I'll Be Gone in the Dark(81)
DNA proved Pool’s suspicion. The dead fingerprint guy wasn’t the One.
*
DOUG FIEDLER* HAD TO BE THE ONE.
An e-mail materialized in my inbox one night at 12:01 a.m. from “John Doe.”
John Doe never explained his preference for anonymity. He was concerned with another matter: he’d heard me on a podcast talking about the case, and wanted to share what he considered to be a good tip. “Worldcat.org is a valuable research tool for finding what libraries carry a specific book or media. When you search for Det. Crompton’s Sudden Terror it gives the following locations Salem, Oregon, Post Falls, Idaho, Hayden Lake, Idaho, Sidney, Nebraska, Los Gatos, California. Maybe EAR-ONS used his library to acquire the book to avoid buying it online?”
It was an interesting idea. Sudden Terror was self-published; it was unlikely that any library would carry it without a borrower specifically requesting that the library acquire it. I was pretty sure I knew who was responsible for Oregon and California (retired
detectives), so I concentrated on Idaho and Nebraska. I knew the libraries weren’t going to share the names of the borrowers with me, as it’s important to them to protect patrons’ privacy. I stared at my computer. A blank search bar waited for me to find a way to use it. I decided to enter the relevant zip codes along with the name of a high-profile group I felt the EAR might have joined in the intervening years: registered sex offenders.
For about an hour, I scrolled through the rough mugs of the perverted and depraved. The exercise was feeling like a waste of time. Then I saw him. I experienced a flash, the first since I’d started investigating the case: You.
I eyeballed his stats. The man, Doug Fiedler, was born in 1955. He was the right height and weight. He was originally from California, and in the late eighties was convicted there of several sexual offenses, including rape by force or fear and lewd and lascivious acts with a child under the age of fourteen.
From a genealogy website, I learned that his mother was from a large family from Sacramento County. My pulse quickened with every new piece of information I gathered. In the early 1980s, and possibly earlier, she lived in north Stockton, close to the EAR rapes there. Doug’s ex-wife had addresses all over Orange County, including one in Dana Point, just 1.7 miles from the house where Keith and Patty Harrington were murdered.
He had an animal tattoo on his arm that could easily be mistaken for a bull (during hypnosis a young girl who saw the EAR in her house recalled a tattoo she thought looked like the Schlitz Malt Liquor bull on his forearm).
I ran his name through a Google News archive. I nearly jumped out of my chair when I saw the results. An August 1969 Los Angeles Times story detailed how a nineteen-year-old boy was hit on the head with a frying pan and stabbed to death by his younger half brother, who had gone to his mother’s aid during a family fight. The younger brother? Doug Fiedler.
Bludgeoning. Knife. The EAR did a lot strange things during the commission of his crimes, but in my opinion one of the weirdest was his occasional whimpering and crying. Those occasional plaintive calls amid the sobs: “Mommy! Mommy!”
Doug now lived with his elderly mother in a small town in Idaho. Google Street View revealed it to be a modest white house obscured by overgrown weeds.
I didn’t say it explicitly, but when I e-mailed Pool about Doug Fiedler, I felt there was a very good chance I was handing him the killer.
“Nice catch,” Pool wrote back. “Good profile and physical. I just confirmed via phone and other data that he’s been eliminated by DNA (CODIS).”
For hours I’d felt as if I was hurtling down the street with nothing in my way, like catching a series of green lights. Now the transmission had just fallen out. The wisdom of the time traveler, I realized, can be deceiving. We return to the past armed with more information and cutting-edge innovations. But there are hazards in having so much wizardry at hand. The feast of data means there are more circumstances to bend and connect. You’re tempted to build your villain with the abundance of pieces. It’s understandable. We’re pattern-seekers, all of us. We glimpse the rough outline of what we seek and we get snagged on it, sometimes remaining stuck when we could get free and move on.
“Keep throwing me suspects like him!” Pool wrote.
He was letting me down gently. He’d been there. After he told me how excited he’d get about certain suspects when he first started on the case, I asked how he responded now, fifteen years later. He mimed getting a report and looking it over, taciturn and severe.
“Okay,” he said curtly, and pretended to throw it in the pile.
But I’d seen him reenact another moment, the one when he walked through his boss’s door, when he spotted the group assembled there for him, on the cusp of a moment you can spend a
career in law enforcement imagining but never experience. I knew how quickly he sometimes got back to me through e-mail when something interesting popped up.
I’d seen him imitate that fist pump and “Yes!” I knew that he quietly longed for that moment again.
Los Angeles, 2014
“WHAT PEOPLE FORGET ABOUT ROCKY IS THAT FIRST SCENE, WHEN he goes out to train. His legs are killing him. He’s past his prime. It’s freezing. He’s staggering. He can barely get up those steps.”