Kick (Songs of Perdition #1)(4)
It wasn’t until I woke up secured to the bed in a mental ward that I knew what it was like to be distanced from my brain. I could separate the drug thoughts from the real-me thoughts. The drug thoughts were blank and foggy, and the real-me thoughts were black holes where information should have been. Things floated by as if someone was changing the station from a comedy to a thriller to a terror fest to colored bars that went eeeeeeee.
I’d stabbed Deacon.
No, it was a lie.
You know it’s true.
Not.
Yes.
Not.
You did it.
Never.
I turned my head. Nothing in that room could upset me, because the space was absent of stimuli. The room was still grey, still bathed in light, and in the corner, a silver disk got lost in the vents and alarms dotting the ceiling.
A camera.
If I screamed—and I believed I could—they’d know, and they’d come for me. Or not. I wasn’t ready to find out.
I’d been strapped to beds for long periods of time, usually with my legs spread farther than they were now, often with my knees bent. When I was left in that position, it was so I couldn’t press my legs closed and give myself an orgasm. By the time Deacon came in, I was wet with anticipation and ready for anything he dished out.
In the hospital, my ankles and wrists were bound so I couldn’t hurt myself. I was wet all over again. I tried to close my legs and couldn’t. And no one was coming to slap or f*ck me. Not even one of Deacon’s friends. Not even Debbie. I wasn’t strapped down so I could stew in my own lust. I was strapped down because after Elliot had told me I’d stabbed Deacon, my mind had gone white hot.
Fuck.
Even as I got angry at myself over this forgotten thing, I felt the bloat of arousal.
You’re swelled, kitten.
Swelled didn’t mean horny. That was easy enough. Swelled meant I needed it. Sex. Hot and dirty f*cking. Masturbating couldn’t stop a swell. Rubbing my cunt on the pillow, vibrators, dildos, eggs, none of them chased away a swell. Only penetration, anywhere, by a warm-blooded man, took care of it. Until that happened, I couldn’t function.
It had never been a problem. I took what I wanted, made no commitments, found willing participants wherever, whenever I needed it. I was on three forms of birth control, for f*ck’s sake. I got tested weekly. I wrapped it up. Past that, my first priority to a swell was getting rid of it, and I was mindless in my pursuit. For Deacon, it became a challenge—to know when I would need it, predict it, and put me in a position where he could withhold penetration. He created the unique torture of being tied in knots, naked, cunt out, ready as he tugged the rope and I begged him to take me.
“I need to finish, kitten. How would it be to have people arrive to a party without the table set?”
He’d hurt me to forestall satisfaction, leaving my ass a deep shade of pink and my little tits sore, putting me on the edge and keeping me there for hours, until I wept.
Had I killed Deacon? My master? Why? How? Oh God, what had I done?
The holes in my mind closed, filled with the thick caulk of sex. I needed it. I needed to feel good. I needed my mind to go blank with pleasure for a second or two, to clear the pain out like a firehose. I could be in for a swell. I needed to feel good. Needed.
“Now!” I cried. “Bathroom!”
Bernie, a big, dark-skinned guy with a kind face, came through the door seconds later. “Hi, Miss Drazen.”
He smelled of man, and though he wasn’t the best looking guy ever, I was painfully aware of the cock under his blue cotton pants.
“Bernie.”
“Yes, ma’am?”
“Do you know anything? About my case?”
“No, ma’am.”
He unstrapped me. When his hands touched my wrist, the feeling went right between my legs. I tried to catch his gaze, but his eyes wouldn’t meet mine, and I noticed he was trying to avoid touching me. It was as if he knew.
“Thank you.” Despite everything, I said it in my softest, most inviting voice.
He let me in the bathroom without another word or touch. When the door snapped shut, I stripped out of the jumpsuit and hitched my leg over the sink. The cold porcelain edge lay hard against my cunt, and I shuddered, clasping my left hand on the faucet, and my right on the edge in front of me.
“Let me come, Sir,” I whispered so it wouldn’t echo, and I called to mind our first knotting.
***
The twenty-two year old me, the taste of flake a bitter, recent memory, kneels on the wood floor of his loft with light pouring in the windows. I am naked but for simple panties. He says that when he ties me naked, he’s taking me. We haven’t f*cked, though our relationship is intensely sexual. He’s worth waiting for, this delicious man with his scorching eyes and knowing smirk. I want to obey the rules for him. I feel right when I take care of myself for him.
When Deacon returned from Africa, he sailed, and when he sailed, he knotted mast ropes and women. He’d been led to what Westerners called shibari. In its ancient form, it was the art of binding prisoners to maximize pain and humiliation. In its modern form, it is the art of patterning rope around a subject for an aesthetic—drawing the lengths around the body to create patterns, to press against erogenous zones, to provide a sexual partner with a compliant, accessible body. The black and white photographs of his work are erotic and sublime, and I knew as soon as he showed me them that I wanted to be part of it.
C.D. Reiss's Books
- Rough Edge (The Edge #1)
- Bombshell (Hollywood A-List #1)
- Breathe (Songs of Submission #10)
- Coda (Songs of Submission #9)
- Monica (Songs of Submission #7.5)
- Sing (Songs of Submission #7)
- Resist (Songs of Submission #6)
- Rachel (Songs of Submission #5.5)
- Burn (Songs of Submission #5)
- Control (Songs of Submission #4)