Hearts in Atlantis
Stephen King
1960: They had a stick sharpened at both ends.
LOW MEN IN YELLOW COATS
1
A Boy and His Mother. Bobby's Birthday.
The New Roomer. Of Time and Strangers.
Bobby Garfield's father had been one of those fellows who start losing their hair in their twenties and are completely bald by the age of forty-five or so. Randall Garfield was spared this extremity by dying of a heart attack at thirty-six. He was a real-estate agent, and breathed his last on the kitchen floor of someone else's house. The potential buyer was in the living room, trying to call an ambulance on a disconnected phone, when Bobby's dad passed away. At this time Bobby was three. He had vague memories of a man tickling him and then kissing his cheeks and his forehead. He was pretty sure that man had been his dad. SADLY MISSED, it said on Randall Garfield's gravestone, but his mom never seemed all that sad, and as for Bobby himself . . . well, how could you miss a guy you could hardly remember?
Eight years after his father's death, Bobby fell violently in love with the twenty-six-inch Schwinn in the window of the Harwich Western Auto. He hinted to his mother about the Schwinn in every way he knew, and finally pointed it out to her one night when they were walking home from the movies (the show had been The Dark at the Top of the Stairs, which Bobby didn't understand but liked anyway, especially the part where Dorothy McGuire flopped back in a chair and showed off her long legs). As they passed the hardware store, Bobby mentioned casually that the bike in the window would sure make a great eleventh-birthday present for some lucky kid.
'Don't even think about it,' she said. 'I can't afford a bike for your birthday. Your father didn't exactly leave us well off, you know.'
Although Randall had been dead ever since Truman was President and now Eisenhower was almost done with his eight-year cruise, Your father didn't exactly leave us well off was still his mother's most common response to anything Bobby suggested which might entail an expenditure of more than a dollar. Usually the comment was accompanied by a reproachful look, as if the man had run off rather than died.
No bike for his birthday. Bobby pondered this glumly on their walk home, his pleasure at the strange, muddled movie they had seen mostly gone. He didn't argue with his mother, or try to coax her - that would bring on a counterattack, and when Liz Garfield counterattacked she took no prisoners - but he brooded on the lost bike . . . and the lost father. Sometimes he almost hated his father. Sometimes all that kept him from doing so was the sense, unanchored but very strong, that his mother wanted him to. As they reached Commonwealth Park and walked along the side of it - two blocks up they would turn left onto Broad Street, where they lived - he went against his usual misgivings and asked a question about Randall Garfield.
'Didn't he leave anything, Mom? Anything at all?' A week or two before, he'd read a Nancy Drew mystery where some poor kid's inheritance had been hidden behind an old clock in an abandoned mansion. Bobby didn't really think his father had left gold coins or rare stamps stashed someplace, but if there was something, maybe they could sell it in Bridgeport. Possibly at one of the hockshops. Bobby didn't know exactly how hocking things worked, but he knew what the shops looked like - they had three gold balls hanging out front. And he was sure the hockshop guys would be happy to help them. Of course it was just a kid's dream, but Carol Gerber up the street had a whole set of dolls her father, who was in the Navy, had sent from overseas. If fathers gave things - which they did - it stood to reason that fathers sometimes left things.
When Bobby asked the question, they were passing one of the streetlamps which ran along this side of Commonwealth Park, and Bobby saw his mother's mouth change as it always did when he ventured a question about his late father. The change made him think of a purse she had: when you pulled on the drawstrings, the hole at the top got smaller.
'I'll tell you what he left,' she said as they started up Broad Street Hill. Bobby already wished he hadn't asked, but of course it was too late now. Once you got her started, you couldn't get her stopped, that was the thing. 'He left a life insurance policy which lapsed the year before he died. Little did I know that until he was gone and everyone - including the undertaker - wanted their little piece of what I didn't have. He also left a large stack of unpaid bills, which I have now pretty much taken care of - people have been very understanding of my situation, Mr Biderman in particular, and I'll never say they haven't been.'
All this was old stuff, as boring as it was bitter, but then she told Bobby something new. 'Your father,' she said as they approached the apartment house which stood halfway up Broad Street Hill, 'never met an inside straight he didn't like.'
'What's an inside straight, Mom?'
'Never mind. But I'll tell you one thing, Bobby-O: you don't ever want to let me catch you playing cards for money. I've had enough of that to last me a lifetime.'
Bobby wanted to enquire further, but knew better; more questions were apt to set off a tirade. It occurred to him that perhaps the movie, which had been about unhappy husbands and wives, had upset her in some way he could not, as a mere kid, understand. He would ask his friend John Sullivan about inside straights at school on Monday. Bobby thought it was poker, but wasn't completely sure.
'There are places in Bridgeport that take men's money,' she said as they neared the apartment house where they lived. 'Foolish men go to them. Foolish men make messes, and it's usually the women of the world that have to clean them up later on. Well . . . '