Fire Inside (Chaos, #2)(60)

I had no idea what to say to that so I just said a breathy, “Okay.”

His repeated, “Okay,” was not breathy but I got breathier, and this was because his hand at my neck was putting pressure on, his eyes dropped to my mouth and I knew he was going to kiss me.

I wasn’t wrong.

In a rough but cool bar, with the delicious mix of beer and Hop on his tongue, Hopper Kincaid kissed me like he always kissed me, thoroughly and beautifully.

I kissed him back like I always kissed him, happily and dazedly.

He pulled back but even as he did, his hand slid from my neck to my jaw and his thumb swept out and he did what he sometimes did after we had sex (or before or, it could happen, during). His thumb moved over my lips, putting pressure on, dragging my lower lip with it as he watched my mouth intently.

There was something about this crude but intimate gesture I didn’t quite get but I liked. It was claiming. It was like he was taking me in, through touch and sight.

No, not taking me in, branding me. My lips were his. No one else’s. Hopper Kincaid’s. And doing that, beyond my lips, everything that was me, staking his claim at a place so intimate as my mouth, was his too.

Me.

All of me.

His.

I felt that warmth settle around my heart at the same time I felt a tickle up my spine and the tip of my tongue slid out slightly, tasting the salt of his thumb.

His eyes watched my tongue before they cut to mine. His thumb swept away and the pads of his fingers dug in as he yanked me to him, this time forcefully. His mouth slamming on mine, again Hop kissed me like he often kissed me, thoroughly, beautifully but also deep, wet, rough and long.

And I kissed him back like I always kissed him. Happily and dazedly but, this time, more of both.

The kiss only ended when we heard the sounds of a live (loud) rock band suddenly crashing our way. At the sound of cheers from the crowd, Hop’s lips left mine and we both turned to the stage.

Five men, all Hop and my age, all around (but not quite) Hop’s gorgeousness (except the drummer who was, alas, not all that good-looking but his manic smile and his clear talent with a backbeat made up for it in a huge way), were on the stage rocking right the heck out.

Within the first few notes, the crowd went wild, especially the women—whose ages ranged from too young to be in a bar to women who either had ten decades on me or needed more moisturizer—that were dancing up front.

During the first two songs I realized I’d been so into Hop I hadn’t noticed that this wasn’t a live-band-at-the-local-biker-bar crowd, but that the vastness of bodies taking up the soon heaving space in front of the stage meant this band was a big draw.

There was a reason why.

The band wasn’t good. They were fantastic.

So fantastic, I wondered why they were playing a local biker bar. The only reason I could come up with was that the music they played with ease and sheer, swelling rock goodness, were all covers.

Luckily, the stage was up high so the mass of bodies out front didn’t limit our view. Although every muscle in my body was screaming at me to get up and move to the beat, sing out loud and enjoy the vibe, Hop’s arm around my chair kept me anchored, slouched into him, tapping the beat with my toe.

But I did it smiling.

It was after song five when the lead singer stopped the music in order to speak into his microphone.

“Those of you who been with us for years, you’ll know, sixteen years ago, we lost the best front man in the business. Tonight, you give him a yell, he might come up here and show you how we used to do it. Caid! Why don’t you get your ass up here?”

I found this confusing—not only the wall of sound from the crowd that concluded this announcement, but also the fact that the lead singer seemed to be looking directly at Hop.

It hit me that “Caid” was Hop when I heard him mutter, “Fuckin’ shit.”

Part of the older contingent of groupies started to chant, “Caid, Caid, Caid!”

Still, I was stunned when Hop leaned into me and murmured in my ear, “Be back, babe,” before he straightened from his chair and headed around the table.

“Oh my God,” I whispered to no one as I watched Hop wind his way through the crowd to pats on his back, applause, and come-hither eyes.

He took a big step up to the stage, and I watched him do a man hug with the lead singer before moving to shake hands with the bassist and give a chin lift to pianist, keyboard guy, and drummer. A guy who appeared to be a roadie ran on stage with a guitar.

“Oh my God,” I repeated as Hop looked at the guitar, then wrapped a hand around its neck and lifted the strap over his head.

Hop played guitar.

Hop had been in a rock band.

Oh my God!

He was looking down, strumming the instrument like he was getting used to it, when the roadie handed him an amp plug and he shoved it into the guitar.

Another cheer rose from the crowd.

He was going to sing.

And play.

Hopper Kincaid, badass biker and hot guy, was going to sing and play with a rock band.

I wasn’t surprised when I immediately felt my panties get wet (or wetter, considering his last kiss started that action).

I watched Hop do a lips-to-ear brief chat with the lead singer. The lead nodded enthusiastically, grinning like a lunatic, then he turned to his band and shouted something I couldn’t hear.

Hop went to the microphone that was front and center.