Glitter Baby (Wynette, Texas #3)(72)

“Why not?”

“You couldn’t stick it. I don’t know what Stu told you, but being road secretary to any band is a hard job, and with a band like Neon Lynx it’s even tougher.”

There it was, the open acknowledgment that she wasn’t worth anything without Belinda. She should leave and forget all about this, but what had been nothing more than an impulse had suddenly become important. “I’ve had tough jobs.”

He patted her hand patronizingly. “Let me explain something. One of the reasons Neon Lynx has stayed on top is because they’re spoiled, arrogant bastards. It’s their image, and, frankly, I encourage it. Their arrogance is a big part of what makes them so great when they perform. But it also makes them impossible to work for. And road secretary isn’t what you’d call a high-prestige job. Let’s face it. You’re used to giving orders, not taking them.”

A lot Parker Dayton knew. She dug in with a stubbornness she’d forgotten she possessed. “I can handle it.”

The man who didn’t have a sense of humor laughed again. “You wouldn’t last an hour. I don’t know what happened with you three years ago, but you screwed yourself pretty good. Here’s some free advice. Take a pass on the bread and cookies, then call Gretchen and get yourself back in front of the cameras.”

She stood up. “Stu Kaplan can hire his own road secretary, right?”

“Under normal circumstances, but…”

“Okay, then. He offered me the job, and I’m taking it.”

She was out of the restaurant before he could say anything more, but halfway down the street she had to lean against the side of a building to catch her breath. What was she doing? She told herself this was safe, nothing more than a secretary’s job, but her heart rate refused to slow down.



When she walked into the suite at the Intercontinental an hour later, she felt as if she’d walked into Bedlam. A group of reporters was talking to Parker and two extravagantly dressed young men she assumed were band members. Waiters wheeled in trays of food, and three phones rang at the same time. The insanity of what she’d done hit her full force. She had to get out of here, but Stu had already picked up two of the phones and was gesturing for her to pick up the third.

She answered with an unsteady voice. It was the manager of the Munich hotel where the group was staying the next night. He told her he’d heard rumors about the destruction of two hotel suites in London and regretted to inform her that Neon Lynx was no longer welcome at his establishment. She put her hand over the receiver and told Stu what had happened.

Within seconds, she realized that the pleasant Stu Kaplan of the coffee shop was not the same man standing in front of her. “Tell him it was Rod Stewart, for chrissake! Use your freakin’ head, and don’t bother me with the little shit.” He tossed a clipboard at her, smacking her in the knuckles. “Double-check the arrangements while you got him on the phone. Double-check everything, and then check it again.”

Her stomach clenched. She couldn’t do this. She couldn’t work at a job with someone screaming at her and expecting her to know things that had never been explained. Parker Dayton gave her a smug smile with I-told-you-so written all over it. As she turned away from him, she caught sight of her reflection across the room. The mirror that hung above the sofa was the same size as those blown-up photographs Belinda had hung on the apartment walls in New York. Those oversized, beautiful faces had never seemed to belong to her. But neither did the pasty, tense reflection staring back at her.

She tightened her damp palms around the receiver. “I’m sorry to keep you waiting, but you can’t blame Neon Lynx for damage they didn’t do.” Her voice sounded thin from lack of air. She took a quick breath, then began a systematic assassination of Rod Stewart’s character. When she was done, she launched into a determined review of the room assignments from the instructions on the clipboard, then went on to detail arrangements for luggage carts and food. As the manager relayed the instructions back to her, and she realized she’d convinced him to change his mind, she felt a rush of satisfaction far out of proportion to what she’d done.

She hung up the phone, and it rang again. One of the roadies had been busted for drugs. This time she was prepared for Stu’s yelling.

“For chrissake, don’t you know how to handle anything?” He grabbed his jacket. “Take care of things here while I get the son of a bitch out of jail. And I’m telling you right now…Those motherf*cking Austrian police had better speak English.” He pitched another clipboard at her. “Here’s the schedule and the assignments. Get those stage passes stamped for the VIPs and call Munich to make sure they’ve taken care of transportation from the airport. We were short on limos the last time. And check on the charter from Rome. Make them give us a backup.” He was still hurling instructions as he walked out the door.

She fielded eight more phone calls and spent a half hour with the airlines before she noticed that she hadn’t taken off her coat. Parker Dayton asked if she’d had enough yet. She gritted her teeth and told him she was having a terrific time, but as soon as he left the suite, she sagged into her chair. Parker was leaving the tour in three days to go back to New York. That’s how long she had to last. Three days.

She took a few minutes between phone calls to study the promotional kit, and when the lead guitarist for Neon Lynx walked in, she recognized him as Peter Zabel. He was in his early twenties, with a small, compact body and curly, shoulder-length black hair. Two earrings decorated his right lobe, one an enormous diamond and the other a long white feather. He asked her to put a call through to his broker in New York. He was worried about his Anaconda Copper.