Kick (Songs of Perdition #1)(6)
I open my eyes, and I see him through my hair as he f*cks me with his fingers again. His face is intense, as if he’s reining in a hotblood, and I gear up for another explosion.
I need to breathe. I need to think. It’s almost painful to come this much. But I can’t move. I’m going to die, and live, and crack into a thousand fleshy pieces.
“Stop,” I say. “Please stop.”
“One more, kitten,” he growls. And he gets it.
***
I rode the Westonwood sink on the tips of my right toes, sliding my wet * against it. I came in four pushes, legs tingling, back arching, mouth open. Knowing less than the sum of what I remembered and forgot, only blank, preciously empty but for pleasure.
four.
Margie, three years out of law school, was already boring. I couldn’t stand her, but I loved her for sitting in the visitation room in a pale green suit, her red hair in a sensible bob.
Before I even had my butt in my chair, she said, “He’s alive.”
“How alive?”
“He’s too weak to talk. You got the hoof knife between two ribs—”
“A hoof knife? My God—” Hoof knives didn’t have a point, though mine was sharp on the tip. How hard had I been at him to get that to even puncture?
“You missed his heart by an eighth of an inch and just scraped a lung. There’ll be a nice scar to show the grandkids.”
“Was it me? I did it? Are you sure?”
“You called the cops and said you did, and you attacked them when they got there.”
“I don’t… There’s no way I could have.” I was utterly baffled. Why would I do that? I’d done crazy shit, but stab Deacon? That was the craziest of crazyf*ckshit I’d ever heard. “Where? We weren’t on Maundy Street. Couldn’t have been.”
“The stables. Then you tried to slit your own throat. You really don’t remember?”
“You think I’m putting it on?”
“I wouldn’t put anything past you.” She held her face firm as if daring me to get offended.
“You don’t have to represent me if you don’t want to,” I said. “I know you find me repulsive.”
“I don’t.”
“You do. You’ve never understood me.”
“That’s not the same as finding you repulsive,” Margie said. “Let’s face it. You don’t even understand you. The difference between us is that I happen to love you.”
I had no answer. I just fixed my jaw and felt like more of a recalcitrant child than I ever did in front of Mom.
“Fiona, do you want to talk about this? Should I come back tomorrow? Or not at all? Daddy’s trying to get me pulled off the case.”
“Why?”
“He says I’m not experienced enough. I don’t know the real reason.” She shook her head. “Point is—”
I grabbed her hand over the table. “It has to be you. Don’t leave me.”
“Tell me what happened. I know you don’t remember, but what was with you two? Did he cheat on you? Did he hit you? What would have made you snap?”
I rubbed my eyes with the heels of my hands. She didn’t understand us. No one would.
“Drazen pledge,” I said.
“I’m your lawyer. Anything you say is under attorney-client privilege.”
I held up my hand. “Are you opening pledge or not?”
“Fine.” She held up her hand. “Pledge open.”
I relaxed. Between myself and my seven siblings, six sisters and one brother, opening a pledge meant nothing said could be repeated and only the truth could be spoken.
“This is so hard to explain,” I said.
“It’ll get easier after the first ten times.”
“I don’t know where to start.”
She crossed her arms. “Start by not stalling. Assume I know you use drugs. Assume I know you’ve had more sex in the past three years than I’ve had in my life.”
“We had an open-ish relationship.”
“Okay.”
“The ish part is that…” I swallowed. “Up until a few months ago, my other partners were limited to people we knew, at parties he threw.” I didn’t mention the knottings. I wasn’t ready to tell her I had been a f*ckable art object, because I’d have to explain that I’d never been in such control of my sexuality as I was in this open-ish relationship.
“And why did that change?”
There was a relief in her question, because it didn’t judge the excesses, only the switch to normalcy.
“We fell in love.” The blade of those words cut through the dullness of the meds, and snot and tears flooded my face.
“No,” Margie said. “You stop right now.”
I tried to tell her I couldn’t, but I was beyond speaking, beyond using my mouth for anything but breathing thick cry gunk. I could barely breathe without croaking—how could I speak a whole sentence? “I couldn’t have hurt him.”
“Fuck.” Margie had always been impatient with outbursts, yet she always knew what to do about them. She swung her chair to my side of the table as if she was flinging it in a bar fight and sat next to me, putting her arm over my shoulder. I fell into her. She said nothing and stroked my hair.
C.D. Reiss's Books
- Rough Edge (The Edge #1)
- Bombshell (Hollywood A-List #1)
- Breathe (Songs of Submission #10)
- Coda (Songs of Submission #9)
- Monica (Songs of Submission #7.5)
- Sing (Songs of Submission #7)
- Resist (Songs of Submission #6)
- Rachel (Songs of Submission #5.5)
- Burn (Songs of Submission #5)
- Control (Songs of Submission #4)