The Widower's Two-Step (Tres Navarre #2)(57)

I walked over and looked through the titles while Cam was rummaging for beer. The CDs were all kinds, rock and jazz and country guitarists, heavy on the Eric Clapton and the Chet Atkins and too light on the Blind Willie McTell for my taste. The titles were perfectly arranged in alphabetical order except that the top shelf started with Cam's own releases. I was surprised how many—at least fifteen different CDs. I pulled one.

The cover art was a bad photocopy of Cam's face, with his name and the title

"American Cowboy" and the rest of the liner notes in what looked like Cyrillic script.

Russian? Czech? I checked the other titles. Most were similar foreign releases. Only one was labelled Split Rail Records, dated five years ago and entitled The Best of Cam Compton. Probably went platinum, that one.

Cam opened himself an Olympia and walked over to the bed like he was in pain. He knocked the laundry off and sat down slowly, elbows out, the way you'd lower yourself into an extrahot bathtub.

"Your ribs are taped," I said. "Somebody gave you a talkingto last night."

"What the f**k business is that to you?"

I took the stack of Compton's own CDs and went over to an amp and sat down, facing him. I started flipping through the jewel cases. "Interesting discography. Bulgaria.

Romania. Germany. You must have had some success over there."

Cam studied me warily. His one eye with the bloody ring around the iris was almost closed. His urge to play silent was duking it out with his urge to talk about himself. The latter finally won.

"Good market in Europe," he admitted. " 'Specially since the Eastern parts opened.

Had me a number ten song for a week in Yugoslavia 'fore the country broke up."

"That so?"

He nodded morosely, like the whole political mess had been a plot to get him off the charts. "Course Germany's always loved Texas stuff—horses, cowboy hats, country music. They cain't get enough of that shit. Sheckly had me touring some honkytonk clubs over there four or five times. Good money."

"Yeah?" I held up the CD I'd been looking at earlier. "What's this—Russian?"

Cam grunted. He was drinking more beer, warming up to the subject. "Fan sent that to me with a real nice letter. Said it wasn't playing right anymore and she loved it, could I please send her a copy of the American original. Goodlooking girl, too."

"You sent it?"

"Couldn't. There is no original. It's a bootleg of one of my shows in Munich. Half the titles in there are boots. Hell, half the titles in Europe. Now you gonna tell me about Alex B.?"

I put the CDs aside. "I came here to help you, Cam."

He stopped with his beer can halfway to his mouth, put the can down. "That a fact?

You get me fired one day, now you're gonna help me."

"Alex Blanceagle was shot dead."

He blinked, kept his eyes closed a second too long. "And what's it got to do with me?"

"He was talking to a man named Samuel Barrera about Sheckly's business. In particular those shipments you've been helping process through the Indian Paintbrush."

Cam put together a smile. He rubbed the bruise on his forehead. "I ain't been close to Sheck for a long time, son. Last help I gave him was signing up with Miranda's band.

Look where that got me. Sheck has some other kind of problem, it ain't mine."

"I know different, Cam. Samuel Barrera's exFBI and he's very good. He'll come talking to you eventually. With something like this he'll have Customs involved, the State Attorney, the D.A. You want my guess, Sheck and his friends know something is coming. They know Les SaintPierre caused a leak and they're plugging up any places where it might've come from—Julie Kearnes, Alex Blanceagle, you. If I were you, I'd be worried."

Cam looked at his beer, thought for about five seconds, then decided to laugh. "Tha's bullshit."

"Ask Alex Blanceagle if it's bullshit."

I opened my backpack and pulled out Cam's .22 Montgomery Ward. I set the gun next to me on the amp.

"You could've killed John Crea, Cam. Not likely, but possible."

Cam looked at the gun and his eye ticked. "What you going on about now? What's that for?"

"I suppose the demo tape's around here somewhere, too. You wouldn't be smart enough to trash it. You think I should give this to the police, Cam, tell them where I found it? I could tell them what idiot it's registered to and how he probably forgot to wipe the inside of the chamber for prints. They put this together with the Julie Kearnes murder, the way that was done, guess who's going to get the blame?"

Under his bruises, Cam got redfaced. He stood up real slow, holding his beer can as if he were about to throw it. "Wait a goddamn minute—"

"When it comes to Sheckly's helpers you're at the bottom of the food chain, Cam. I bet he didn't even pay you—I bet he just knows how to get you riled up, how to put ideas in your head of things he wants done. He's got absolutely nothing to lose, using you, and when people come knocking on his door with warrants for larger problems, you're the first sacrifice he's going to toss out.

Sheckly's got you set up pretty good."

Cam's eyes narrowed. The anger got diffused and tangled up inside him. He lowered the beer can. "And what you think I should do, son—sit there and enjoy the knife in my back? How you think that feels? There's a time not too long ago I's in Miranda Daniels'