The Queen's Assassin (The Queen's Secret #1)(6)



After about an hour of bushwhacking, I realize that I don’t know where I am anymore. The trees look different, older. I hear the trickling of water. Unlike before, there are signs that something, or rather someone, was here not long before me. Cracked sticks have been stepped on—by whom or what, I’m not sure—and branches are too neatly chopped to have been broken naturally. I want to investigate, see if I can feel how long ago they were cut. Maybe days; maybe weeks. Difficult to tell.

I stop to examine the trampled foliage just as I feel an abrupt change in the air.

There it is again. Whoever or whatever it is smells foul, rotten. I shudder. I keep going, hoping to shake it off my trail.

I walk deeper into the forest and pause under a canopy of trees. A breeze blows against a large form in the branches overhead. I sense the weight of its bulk, making the air above me feel heavier, oppressive. It pads quietly. A huge predator. Not human. It’s been biding its time. But now it’s tense, ready to strike.

The tree becomes very still. And everything around does the same. I glance to my right and see a spider hanging in the air, frozen, just like I am.

Leaves rustle, like the fanning pages of a book. Snarling heat of its body getting closer, closer, inch by inch. I can smell its hot breath. Feel its mass as it begins to bear down on me from above. Closer, closer, until at last it launches itself from its hiding place. I feel its energy, aimed straight at me. Intending to kill, to devour.

But I am ready.

Just as it attacks, I kick ferociously at its chest, sending it flying. It slams to the ground, knocked out cold. A flock of starlings erupts from their nest in the treetops, chirping furiously.

My would-be killer is a sleek black scimitar-toothed jaguar. The rest of the wildlife stills, shocked into silence, at my besting the king of the forest.

I roll back to standing, then hear something else, like shifting or scratching, in the distance. As careful as I’ve been, I’ve managed to cause a commotion and alert every creature in the forest of my presence.

I crouch behind a wide tree. After waiting a breath or two, I don’t sense any other unusual movement nearby. Perhaps I was wrong about the noise. Or simply heard a falling branch or a startled animal running for cover.

There’s no reason to remain where I am, and I’m not going back now, in case the jaguar wakes, so I get up and make my way forward again. It looks like there’s a clearing ahead.

My stomach lurches. After everything—the argument and my big show of defiance—I am gripped with the unexpected desire to return home. I don’t know if the cat’s attack has rattled me—it shouldn’t have; I’ve been in similar situations before—but a deep foreboding comes over me.

Yet just as strongly, I feel the need to keep going, beyond the edge of the forest, as if something is pulling me forward. I move faster, fumbling a bit over some debris.

Finally, I step through the soft leafy ground around a few ancient trees, their bark slick with moss, and push aside a branch filled with tiny light green leaves.

When I emerge from the woods, I discover I was wrong. It’s not just a clearing; I’ve stumbled upon the golden ruins of an old building. A fortress. The tight feeling in my chest intensifies. I should turn back. There’s danger here. Or at least there was danger here—it appears to be long abandoned.

The building’s intimidating skeletal remains soar toward the clouds, but it’s marred by black soot; it’s been scorched by a fire—or maybe more than one. Most of the windows are cracked or else missing completely. Rosebushes are overgrown with burly thistle weeds, and clumps of dead brown shrubbery dot the property. Vines climb up one side of the structure and crawl into the empty windows.

Above the frame of one of those windows, I spot a weathered crest, barely visible against the stone. I step closer. There are two initials overlapping each other in an intricate design: BA. In an instant I know exactly where I am.

Baer Abbey.

I inhale sharply. How did I walk so far? How long have I been gone?

This place is forbidden. Dangerous. Yet I was drawn here. Is this a sign, the message I was searching for? And if so, what is it trying to tell me?

Despite the danger, I’ve always wanted to see the abbey, home of the feared and powerful Aphrasians. I try picturing it as it was long ago, glistening in the blinding midday heat, humming with activity, the steady bustle of cloaked men and women going about their daily routines. I imagine one of them meditating underneath the massive oak to the west; another reading on the carved limestone bench in the now-decrepit gardens.

I walk around the exterior, looking for the place where King Esban charged into battle with his soldiers.

I hear something shift again. It’s coming from inside the abbey walls. As if a heavy object is being pushed or dragged—opening a door? Hoisting something with a pulley? I approach the building and melt into its shadow, like the pet name my mother gave me.

But who could be here? A generation of looters has already stripped anything of value, though the lure of undiscovered treasure might still entice adventurous types. And drifters. Or maybe there’s a hunter, or a hermit who’s made his home close to this desolate place.

In the distance, the river water slaps against the rocky shore, and I can hear the rustling of leaves and the trilling of birds. All is as it should be, and yet. Something nags at me, like a faraway ringing in my ear. Someone or something is still following me, and it’s not the jaguar. It smells of death and rot.

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