Lisey's Story(10)

So it isn't low barometer that's bothering her and it certainly hadn't been the prospect of getting on one more airplane. But in the bathroom, reaching for the light over the sink, something she had done without incident or accident day in and day out for the entire eight years they'd lived on Sugar Top Hill - which came to approximately three thousand days, less time spent on the road - the back of her hand whacked the waterglass with their toothbrushes in it and sent it tumbling to the tiles where it shattered into approximately three thousand stupid pieces.

"Shit fire, save the smuckin matches!" she cried, frightened and irri-tated to find herself so. . . for she did not believe in omens, not Lisey Landon the writer's wife, not little Lisey Debusher from the Sabbatus Road in Lisbon Falls, either. Omens were for the shanty Irish.

Scott, who had just come back into the bedroom with two cups of coffee and a plate of buttered toast, stopped dead. "Whadja break, babyluv?"

"Nothing that came out of the dog's ass," Lisey said savagely, and was then sort of astonished. That was one of Granny Debusher's sayings, and Granny D certainly had believed in omens, but that old colleen had been on the cooling board when Lisey was barely four. Was it possible Lisey could even remember her? It seemed so, for as she stood there, looking down at the shards of toothglass, the actual articulation of that omen came to her, came in Granny D's tobacco-broken voice. . . and returns now, as she stands watching her husband be a good sport in his lightest-weight summer sportcoat (which he'll soon be sweating through under the arms nevertheless).

- Broken glass in the morning, broken hearts at night.

That was Granny D's scripture, all right, remembered by at least one little girl, stored up before the day Granny D pitched over dying in the chickenyard with a snarl in her throat, an apron filled with Blue Bird feed tied around her waist, and a sack of Beechnut scrap slid up her sleeve.

So.

Not the heat, the trip, or that fellow Dashmiel, who only ended up doing the meet-and-greet because the head of the English Department is in the hospital following an emergency gall-bladder removal the day before. It's a broken. . . smucking. . . toothglass combined with the say-ing of a long-dead Irish granny. And the joke of it is (as Scott will later point out), that is just enough to put her on edge. Just enough to get her at least semi-strapped.

Sometimes, he will tell her not long hence, speaking from a hospital bed (ah, but he could so easily have been on a cooling board himself, all his wakeful, thoughtful nights over), speaking in his new whispering, effortful voice, sometimes just enough is just enough. As the saying is.

And she will know exactly what he's talking about.

4

Roger Dashmiel has his share of headaches today, Lisey knows that, though it doesn't make her like him any better. If there was ever an actual script for the ceremony, Professor Hegstrom (he of the emergency gall-bladder attack) was too post-op muddled to tell Dashmiel or anyone else what or where it is.

Dashmiel has consequently been left with little more than a time of day and a cast of characters featuring a writer to whom he has taken an instant dislike. When the little party of dignitaries left Inman Hall for the short but exceedingly warm walk to the site of the forthcoming Shipman Library, Dashmiel told Scott they'd have to more or less play it by ear. Scott had shrugged goodnaturedly. He was absolutely comfortable with that. For Scott Landon, ear was a way of life.

"Ah'll introduce you," said the man Lisey would in later years come to think of as the southern-fried chickenshit. This as they walked toward the baked and shimmering plot of land where the new library would stand (the word is pronounced LAH-bree in Dashmiel-ese). The photographer in charge of immortalizing all this danced restlessly back and forth, snapping and snapping, busy as a gnat. Lisey could see a rectangle of fresh brown earth not far ahead, about nine by five, she judged, and trucked in that morning, by the just-starting-tofade look of it. No one had thought to put up an awning, and already the surface of the fresh dirt had acquired a grayish glaze.

"Somebody better do it," Scott said. He spoke cheerfully, but Dashmiel had frowned as if wounded by some undeserved canard. Then, with a meaty sigh, he'd pressed on. "Applause follows introduction  - "

"As day follows night," Scott murmured.

" -  and yew'll say a woid or tieu,' Dashmiel finished. Beyond the baked wasteland awaiting the library, a freshly paved parking lot shimmered in the sunlight, all smooth tar and staring yellow lines. Lisey saw fantastic ripples of nonexistent water on its far side.

"It will be my pleasure," Scott said. The unvarying good nature of his responses seemed to worry Dashmiel. "Ah hope you won't want to say tieu much at the groun'breakin," he told Scott as they approached the roped-off area. This had been kept clear, but there was a crowd big enough to stretch almost to the parking lot waiting beyond it. An even larger one had trailed Dashmiel and the Landons from Inman Hall. Soon the two would merge, and Lisey - who ordinarily didn't mind crowds any more than she minded turbulence at twenty thousand feet - didn't like this, either. It occurred to her that so many people on a day this hot might suck all the air out of the air. Stupid idea, but  -

"It's mighty hot, even fo' Nashville in August, wouldn't you say so, Toneh?" Tony Eddington nodded obligingly but said nothing. His only comment so far had been to identify the tirelessly dancing photographer as Stefan Queensland of the Nashville American - also of U-Tenn Nashville, class of '85. "Hope y'all will help him out if y'can," Tony Eddington had said to Scott as they began their walk over here.