat still has her hands on her hips.