I'll Be Gone in the Dark(76)







MICHELLE: Is that right?! That is strange.

PAUL HOLES: So, here we’ve got this case, twenty-two hours after the case in Modesto occurred. The case in Modesto has the strange man being picked up at an airport, being dropped off, near new construction, seemingly heading toward the victim’s home.

MICHELLE: But why was that man so strange?

PAUL HOLES: The cab driver said he just had a single bag. And he just says, “Take me to Sylvan and Meadow.” And then, “Drop me off right here.” He gets out and just wanders to where the cab driver says there’s nothing there but houses being built. And then the next case . . . we have an airport connection.

MICHELLE: I’m trying to think of what kind of person would have a plane like that. Like, a small plane?

PAUL HOLES: Well, a small plane opens up possibilities. You know, these developers typically had your multiseat corporate jets. If you’re talking about somebody with a small plane, somebody who’s not a millionaire, you know, or somebody with huge resources, having a . . .

MICHELLE: Yeah.

PAUL HOLES: So, if you’re talking to these developers, and saying, well, “Would you fly? If you have developments across the state, would you fly there?” They answer, “Yeah, we would fly there. Flying an airplane is very expensive, but it was sort of an ego thing. So, we would want to be perceived as successful, because we have our own jet that we’re flying in. And yeah, occasionally we would go and check on our kingdoms that are being built.”

MICHELLE: Right. Hmm. Were there any other little clues from any of the cases that tied into a plane? Like, any kind of . . . didn’t he have, like, a navigator’s something?





PAUL HOLES: No, not that I can think of.

Holes is trying to locate the home of the third Davis victim. This attack, number thirty-seven, occurred on July 6, 1978, at 2:40 in the morning. The victim was a thirty-three-year-old woman—recently separated and in the bed alone—whose sons were sleeping in another room. The EAR used them as leverage, threatening to kill them if she didn’t do what he said. After raping and sodomizing the victim, he sobbed. A three-month hiatus would then follow, after which he resurfaced in the East Bay area.

PAUL HOLES: It was a corner house. I want to say it was the end. I don’t think these houses were here at the time. And there are no houses behind. And then you had the construction going on at the school. So, the attack occurred here. There was lots of construction going on in this area. . . . Here it is. So . . . this victim carpooled with the previous Davis victim.

MICHELLE: Wow. A lot of these scenes are a lot closer to each other than I thought they were. I mean, some aren’t, but . . . some, it’s interesting.

PAUL HOLES: Right. Well, neighborhoods. He got familiar with the neighborhoods. Danville is tightly clustered. Concord. Walnut Creek.

MICHELLE: Certainly, I mean, Rancho Cordova . . . weren’t some right next to each other?

PAUL HOLES: Yeah. Not quite right next to each other, but right around the block. You know, the house between.

MICHELLE: Right. I mean, and if you’re walking away without your pants on, you either live there or your car is right there. Or you’re kind of crazy. Or all of the above.

PAUL HOLES: Well, one of these guys I spent a lot of time on,





a serial killer by the name of Phillip Hughes . . . in his interviews with the psychiatrist, he admits to, when he was in high school, leaving his house in the middle of the night—parents had no idea—he’d be nude, and he’d break into other houses in the neighborhood to steal the clothing from the women.

MICHELLE: And this was before he’d actually been violent with anyone?

PAUL HOLES: Yeah, as far as we know. He had killed some animals. You know . . . the whole serial-killer triad thing [the theory that torturing animals, setting fires, and bedwetting past early childhood predict sexual violence in adulthood].

MICHELLE: Right.

PAUL HOLES: But this was at the high school age. I think there’s a certain . . . thrill to being out without the clothes on.

MICHELLE: Right.

PAUL HOLES: Now, there could be a practical thing too, you know? Let’s say it’s his first attack, and he’s going, “Well, how am I going to deal with the pants? I’m just not going to wear them. I don’t want them in the way.”

MICHELLE: Right. Yeah, that’s why it’s interesting to me that in a lot of the murders, he killed them with whatever was handy there.

PAUL HOLES: Yeah. He had a gun, but in terms of the bludgeoning, he used what was there.

MICHELLE: Is there anything about people who bludgeon that’s different from people who do other stuff?

PAUL HOLES: Well, bludgeoning and stabbing in essence are the same thing. You know, it’s very personal. You’re taking out a lot of violence, a lot of anger, on that person. Now, strangulation . . . beating with your fists or strangling, that’s all . . .

MICHELLE: So anything you do with your hands is kind of out of the same thing?





PAUL HOLES: Yeah, it’s all the same. Versus killing with a gun—it’s less personal. And it’s easy. Anybody can kill anybody with a gun. You can kill from a distance. But when you’re in physical confrontation with the person, that’s a personal thing. You know, you read about these guys who are looking in the victim’s eyes as they’re strangling them . . .

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