Driven(book one)(14)



Zander is static. He is in the same mute state he’s been in for the past three months he’s been in my care. He is curled into himself, an impassive expression on his face as he watches the muted television with large, haunted eyes. He has his beloved stuffed dog, ratty and coming apart at the seams, a lifeline held tightly against his chest. His wavy brown hair curls softly at the nape of his neck. He desperately needs a haircut, but I can still hear his terrified shrieks from a month ago when he caught sight of the scissors as I approached him with the suggestion of a trim.

“No change, Jax?” I murmur to Jackson who has walked up beside me, keeping my eyes on Zander.

“Nope.” He sighs loudly, empathy rolling off him in waves. He continues in a muted tone, “His appointment with Dr. Delaney was the same. She said he just stared at her while she tried to get him to participate in the play therapy.”

“Something is going to trigger him. Something will snap him out of his shock. Hopefully it will be sooner rather than later so we can try and limit damage done to his subconscious.” I hold back my sorrow for the lost little boy, “And help the police figure out what happened.”

Zander had come to us after the police found him covered in blood in his house. He had been trying to use a box of band-aids to stop the bleeding from the stab wounds that covered his mother. A neighbor walking her dog had overheard his mother’s strangled cries for help and called the police. She had died before they arrived. It is assumed that Zander’s father had committed the murder, but without Zander’s statement, it’s a relative mystery as to the events that led up to the actual act. With his father missing, he’s the only one who knows what happened that night.

Zander has not uttered a word in the three months since his mother’s murder. It’s my job to make sure we provide for him in every way possible so that he can dig his way out of the catatonic, repressed state he’s in. Then we can help him and begin the lengthy process of healing.

I turn from the heartbreak that is Zander and work with Jackson to get dinner finished. We work in sync, side-by-side, like an old married couple for we’ve had this shift together for the past two years. We can anticipate each other’s movements from repetitive practice.

We both work in silence, listening to the flurry of activity that is The House, mentally aware of the activities of the seven boys as well as what’s still needed to be done.

“So I heard the benefit was a success—with an unexpected entrant in the auction,” he wiggles his eyebrows at me and I roll my eyes in response before turning back to the sink, “and one hot and heavy make-out session backstage.”

I drop the knife I’m washing, clattering loudly against the stainless steel basin. I’m grateful that my back is to Jackson so that he can’t see the stunned look on my face. What the hell? Someone must have seen me with Donavan. I have to remind myself to breathe as I panic, trying to figure out how to respond. I don’t need my staff gossiping about my backstage encounter.

“What—what do you mean?” I try to sound casual, but I hope I am the only one who can hear the distress in my voice. I turn the water off, waiting for the response.

Jackson laughs his deep, hearty laugh. “I would have loved to see you in action, Ry.”

Shit, shit, shit! My heart races. How am I going to explain this one? I feel warmth on my cheeks as my flush spreads. I open my mouth to answer him when he continues.

“Parading around on stage in the event you so desperately fought against.” I can hear the amusement in his voice. “My God, you must have been pissed!”

“You have no idea.” My response is almost a whisper. I have nothing left to wash but I keep my back to him, afraid if he sees my face, the questions will start.

“And then Bailey told me she met this hot guy—her words, not mine—and lured him backstage in typical Bailey fashion and had a hot and heavy make-out session with him.”

I release the breath I’m holding, grateful that it was our intern Bailey bragging about her exploits rather than gossiping about her boss’s. And then I realize that sexy siren Bailey, whom all the guys at work want to date, was most likely Donavan’s first conquest on Saturday night.

If that were the case, why would he want to go from the auburn-haired bombshell with legs for days to me? Talk about reinforcing my feeling of being second choice.

I blow my hair up out of my face. “Well, you know Bailey,” I counter, trying to phrase my next words carefully, “She definitely likes to have her fun.”

Jax laughs at me, patting my back as he walks by, “That was a nice way of putting it,” he says as he starts to make the boys’ school lunches for the next day. “She’s a great girl, works hard, the kids love her … just not a girl I’d want my son to date.”

I murmur an agreement thinking about our beguilingly sweet intern, who is only five years my junior, and her free ways. A part of me has always been jealous of girls like her. Girls who throw caution to the wind in spontaneity and live their life without regrets; kiss random boys recklessly, take spur of the moment road trips, and are always the life of the party. I often worry that one day I’ll look back on my life and feel like I haven’t lived. That I haven’t taken enough chances, sowed my wild oats, or ventured outside my comfort zone.

My life is safe, predictable, controlled, and always in order. I like it that way most of the time. It’s not that I’m not jealous of her because she kissed Donavan first (well maybe a little), but rather that she lives without regrets.

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