Believe Me (Shatter Me, #6.5) (5)

I’m the only one allowed to call her Ella now.

It’s just for us. A tether to our shared history, a nod to our past, to the love I’ve always felt for her, no matter her name.

I watch her as she laughs with her friends, as she pulls a hammer free from Winston’s tool belt and pretends to hit Kenji with it—no doubt for something he deserves. Lily and Nazeera come out of nowhere, Lily carrying a small bundle of a dog she and Ian saved from an abandoned building nearby. Ella drops the hammer with a sudden cry and Adam jumps back in alarm. She takes the filthy beast into her arms, smothering it with kisses even as it barks at her with a wild ferocity. And then she turns to look at me, the animal still yipping in her ear, and I realize there are tears in her eyes. She is crying over a dog.

Juliette Ferrars, one of the most feared, most lauded heroes of our known world, is crying over a dog. Perhaps no one else would understand, but I know that this is the first time she’s ever held one. Without hesitation, without fear, without danger of causing an innocent creature any harm. For her, this is true joy.

To the world, she is formidable.

To me?

She is the world. So when she dumps the creature into my reluctant arms, I hold it steady, uncomplaining when the beast licks my face with the same tongue it used, no doubt, to clean its hindquarters. I remain steady, betraying nothing even when warm drool drips down my neck. I hold still as its grimy feet dig into my coat, nails catching at the wool. I am so still, in fact, that eventually the creature quiets, its anxious limbs settling against my chest. It whines as it stares at me, whines until I finally lift a hand, drag it over its head.

When I hear her laugh, I am happy.





THREE


“Warner?”

“Mr. Warner?”

The invocation of my name in stereo nearly startles me; I absorb this surprise with practiced calm, carefully releasing the dog to the ground. I begin to turn in the direction of the familiar voices, but the liberated creature decides to do nothing with its freedom, instead lifting a paw to my trousers as it whines, yet again, its upturned face imploring me to do something.

Feed it? Pet it?

It barks then, and I spare it a single sharp look, after which it quiets, eyes cast down as its mangy body slumps to the ground, head resting on its paws. The dog settles so close to me its little black snout bumps my boot. I sigh.

“Mr. Warner?” Castle, again.

He and his daughter, Nouria, are staring at me, the latter breaking eye contact only to shoot her father a nearly imperceptible look of frustration.

I glance between them. Clearly, the two still haven’t fully settled the specifics of their roles around here.

“Yes?” I say, even as a feeling of unease blooms in my chest.

Castle and Nouria have come to collect me for a private conversation; I can sense this right away. That my mind reaches for anger in response is irrational—I understand this even as it happens—for they cannot know the fear I experience when I leave Ella behind. I have a sudden need to search for her eyes then, to reach for her hand, and I crush the impulse even as my heart rate climbs, a symptom of the new panic lately born in my body. These reactions began shortly after we returned to the Sanctuary; when, to the soundtrack of horrified screams, Ella’s limp figure was carted off the plane and planted in the medical tent, where she lived and slept for ten of the fourteen days we’ve been back. It has been, in a word—difficult. And now, whenever I can’t see her, my brain tries to convince me she’s dead.

Castle says, “Could we steal you for a brief window? Something urgent has come up, and w—”

Nouria presses pause on this statement with a gentle touch to her father’s forearm. Her smile is forced.

“I’ll need only a few minutes of your time,” she says, glancing briefly at someone—Ella, probably—before meeting my eyes again. “I promise it won’t take long.”

I want to say no.

Instead, I say, “Of course,” and finally compel myself to look at Ella, whose steady gaze I have been avoiding. I smile at her as my brain attempts to override its own instincts, to do the calculus necessary to prove my fears a manifestation of an imaginary threat. Every day that Ella remains alive and well is a victory, a concrete set of numbers to add to a column, all of which make it easier for me to do this math; I’m able to process the panic a bit faster now than I did those first few nights. Still—despite my efforts to keep this from her—I have felt Ella watch me. Worry.

Even now, my smile has not convinced her.

She scrutinizes my eyes as she presses a bouquet of newly acquired tools—screwdrivers?—into Kenji’s arms. She walks over to me and promptly takes my hand and I’m dealt the blow of an emotional eye roll from our audience. It is a miracle, then, that Ella’s love is louder; and I’m so grateful for the reassurance of her touch it pierces me through the chest.

“What’s going on?” she says to Nouria. “Maybe I can help.”

I catch a note of worry from Nouria then, and, impressive: it never touches her features. She grins when she says, “I think you have enough to do today. Warner and I just have some things we need to discuss. Privately.”

She says this last bit in a teasing way, the implication that our discussion might have something to do with the wedding. I stare intently at Nouria, who will not now meet my eyes.