Believe Me (Shatter Me, #6.5) (9)

I couldn’t decide between the two.

Kenji told me it was stupid to get two rings, but as I seldom care for Kenji’s opinions, I’d ignored him. Now, as I stare at the set, I wonder if she will think me absurd. One is meant to be an engagement ring, and the other a wedding band—but they are both equally stunning, each in their own way.

The engagement ring is more traditional; the gold band is ultrathin, simple and elegant. There is a single center stone—repurposed from an antique—and though it’s quite large, it seemed to me a study in contrasts that reflected how I saw Ella: both powerful and gentle. The jeweler had sent me a selection of stones, each extracted from rings salvaged from different eras. I’d been fascinated by the unusual faceting of an old mine cut diamond. It had been forged by hand a very, very long time ago and was, as a result, slightly imperfect, but I liked that it wasn’t machine-made. The tedious, painful honing of a dull but unbreakable stone into a state of dazzling brilliance—it seemed appropriate.

Kenji had assured me there was such a thing as a princess-cut diamond, which he thought would be a hilarious choice for Ella, as it recalls his ridiculous nickname for her. I told him I had no interest in choosing a ring based on a joke; neither did I want my wife’s wedding ring reminding her of another man. Besides, when I saw the shape of the stone in question, it felt wrong. The square was too sharp—all hard edges. It didn’t remind me of Ella at all.

I asked that the antique stone be placed in a lightly filigreed, brushed-gold setting, the whisper-thin band of which I wanted to resemble an organic, delicate twig. This design is matched in the wedding band: a fine, curving branch rendered in gold, bare but for two tiny emerald leaves growing on opposite sides of the same path.

“It’s really beautiful, man. She’s going to love it.”

I snap the box shut, returning to the present moment with a disorienting jolt. I look up to discover a contemplative Kenji has been watching me too closely; and I feel so suddenly uncomfortable in his presence that I fantasize, for a moment, about disappearing.

Then, I do.

“Son of a bitch,” Kenji says angrily. He runs both hands through his hair, glaring at the place I stood. I tuck the velvet box into my pocket and turn down the path.

The dog barks twice.

“That’s real mature, bro,” Kenji shouts in my direction. “Very nice.” Then—acidly—“And you’re welcome, by the way. Dickhead.”

The dog, still barking, haunts me all the way to the war room.





FOUR


The unvarnished wooden table has been worn smooth over the years, its raw edges buffed into submission by the calloused hands of rebels and revolutionaries. I run my fingers along the natural grooves, the faded age lines of a long-dead tree. The soft tick of a hanging clock signals what I already know to be true: that I have been here too long, and that every passing second costs me more of my sanity.

“Warner—”

“Absolutely not,” I say quietly.

“We’ve hardly even discussed it. Don’t dismiss the idea outright,” Nouria says, her flat tone doing little to hide her true frustration, simmering too close to the surface. But then, Nouria is seldom able to hide how much she dislikes me.

I shove away from the table, my chair scraping against wood. It should probably concern me how easily my mind turns to murder for a solution to my problems, but I cannot now dissect these thoughts.

They separated me from Ella for this.

“You already know my position on the matter,” I say, staring at the exit. “And it’s not changing.”

“I understand that. I know you’re worried about her safety—we’re all worried about her safety—but we need help around here. We have to be able to bend the rules a little.”

I meet Nouria’s eyes then, my own bright with anger. The room shifts out of focus around her and still I see it: dark walls, old maps, a feeble bookshelf stocked with a collection of chipped coffee mugs. The air smells stale. It’s depressing in here, shafts of sunlight slicing us all in half.

Things have been far from easy since we took power.

Those who lived well under the reign of The Reestablishment continue to cause us trouble—disobeying missives, refusing to leave their posts, continuing to rule their fiefdoms as if The Reestablishment were still at large. We don’t have enough resources quite yet to track all of them down—most of whom know they will be promptly arrested and prosecuted for their crimes—and while some are bold enough to remain at their posts, others have been smart enough to go into hiding, from where they’ve been hiring mercenaries to carry out all manner of espionage— and inevitably, assassinations. These ex-officials are convening, recruiting ex-supreme soldiers to their side, and attempting to infiltrate our ranks in order to break us from within. They are perhaps the greatest threat to all that we are struggling to become.

I am deeply concerned.

I say little about this to Ella, as she’s only just come back to herself in recent days, but our grasp on the world is tenuous at best. History has taught us that revolutions often fail—even after they’ve won—for fighters and rebels are often unequipped to handle the crushing weight of all they’ve fought for, and worse: they make for terrible politicians. This is the problem I’ve always had with Castle, and now with Nouria and Sam.