The Widower's Two-Step (Tres Navarre #2)(59)



I bumped along Serra Road with rocks pinging into the wheel wells of the VW. The air was the temperature of bathwater and had a strange mix of smells— manure, wood smoke, gasoline, and marigolds. One more right turn took me over the cattle guard of the Daniels' property.

Their front yard was a full acre of gravel and grass. A dozen pickup trucks were parked around a granddaddy live oak several stories tall and hung from root to top with white Christmas lights. One of the pickup trucks was a huge black affair with orange pinstriping and silver Barbie doll women on the mud flaps. I wondered if there could be two such trucks in the world. Not with my luck.

The house itself was low and long and white, with a front porch that stretched all the way across and was now spilling over with people. Willis Daniels and his standup bass were the centre of attention. He and a small bunch of grizzled cowboy musicians, none of them from Miranda's group, were burning their way through an old swing number—Milton Brown, if my memories of my father's 78 collection served me right.

All the players were drunk as hell and they sounded just fine.

Smaller clumps of people were gathered around the property, drinking and talking and laughing. Half a dozen were throwing horseshoes by the side of the house, their light provided by a line of bare bulbs strung between a mesquite tree and a toolshed. Some women in dresses and boots and lots of silver jewellery were gathered around a campfire, helping blearyeyed kids roast marsh mallows. All of the pickup truck cabs were dark and closed but not all of them were vacant.

Next to the oak tree two men were talking—Brent Daniels and my buddy Jean.

Brent was wearing the same dingy checkered shirt and black jeans he'd been wearing the last three times I'd seen him. They weren't getting any prettier and neither was he.

His black hair looked like dayold road kill. He was shifting uncomfortably from foot to foot.

Jean wore a dark blue linen jacket, slacks that were a little too tight around his middle, a white collarless silk shirt, black boots, and a silver bracelet. His hand was clutching Brent's shoulder a little too firmly and he was leaning close to Brent's ear, telling him something.

When Jean realized somebody was watching their conversation he cast around until he found me. He locked his fierce, indifferent little eyes on me for a second, finished his statement to Brent, then pulled away and laughed, patting Brent's shoulder like they'd just shared a fine humorous story. Brent didn't laugh. He turned angrily and walked toward the house.

Jean leaned back against the oak. He put his heel on the trunk, produced a handrolled cigarette, and began fishing around his pockets for a lighter. He watched me as I walked toward him.

"The steel guitar player."

"It's honest work."

Jean lit his cigarette, nodded. "No doubt. Honest work."

"Why are you standing out here in the dark?" I asked. "Your boss too embarrassed to bring you into the party?"

Jean narrowed his eyes. He mouthed the words your boss like he was trying to interpret them, like he was suspicious he'd just been insulted.

"Sheckly," he decided.

"Yeah—the big ugly redneck. You know."

In the glow from the white Christmas lights, Jean's smile looked unnaturally luminous.

The fierceness in his eyes didn't diminish at all. "I see."

"You did a hell of a job clearing out Alex Blanceagle the other night."

No response. Jean took a drag on the cigarette, turned his head, and blew smoke leisurely toward the porch. The old drunk musicians had launched into something new—an instrumental that sounded vaguely like Lester Scruggs. A couple of women were dosidoing with each other on the sidewalk.

I looked toward the front door. Brent Daniels now stood next to an icefilled garbage can, drinking a beer as fast as he could. Several people were talking to him but Brent wasn't paying them any attention.

"What was that about?" I asked Jean.

He followed my gaze, caught my meaning. "I told Brent Daniels I admired his sister.

Her music. I said I hoped she would tour Europe soon."

"Like Cam Compton used to. Make a nice courier system, wouldn't it? Good cover, touring with a band, with lots of equipment, if you had goods you wanted to deliver to a lot of places in Europe."

Jean blew more smoke. He gave me the crab eyes. "Do you intend to provoke, Mr.

Navarre, or are you simply an idiot?"

"I'm not usually like this," I confessed. "Usually I don't find so many corpses in one week. You usually leave so many?"

Jean smiled coldly. "An idiot," he decided.

He disengaged his back from the tree and was leaning forward to say something when some commotion erupted around the side of the house.

Somebody by the shed yelled "Ohhh!" like he'd just seen a great triple play. A woman shrieked. A crowd of people started to converge around the horseshoe pit. Some were swearing, a few laughing. Willis Daniels' hoe down faltered to a stop as the musicians got up to see what was going on.

A drunk cowboy staggered away from the scene, laughing, telling people what had just happened in a loud enough voice that Jean and I could hear him fine. Apparently Allison SaintPierre had just knocked Tilden Sheckly out cold with a horseshoe.

I looked at Jean.

He tossed his cigarette down in a leisurely way. It bounced off a root and disappeared in the crack between two other roots, then dimmed to a little orange eye. Jean looked up at me and smiled, almost pleasantly this time.

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