Hearts in Atlantis(164)
Sully licked his lips, aware that his mouth had gone dry. Now he wished he hadn't gone to Pags's funeral. Pags had been a good guy, but not good enough to justify the return of such memories.
'They'd set up four or five mortars in the bush ... on one of our flanks, you know . . . and beside each mortar they'd line up eight or nine guys, each one with a shell. The little men in the black pajamas, all lined up like kids at the drinking fountain back in grammar school. And when the order came, each guy would drop his shell into the mortar-tube and then run forward just as fast as he could. Running that way, they'd engage the enemy - us - at about the same time their shells came down. It always made me think of something the guy who lived upstairs from Bobby Garfield told us once when we were playing pass on Bobby's front lawn. It was about some baseball player the Dodgers used to have. Ted said this guy was so f**kin fast he could hit a fungo pop fly at home plate, then run out to shortstop and catch it himself. It was . . . sort of unnerving.'
Yes. The way he was sort of unnerved right now, sort of freaked out, like a kid who makes the mistake of telling himself ghost stories in the dark.
'The fire they poured into that clearing where the choppers went down was only more of the same, believe you me.' Except that wasn't exactly true. The Cong had let it all hang out that morning; turned the volume up to eleven and then pulled the knobs off, as Mims liked to say. The shooting from the bush around the burning choppers had been like a steady downpour instead of a shower.
There were cigarettes in the Caprice's glove compartment, an old pack of Winstons Sully kept for emergencies, transferring from one car to the next whenever he switched rides. That one cigarette he'd bummed from Dieffenbaker had awakened the tiger and now he reached past old mamasan, opened the glove-box, pawed past all the paperwork, and found the pack. The cigarette would taste stale and hot in his throat, but that was okay. That was what sort of what he wanted.
'Two weeks of shooting and squeezing,' he told her, pushing in the lighter. 'Shake and bake and don't look for the f**kin ARVN, baby, because they always seemed to have better things to do. Bitches, barbecues, and bowling tournaments, Malenfant used to say. We kept taking casualties, the air cover was never there when it was supposed to be, no one was getting any sleep, and it seemed like the more other guys from the A Shau linked up with us the worse it got. I remember one of Willie's guys - Havers or Haber, something like that - got it right in the head. Got it in the f**kin head and then just lay there on the path with his eyes open, trying to talk. Blood pouring out of this hole right here . . . ' Sully tapped a finger against
his skull just over his ear. ' . . . and we couldn't believe he was still alive, let alone trying to talk. Then the thing with the choppers . . . that was like something out of a movie, all the smoke and shooting, bup-bup-bup-bup. That was the lead-in for us - you know, into your Ville. We came up on it and boy . . . there was this one chair in the street, like a kitchen chair with a red seat and steel legs pointing up at the sky. It just looked crapass, I'm sorry but it did, not worth living in, let alone dying for. Your guys, the ARVN, they didn't want to die
for places like that, why would we? The place stank, it smelled like shit, but they all did. That's how it seemed. I didn't care so much about the smell, anyway. Mostly I think it was the chair that got to me. That one chair said it all.'
Sully pulled out the lighter, started to apply the cherry-red coil to the tip of his cigarette, and then remembered he was in a demonstrator. He could smoke in a demo - hell, it was off his own lot - but if one of the salesmen smelled the smoke and concluded that the boss was doing what was a firing offense for anyone else, it wouldn't be good. You had to walk the walk as well as talk the talk ... at least you did if you wanted to get a little respect.
'Excusez-moi,' he told the old mamasan. He got out of the car, which was still running, lit his cigarette, then bent in the window to slide the lighter back into its dashboard receptacle. The day was hot, and the four-lane sea of idling cars made it seem even hotter. Sully could sense the impatience all around him, but his was the only radio he could hear; everyone else was under glass, buttoned into their little air-conditioned cocoons, listening to a hundred different kinds of music, from Liz Phair to William Ackerman. He guessed that any vets caught in the jam who didn't have the Allman Brothers on CD or Big Brother and the Holding Company on tape were probably also listening to WKND, where the past had never died and the future never came. Toot-toot, beep-beep.
Sully hitch-stepped to the hood of his car and stood on tiptoe, shading his eyes against the glare of sun on chrome and looking for the problem. He couldn't see it, of course.
Bitches, barbecues, and bowling tournaments, he thought, and the thought came in Malenfant's squealing, drilling voice. That nightmare voice under the blue and out of the green. Come on, boys, who's got The Douche? I'm down to ninety and a wakeup, time's short, let's get this f**kin show on the f**kin road!
He took a deep drag on the Winston, then coughed out stale hot smoke. Black dots began a sudden dance in the afternoon brightness, and he looked down at the cigarette between his ringers with an expression of nearly comic horror. What was he doing, starting up with this shit again? Was he crazy? Well yes, of course he was crazy, anyone who saw dead old ladies sitting beside them in their cars had to be crazy, but that didn't mean he had to start up with this shit again. Cigarettes were Agent Orange that you paid for. Sully threw the Winston away. It felt like the right decision, but it didn't slow the accelerating beat of his heart or his sense - so well remembered from the patrols he'd been on - that the inside of his mouth was drying out and pulling together, puckering and crinkling like burned skin. Some people were afraid of crowds - agoraphobia, it was called, fear of the marketplace - but the only time Sully ever had that sense of too much and too many was at times like this. He was okay in elevators and crowded lobbies at intermission and on rush-hour train platforms, but when traffic clogged to a stop all around him, he got dinky-dau. There was, after all, nowhere to run, baby, nowhere to hide.