Lisey's Story(2)
Lisey sat back and blew hair off her forehead. I won't get to the manuscripts until July, at this rate, she thought. The Incunks would go nuts if they saw the way I'm crawling along. Especially that last one.
The last one - five months ago, this had been - had managed not to blow up, had managed to keep a very civil tongue about him until she'd begun to think he might be different. Lisey told him that Scott's writing suite had been sitting empty for almost a year and a half at that time, but she'd almost mustered the energy and resolve to go up there and start the work of cleaning the rooms and setting the place to rights.
Her visitor's name had been Professor Joseph Woodbody, of the University of Pittsburgh English Department. Pitt was Scott's alma mater, and Woodbody's Scott Landon and the American Myth lecture class was extremely popular and extremely large. He also had four graduate students doing Scott Landon theses this year, and so it was probably inevitable that the Incunk warrior should come to the fore when Lisey spoke in such vague terms as sooner rather than later and almost certainly sometime this summer. But it wasn't until she assured him that she would give him a call "when the dust settles" that Woodbody really began to give way.
He said the fact that she had shared a great American writer's bed did not qualify her to serve as his literary executor. That, he said, was a job for an expert, and he understood that Mrs Landon had no college degree at all. He reminded her of the time already gone since Scott Landon's death, and of the rumours that continued to grow. Supposedly there were piles of unpublished Landon fiction - short stories, even novels. Could she not let him into the study for even a little while? Let him prospect a bit in the file cabinets and desk drawers, if only to set the most outrageous rumours to rest? She could stay with him the whole time, of course - that went without saying.
"No," she'd said, showing Professor Woodbody to the door. "I'm not ready just yet." Overlooking the man's lower blows - trying to, at least - because he was obviously as crazy as the rest of them. He'd just hidden it better, and for a little longer. "And when I am, I'll want to look at everything, not just the manuscripts."
"But -"
She had nodded seriously to him. "Everything the same."
"I don't understand what you mean by that."
Of course he didn't. It had been a part of her marriage's inner language. How many times had Scott come breezing in, calling 'Hey, Lisey, I'm home - everything the same?" Meaning is everything all right, is everything cool. But like most phrases of power (Scott had explained this once to her, but Lisey had already known it), it had an inside meaning. A man like Woodbody could never grasp the inside meaning of everything the same. Lisey could explain it all day and he still wouldn't get it. Why? Because he was an Incunk, and when it came to Scott Landon only one thing interested the Incunks.
"It doesn't matter," was what she'd said to Professor Woodbody on that day five months ago. "Scott would have understood."
3
If Amanda had asked Lisey where Scott's "memory nook" things had been stored -- the awards and plaques, stuff like that -- Lisey would have lied (a thing she did tolerably well for one who did it seldom) and said "a U-Store-It in Mechanic Falls." Amanda did not ask, however. She just paged ever more ostentatiously through her little notebook, surely trying to get her younger sister to broach the subject with the proper question, but Lisey did not ask. She was thinking of how empty this corner was, how empty and uninteresting, with so many of Scott's mementos gone. Either destroyed (like the computer monitor) or too badly scratched and dented to be shown; such an exhibit would raise more questions than it could ever answer.
At last Amanda gave in and opened her notebook. "Look at this," she said. "Just look."
Manda was holding out the first page. Written on the blue lines, crammed in from the little wire loops on the left to the edge of the sheet on the right (like a coded message from one of those street-crazies you're always running into in New York because there's not enough money for the publicly funded mental institutions anymore, Lisey thought wearily), were numbers. Most had been circled. A very few had been enclosed in squares. Manda turned the page and now here were two pages filled with more of the same. On the following page, the numbers stopped halfway down. The final one appeared to be 846.
Amanda gave her the sidelong, red-cheeked, and somehow hilarious expression of hauteur that had meant, when she was twelve and little Lisey only two, that Manda had gone and Taken Something On Herself; tears for someone would follow. Amanda herself, more often than not. Lisey found herself waiting with some interest (and a touch of dread) to see what that expression might mean this time. Amanda had been acting nutty ever since turning up. Maybe it was just the sullen, sultry weather. More likely it had to do with the sudden absence of her longtime boyfriend. If Manda was headed for another spell of stormy emotional weather because Charlie Corriveau had jilted her, then Lisey supposed she had better buckle up herself. She had never liked or trusted Corriveau, banker or not. How could you trust a man after overhearing, at the spring library bake sale, that the guys down at The Mellow Tiger called him Shootin' Beans? What kind of nickname was that for a banker? What did it even mean? And surely he had to know that Manda had had mental problems in the past --
"Lisey?" Amanda asked. Her brow was deeply furrowed.