The Mark of Athena (The Heroes of Olympus #3)(111)
Annabeth tried to speed up, but she couldn’t go much faster without losing her balance or jarring her broken ankle. She hobbled onward, convinced that something was following her. The small voices were massing together, getting closer.
She touched the wall, and her hand came back covered in cobwebs.
She yelped, then cursed herself for making a sound.
It’s only a web, she told herself. But that didn’t stop the roaring in her ears.
She’d expected spiders. She knew what was ahead: The weaver. Her Ladyship. The voice in the dark. But the webs made her realize how close she was.
Her hand trembled as she wiped it on the stones. What had she been thinking? She couldn’t do this quest alone.
Too late, she told herself. Just keep going.
She made her way down the corridor one painful step at a time. The whispering sounds got louder behind her until they sounded like millions of dried leaves swirling in the wind. The cobwebs became thicker, filling the tunnel. Soon she was pushing them out of her face, ripping through gauzy curtains that covered her like Silly String.
Her heart wanted to break out of her chest and run. She stumbled ahead more recklessly, trying to ignore the pain in her ankle.
Finally the corridor ended in a doorway filled waist-high with old lumber. It looked as if someone had tried to barricade the opening. That didn’t bode well, but Annabeth used her crutch to push away the boards as best she could. She crawled over the remaining pile, getting a few dozen splinters in her free hand.
On the other side of the barricade was a chamber the size of a basketball court. The floor was done in Roman mosaics. The remains of tapestries hung from the walls. Two unlit torches sat in wall sconces on either side of the doorway, both covered in cobwebs.
At the far end of the room, the Mark of Athena burned over another doorway. Unfortunately, between Annabeth and that exit, the floor was bisected by a chasm fifty feet across. Spanning the pit were two parallel wooden beams, too far apart for both feet, but each too narrow to walk on unless Annabeth was an acrobat, which she wasn’t, and didn’t have a broken ankle, which she did.
The corridor she’d come from was filled with hissing noises. Cobwebs trembled and danced as the first of the spiders appeared: no larger than gumdrops, but plump and black, skittering over the walls and the floor.
What kind of spiders? Annabeth had no idea. She only knew they were coming for her, and she only had seconds to figure out a plan.
Annabeth wanted to sob. She wanted someone, anyone, to be here for her. She wanted Leo with his fire skills, or Jason with his lightning, or Hazel to collapse the tunnel. Most of all she wanted Percy. She always felt braver when Percy was with her.
I am not going to die here, she told herself. I’m going to see Percy again.
The first spiders were almost to the door. Behind them came the bulk of the army—a black sea of creepy-crawlies.
Annabeth hobbled to one of the wall sconces and snatched up the torch. The end was coated in pitch for easy lighting. Her fingers felt like lead, but she rummaged through her backpack and found the matches. She struck one and set the torch ablaze.
She thrust it into the barricade. The old dry wood caught immediately. Flames leaped to the cobwebs and roared down the corridor in a flash fire, roasting spiders by the thousands.
Annabeth stepped back from her bonfire. She’d bought herself some time, but she doubted that she’d killed all the spiders. They would regroup and swarm again as soon as the fire died.
She stepped to the edge of the chasm.
She shined her light into the pit, but she couldn’t see the bottom. Jumping in would be suicide. She could try to cross one of the bars hand over hand, but she didn’t trust her arm strength, and she didn’t see how she would be able to haul herself up with a full backpack and a broken ankle once she reached the other side.
She crouched and studied the beams. Each had a set of iron eye hooks along the inside, set at one-foot intervals. Maybe the rails had been the sides of a bridge and the middle planks had been removed or destroyed. But eye hooks? Those weren’t for supporting planks. More like…
She glanced at the walls. The same kind of hooks had been used to hang the shredded tapestries.
She realized the beams weren’t meant as a bridge. They were some kind of loom.
Annabeth threw her flaming torch to the other side of the chasm. She had no faith her plan would work, but she pulled all the string out of her backpack and began weaving between the beams, stringing a cat’s cradle pattern back and forth from eye hook to eye hook, doubling and tripling the line.
Her hands moved with blazing speed. She stopped thinking about the task and just did it, looping and tying off lines, slowly extending her woven net over the pit.
She forgot the pain in her leg and the fiery barricade guttering out behind her. She inched over the chasm. The weaving held her weight. Before she knew it, she was halfway across.
How had she learned to do this?
It’s Athena, she told herself. My mother’s skill with useful crafts. Weaving had never seemed particularly useful to Annabeth—until now.
She glanced behind her. The barricade fire was dying. A few spiders crawled in around the edges of the doorway.
Desperately she continued weaving, and finally she made it across. She snatched up the torch and thrust it into her woven bridge. Flames raced along the string. Even the beams caught fire as if they’d been pre-soaked in oil.
Rick Riordan's Books
- The Burning Maze (The Trials of Apollo #3)
- The Burning Maze (The Trials of Apollo #3)
- The Ship of the Dead (Magnus Chase and the Gods of Asgard #3)
- The Hidden Oracle (The Trials of Apollo #1)
- Rick Riordan
- Rebel Island (Tres Navarre #7)
- Mission Road (Tres Navarre #6)
- Southtown (Tres Navarre #5)
- The Devil Went Down to Austin (Tres Navarre #3)
- The Last King of Texas (Tres Navarre #3)