The Mark of Athena (The Heroes of Olympus #3)(106)

As a test, she tied one end around a support column and leaned on the rope with all her weight. The plastic swords bent under her, but they provided some extra bulk to the knots in the cord, so at least she could keep a better grip.

The ladder wouldn’t win any design awards, but it might get her to the bottom of the cavern safely. First, she stuffed her backpack with the leftover spools of string. She wasn’t sure why, but they were one more resource, and not too heavy.

She headed back to the hole in the mosaic floor. She secured one end of her ladder to the nearest piece of scaffolding, lowered the rope into the cavern, and shinnied down.

Chapter 34

As Annabeth hung in the air, descending hand over hand with the ladder swinging wildly, she thanked Chiron for all those years of training on the climbing course at Camp Half-Blood. She’d complained loudly and often that rope climbing would never help her defeat a monster. Chiron had just smiled, like he knew this day would come.

Finally Annabeth made it to the bottom. She missed the brickwork edge and landed in the canal, but it turned out to be only a few inches deep. Freezing water soaked into her running shoes.

She held up her glowing dagger. The shallow channel ran down the middle of a brickwork tunnel. Every few yards, ceramic pipes jutted from the walls. She guessed that the pipes were drains, part of the ancient Roman plumbing system, though it was amazing to her that a tunnel like this had survived, crowded underground with all the other centuries’ worth of pipes, basements, and sewers.

A sudden thought chilled her even more than the water. A few years ago, Percy and she had gone on a quest in Daedalus’s labyrinth—a secret network of tunnels and rooms, heavily enchanted and trapped, which ran under all the cities of America.

When Daedalus died in the Battle of the Labyrinth, the entire maze had collapsed—or so Annabeth believed. But what if that was only in America? What if this was an older version of the labyrinth? Daedalus once told her that his maze had a life of its own. It was constantly growing and changing. Maybe the labyrinth could regenerate, like monsters. That would make sense. It was an archetypal force, as Chiron would say—something that could never really die.

If this was part of the labyrinth…

Annabeth decided not to dwell on that, but she also decided not to assume her directions were accurate. The labyrinth made distance meaningless. If she wasn’t careful, she could walk twenty feet in the wrong direction and end up in Poland.

Just to be safe, she tied a new ball of string to the end of her rope ladder. She could unravel it behind her as she explored. An old trick, but a good one.

She debated which way to go. The tunnel seemed the same in both directions. Then, about fifty feet to her left, the Mark of Athena blazed against the wall. Annabeth could swear it was glaring at her with those big fiery eyes, as if to say, What’s your problem? Hurry up!

She was really starting to hate that owl.

By the time she reached the spot, the image had faded, and she’d run out of string on her first spool.

As she was attaching a new line, she glanced across the tunnel. There was a broken section in the brickwork, as if a sledgehammer had knocked a hole in the wall. She crossed to take a look. Sticking her dagger through the opening for light, Annabeth could see a lower chamber, long and narrow, with a mosaic floor, painted walls, and benches running down either side. It was shaped sort of like a subway car.

She stuck her head into the hole, hoping nothing would bite it off. At the near end of the room was a bricked-off doorway. At the far end was a stone table, or maybe an altar.

Hmm…The water tunnel kept going, but Annabeth was sure this was the way. She remembered what Tiberinus had said: Find the altar of the foreign god. There didn’t seem to be any exits from the altar room, but it was a short drop onto the bench below. She should be able to climb out again with no problem.

Still holding her string, she lowered herself down.

The room’s ceiling was barrel-shaped with brick arches, but Annabeth didn’t like the look of the supports. Directly above her head, on the arch nearest to the bricked-in doorway, the capstone was cracked in half. Stress fractures ran across the ceiling. The place had probably been intact for two thousand years, but she decided she’d rather not spend too much time here. With her luck, it would collapse in the next two minutes.

The floor was a long narrow mosaic with seven pictures in a row, like a time line. At Annabeth’s feet was a raven. Next was a lion. Several others looked like Roman warriors with various weapons. The rest were too damaged or covered in dust for Annabeth to make out details. The benches on either side were littered with broken pottery. The walls were painted with scenes of a banquet: a robed man with a curved cap like an ice cream scoop, sitting next to a larger guy who radiated sunbeams. Standing around them were torchbearers and servants, and various animals like crows and lions wandered in the background. Annabeth wasn’t sure what the picture represented, but it didn’t remind her of any Greek legends that she knew.

At the far end of the room, the altar was elaborately carved with a frieze showing the man with the ice-cream-scoop hat holding a knife to the neck of a bull. On the altar stood a stone figure of a man sunk to his knees in rock, a dagger and a torch in his outraised hands. Again, Annabeth had no idea what those images meant.

She took one step toward the altar. Her foot went CRUNCH. She looked down and realized she’d just put her shoe through a human rib cage.