Glitter Baby (Wynette, Texas #3)(74)
“You’ll come here after the concert and help me get the call through?”
“Sure.”
He grinned. “Hey, that’s great. Hey, I think I’m going to like you.”
“Good. I’m sure I’m going to like you.” In a pig’s eye, you degenerate. Three minutes. “Let’s go downstairs.”
Barry propositioned her in the elevator between the ninth and tenth floors. When she refused him, he turned sullen, so she told him she thought she might have a venereal disease. That seemed to make him happy, and she delivered him to the lobby with thirty seconds to spare.
Chapter 17
They arrived at the ice hockey arena. The stage had been erected at one end of the rink, and hundreds of fans pushed against the wooden barricades. Ignoring the opening band, they called out for Barry and the group. Stu threw a clipboard at Fleur and told her to double-check everything. By the time she went backstage to watch the show, the crowd’s screams had grown deafening. Just as she put in the pink rubber earplugs the stage manager handed her, the rink went dark. A voice bellowed over the loudspeaker, introducing the band in German. The screams turned into a solid wall of sound, and four spotlights hit the stage like atomic blasts. The beams of light collided and Neon Lynx ran forward.
The crowd exploded. Barry leaped into the air, his hair flying. He thrust his hips so the red sequined star on his crotch caught fire. Frank LaPorte twirled his drumsticks, and Simon Kale slammed the keyboard. Fleur watched as a young girl, not more than twelve or thirteen, fainted over the barricade. The crowd pressed against her, and no one paid attention.
The music was raucous and visceral, blatantly sexual, and Barry Noy played the crowd for all he was worth. As the song ended, the crowd surged the barricades, and she could see that the guards were getting nervous. The spotlights flashed blue and red in crisscrossing swords of light, and the band went into its next number.
She was afraid somebody would get killed. One of the roadies came up to stand beside her. “Is it always like this?” she asked.
“Naw. Guess it’s because we’re used to the States. Freakin’ crowd’s dead tonight.”
After the show she stood with Stu in the underground garage that had been roped off by the Viennese police and counted limos. The band came out, all five of them soaked with sweat. Barry grabbed her by the arm. “Got to talk to you.”
As he pulled her toward the lead limo, she started to protest. Stu glared at her, and she remembered rule number one. Keep the band happy. Translated that meant keep Barry Noy happy.
She piled into the limousine, and he pulled her down on the seat beside him. She heard the clink of chains, and Simon Kale climbed in with them. She remembered how he’d twirled that dangerous machete on stage, and she regarded him warily. He lit a cigarillo and turned to stare out the window.
The limousine drove from the garage into a crowd of screaming fans. Suddenly a young girl broke through the police barricade and rushed toward the car, pulling up her shirt as she ran to expose bare pubescent breasts. A policeman caught her. Barry paid no attention.
“So how did you think I was tonight?” He took a slug from a can of Bud.
“You were great, Barry,” she replied, with all the sincerity she could muster. “Just great.”
“You didn’t think I was off tonight? Friggin’ crowd was dead.”
“Oh no. You weren’t off at all. You were terrific.”
“Yeah, you’re right.” He drained the beer and crumpled the can in his fist. “I wish Kissy could have been here. She wouldn’t come to Europe with me. What does that tell you about the kind of ditzy broad she is?”
“It tells me a lot, Barry.”
A snort came from the other side of the limo.
“What does Kissy do?” she asked.
“She says she’s an actress, but I’ve never seen her on television or anything. Shit, I’m getting depressed again.”
If there was anything she didn’t need, it was a depressed Barry Noy. “That’s probably it, then. Actresses trying to get work can’t afford to leave town whenever they want. They might miss their big break.”
“Yeah, maybe you’re right. Hey, I’m sorry about your VD and everything.”
Simon Kale looked over at her, and she thought she saw a flicker of interest in his eyes.
“Thanks,” she said sadly. “I’m doing my best to cope.”
She should have been prepared for the pandemonium of the hotel lobby, but she wasn’t. The hotel had orders not to give out any information, but there were women everywhere. As the members of the band made their way toward the heavily guarded elevators, she saw Peter Zabel reach out and grab the arm of a buxom redhead. Frank LaPorte inspected a freckled blonde, then gestured toward both her and her bubble-gum-chewing companion. Only Simon Kale ignored the crowd of women.
“I can’t believe this,” she muttered.
Stu heard her. “We’re all hoping they don’t speak English. That way we won’t have to talk to them, too.”
“That’s disgusting!”
“It’s rock and roll, kid. Rockers are kings as long as they can stay on top.” Stu put his arm around a frizzy-haired blonde and headed toward the elevators. Before he got in, he called back to her. “Stick close to Barry. He told me he likes you. And check the IDs on those girls who went with Frank. They looked young to me, and I don’t want any more trouble with the police. Then get hold of that freakin’ Kissy and make sure she meets us in Munich tomorrow. Tell her we’ll pay her two fifty a week.”
Susan Elizabeth Phil's Books
- Susan Elizabeth Phillips
- What I Did for Love (Wynette, Texas #5)
- The Great Escape (Wynette, Texas #7)
- Match Me If You Can (Chicago Stars #6)
- Lady Be Good (Wynette, Texas #2)
- Kiss an Angel
- It Had to Be You (Chicago Stars #1)
- Heroes Are My Weakness
- Heaven, Texas (Chicago Stars #2)
- Fancy Pants (Wynette, Texas #1)