It's One of Us(10)
Oh, it starts well enough. The photographs are perfect, Olivia sweeping down the grand staircase (she’s always wondered if her mother insisted on buying the house in preparation for this moment). Her mother cries a little. Her father looks ridiculously proud. Park charms them both, and they sign the pledge that they won’t drink and drive—a family tradition before every date—even though they’ve paid for the limo for the whole night and the following morning.
Thank heavens there are no more pledges to make to the parents. If they knew what was planned...
They arrive to the adulation of their friends and teachers—their clique mobbing them like typical adolescent sycophants, with squeals of admiration and high-fives and knowing looks.
The band is great, they dance and take photos, and someone manages to spike the punch so they’re all too merry and the teachers are pissed off.
No, it doesn’t start to go south until it’s time to crown the King and Queen and Perry Bender is named Prom King instead of Park. He was on the court, sure, of course he was, but no one expected it. Park is the King of the school. Everyone knows it. Perry hadn’t even bothered with a date.
So it is Perry standing next to Olivia in her gaudy store-bought crown being photographed and cheered, looking both thrilled and bashful and not a little shocked, while Park storms from the gymnasium with a scowl, followed, as Olivia catches out of the corner of her eye, by Alison Banks. Alison is moving surreptitiously, as if heading toward the bathrooms but instead ducking left at the last moment, out the door Park slammed through.
It is Perry who kisses Olivia’s hand gallantly to the cheers of the student body, who takes advantage of the King-and-Queen dance to hold Olivia in his arms in the most confusing way. Perry has been as much a brother to her as Lindsey has been a sister, and suddenly, he is taller than Park, leaner; his arms are strong and warm and feel similar to his brother’s but different, too. He smells of cedar and woodsmoke, so alien in this proximity. He’s always been a handsome boy, but tonight he looks rakishly charming in his tuxedo, his too-long hair in a tight ponytail at the nape of his neck, his braces recently expunged from his bright white teeth, and his eyes, gray with the barest hint of blue around the edge of the iris, heavily lashed—staring deep into her own in ways that make her stomach twitch. When had he gotten so good-looking?
She’s never seen Perry in this light, never.
It was her fault, of course. She should have shunned the dance, escaped after Park immediately, smoothed over the ruffled feathers, abdicated, perhaps, to someone else on the court, but something about how Park handled the situation, not with good humor or even begrudgingly, but throwing a small tantrum and stalking out, does not endear him to her at this moment. Yes, it was a disappointment, but still, she’s been crowned Queen, and he could at least acknowledge this coup de gr?ce for her.
When the dance is over, Perry stops staring soulfully into her eyes, squeezes her arms, and returns to his regularly scheduled brotherly state. “He’s pretty pissed. Let’s go talk to him.”
And it is the two of them—Olivia and Perry—who seek out Park. The two of them who find Park with his hand up Alison Bank’s slinky black dress, her hair spilling out of its hundred-dollar updo and her eyes clenched in ecstasy.
The two of them who flee—Olivia first, Perry right after her, with Park stammering and calling, and Alison stamping away unfulfilled—to the parking lot, where Olivia breaks down, and is comforted by Perry, Perry the second brother, the friend, the witty jouster of puns and illicit six-packs, who tells her the affair has been going on for a month at least and holds her in his arms as she weeps.
It was inevitable that he would brush away her tears, inevitable that he would run a finger across her lower lip, inevitable that he would kiss her.
Inevitable that they would lose their virginity to each other in the back of the limousine—Olivia in a sheer, unadulterated rage fuck, Perry in something else, something deeper and quieter, but no less intense, no less strong.
Inevitable, the regret. The recriminations. The scandal. The breakup.
Inevitable that Park dumped her, and she didn’t want Perry, who was more than happy to play the chivalrous knight, being half in love with her himself, and always had been.
Inevitable that nine weeks later, pale and clammy and borderline hysterical, she was driven to Knoxville by her best friend, where no one would know or see or stop her, and had the life they’d created that night carved from her belly.
5
THE WIFE
Olivia brakes, hard, the car behind her shrieking to a stop just shy of her bumper. She waves a hand in apology and yanks the Jeep to the shoulder, the wheels skidding on the loose gravel.
Lindsey’s voice shouts through the car’s speaker. “Are you okay? I heard the brakes—”
“I’m fine. All good. Car in front of me braked at the yellow.”
She is not fine. She is not all good. She is numb. And numb she must stay, or the whole world will crumble around her.
She can’t handle Perry on top of all of this.
Perry, with his soft gray eyes and floppy blond hair. Perry, with his rangy body, hard and lean in all the right places. Perry, with his heart of gold and silly laugh and velvet lips.
Perry, Park’s brother. His twin, for God’s sake.
“I assume he called?” she hears herself ask, voice sounding calm and cool. Disinterested.