It's One of Us(4)

Olivia sighs in regret. That poor woman. Like everyone in Nashville, Olivia has followed the case religiously. To have a young mother—the kind of woman she’s so desperate to mold herself into—disappear into thin air from a safe, regularly traveled, popular spot, one Olivia herself hikes on occasion, has been terrifying. She knows Beverly Cooke, too, albeit peripherally. They were in a book club together a few years ago. Beverly was fun. Loud. Drank white wine in the kitchen of the house and gossiped about the neighbors. Never read the book.

Olivia stopped going after a few meetings. It was right before she’d started her first official fertility treatments, had two miscarriages behind her, was hopped up on Clomid and aspirin, and all anyone could do was talk babies. Beverly had just weaned her first and was drunk for the first time in two years. She alternated between complaining and cooing about the trials and joys of motherhood. Olivia couldn’t take it, this flagrant flaunting of the woman’s success. She stood stock still in the clubhouse kitchen, fingers clenching a glass of Chardonnay, envisioning the myriad ways she could murder Beverly. Cracking the glass on the counter’s edge and swiping it across Beverly’s pale stalk of a neck seemed the most expedient.

Honestly, she wanted to murder them all, the sycophantic breeders who took their ability to procreate for granted. They had no idea what she was going through. How she was tearing apart inside, month after month. How she felt the embryos detach and knew it was over. How Park’s face went from joy to disdain every time.

Some people wear their scars on the outside.

Some hide them deep, and never let anyone in to see them.

Olivia is still staring at the screen, which is blaring a commercial for car insurance, processing, remembering, fists balled so tightly she can feel her nails cutting the skin, when she hears her husband calling her name.

“Olivia?” His voice is pitched higher than normal, as if he’s excited, or scared.

Park enters the kitchen from the hall between the dining room and the butler’s pantry.

“Honey, they found Beverly—” she starts. But her words die in her throat when she sees two strangers, a man and a woman, standing behind him, people she knows immediately are police officers just by their wary bearing and shifting eyes that take in the whole room in a moment, then settle on her appraisingly.

“I know,” Park says, coming to her side, shutting off the gas. She’s burned the eggs; a sulfurous stench emanates from the gold-encrusted pan. He takes the spatula from her carefully. “It’s been on the news all morning. Liv, these detectives need to talk to us.”

“About?”

The man—stocky, slick smoky-lensed gold glasses, perfectly worn-in cowboy boots and a leather jacket over a button-down—takes a small step forward and removes his sunglasses. His eyes are the deepest espresso and hold something indefinable, between pity and accusation. It’s as if he knows what she is thinking, knows her uncharitable thoughts toward poor dead Beverly.

“Detective Osley, ma’am. My partner, Detective Moore. We’ve been working Beverly Cooke’s case. I understand you knew her? Our condolences for your loss.”

Olivia cuts her eyes at Park. What the hell has he been saying to them?

“I don’t know her. Didn’t. Not well. We were in a book club together, years ago. I don’t know what happened to her. I’m sorry I can’t be of more help.”

“Oh, we understand. That’s not why we’re here.” Osley glances at his partner. The woman is taller than he is, graceful in the way of ex–ballet dancers even in her street clothes, with a long, supple neck, hooded green eyes devoid of makeup and blond hair twisted into a thick no-nonsense bun worn low, brushing the collar of her shirt.

“Why are you here, exactly?” Olivia asks.

Park frowns at her tone. She’s come across too sharp, but my God, what she’s already handled this morning would break a lesser woman.

“It’s about our suspect in the Cooke case. Can we sit down?”

Olivia reigns in her self-loathing fury and turns on the charm. The consummate hostess act always works. Park has taught her that. “Oh, of course. Can I get you some coffee? Tea? We were making breakfast. Can we offer you some eggs, or a muffin? I have a fresh pan here—”

“No, ma’am, we’re fine,” Moore demurs. “Let’s sit down and have a chat.”

Olivia has a moment of sheer freak-out. Was it Park? Had he killed Beverly Cooke? Was that why they wanted to talk, because he was a suspect? If he was a suspect, would the police sit down with them casually in the kitchen? Wouldn’t they want something more official? Take him to the station? Did they need to call a lawyer? Her mind was going fifty thousand miles an hour, and Park was already convicted and in prison, and she was so alone in the big house, so lonely, before she reached a hand to pull out the chair.

She needs to knock off the true crime podcasts. Her husband is not a murderer. He is incapable of that kind of deceit.

Isn’t he?

Sometimes she wonders.

“Nice kitchen,” Osley says.

“Thank you.”

Olivia loves her kitchen. It is the model for all her signature looks. Airy, open, white cabinets with iron pulls, leathered white marble counters. A black granite–topped island just the right size for chopping and serving, light spilling in from the big bay window. A white oak French country table with elegant cane-backed chairs. It was the heart of her home, the heart of her life with Park.