Beautiful Ruins (3)
But a beach was something the fishermen could at least understand; after all, there were beaches in Monterosso al Mare and in the Riviera towns to the north, where the town’s fishermen sold the bulk of their catches. When Pasquale announced his intention to carve a tennis court into a cluster of boulders in the cliffs, however, the fishermen declared Pasquale even more unhinged than his father. “The boy has lost his sense,” they said from the small piazza as they hand-rolled cigarettes and watched Pasquale scamper over the boulders marking the boundaries of his future tennis court with string. “It’s a family of pazzi. Soon he’ll be talking to cats.” With nothing but steep cliff faces to work with, Pasquale knew that a golf course was out of the question. But there was a natural shelf of three boulders near his hotel, and if he could level the tops and cantilever the rest, he thought he could build forms and pour enough concrete to connect the boulders into a flat rectangle and create—like a vision rising out of the rocky cliffs—a tennis court, announcing to visitors arriving by sea that they had come upon a first-class resort. He could close his eyes and see it: men in clean white pants lobbing balls back and forth on a stunning court projecting out from the cliffs, a glorious shelf twenty meters above the shoreline, women in dresses and summer hats sipping drinks beneath nearby parasols. So he chipped away with a pick and chisels and hammers, hoping to prepare a large enough space for a tennis court. He raked his dusting of sand. He tossed rocks in the sea. He endured the teasing of the fishermen. He peeked in on his dying mother. And he waited—as he always had—for life to come and find him.
For eight months after his father’s death, this was the sum of Pasquale Tursi’s life. And if he wasn’t entirely happy, he wasn’t unhappy, either. Rather, he found himself inhabiting the vast, empty plateau where most people live, between boredom and contentment.
And perhaps this is where he would have always lived had not the beautiful American arrived on this cool, sunny afternoon, Pasquale standing chest-deep in the water twenty meters away, watching the mahogany boat come to rest against the wooden bollards of the pier, the woman standing in the stern, gentle wind ruffling the sea around her.
She was impossibly thin, and yet amply curved, the beautiful American. From Pasquale’s vantage in the sea—sun flickering behind her, wind snapping her wheat-blond hair—it was as if she were another species, taller and more ethereal than any woman he’d ever seen. Orenzio offered her a hand, and after a moment of hesitation she took it. He helped her from his boat onto the narrow pier.
“Thank you,” came an uncertain voice from beneath the hat, and then, “Grazie,” the Italian word breathy and unpracticed. She took her first step toward the village, seemed to stagger a moment, and then regained her balance. It was then that she pulled the hat off to get a look at the village, and Pasquale saw her full features and was mildly surprised the beautiful American wasn’t . . . well . . . more beautiful.
Oh, she was striking, certainly, but not in the way he’d expected. First, she was as tall as Pasquale, nearly six feet. And from where he stood, weren’t her features a bit too much for such a narrow face—plunging jawline so pronounced, mouth so full, eyes so round and open that she seemed startled? And could a woman be too thin, so that her curves seemed sudden, alarming? Her long hair was pulled back into a ponytail and her skin was lightly tanned, drawn tight over features that were somehow at once too sharp and too soft—nose too delicate for such a chin, for such high cheeks, for those big dark eyes. No, he thought, while she was striking, this was no great beauty.
But then she turned directly to him, and the disparate features of her drastic face came together as a single, perfect thing, and Pasquale recalled from his studies how some buildings in Florence could disappoint from various angles and yet always presented well in relief, always photographed well; that the various vantages were made to be composed; and so, too, he thought, some people. Then she smiled, and in that instant, if such a thing were possible, Pasquale fell in love, and he would remain in love for the rest of his life—not so much with the woman, whom he didn’t even know, but with the moment.
He dropped the rock he was holding.
She glanced away—right, then left, then right again—as if looking for the rest of the village. Pasquale flushed over what she must be seeing: a dozen or so drab stone houses, some of them abandoned, clinging like barnacles to the cliff seam. Feral cats poked around the small piazza, but otherwise all was quiet, the fishermen out in their boats for the day. Pasquale sensed such disappointment when people hiked in accidentally or arrived by boat through a mistake in cartography or language, people who believed they were being taken to the charming tourist towns of Portovenere or Portofino only to find themselves in the brutto fishing village of Porto Vergogna.
“I’m sorry,” the beautiful American said in English, turning back to Orenzio. “Should I help with the bags? Or is it part of . . . I mean . . . I don’t know what has been paid for and what hasn’t.”
Done with devilish English after that “beach” business, Orenzio merely shrugged. Short, jug-eared, and dull-eyed, he carried himself in a manner that often suggested brain damage to tourists, who were so impressed by this slack-eyed simpleton’s ability to operate a motorboat that they tipped him lavishly. Orenzio, in turn, surmised that the duller he behaved, and the less English he mastered, the more he would be paid. So he stared and blinked stupidly.