The Strange and Beautiful Sorrows of Ava Lavender(32)

Jeremiah Flannery came up beside Cardigan. He looked down at the bird and raised his boot. We all heard the sickening snap of the bird’s wing when he stomped. And we all heard Jeremiah groan from the swift blow of Cardigan’s knee to his groin, a sharp leg punch that left young Jeremiah’s left testicle deformed. Jerry — as he was later called — would subsequently ascribe his inability to impregnate his wife to this incident.

Hours later, after the other children returned home for dinner and their nightly baths, I snuck out my window and climbed down the old cherry tree that was planted too close to the house. With a shovel I took from the garden, I put the screeching bird out of its final misery and then dragged myself back up the hill, sobbing. It would not be the last time I would relate to flightless birds.

John Griffith shared his estranged wife’s dreams for the rest of his life — nightly reveries of polar bears on black sand beaches, spiny pieces of exotic fruit, and tiny porcelain teacups. He feared sleep, dreaded nightfall like a child afraid of what might be lurking in the shadows. Sleep aids — those little white pills hidden in the medicine cabinets of so many good 1950s housewives — did nothing but make the polar bears move in slow motion.

This insomnia took a toll on the seemingly indestructible John Griffith. First he put on weight — a few pounds that made his belt a little harder to fasten. Then, just as suddenly, he lost that weight plus twenty pounds more. His complexion grew sallow. He awoke one morning to find all the hair on his head in a mound on his pillow. His sight and his hearing deteriorated. He couldn’t concentrate on things the way he used to. Words seemed to melt from his lips in the middle of a conversation.

The tiny house behind the bakery fell to shambles, as did John Griffith, who now spent all his days dressed in an old bathrobe and a pair of fluffy house shoes, no doubt once owned by his wife.

Then, one unusually sunny February morning — just a couple of weeks before Henry and I celebrated our tenth birthday — John Griffith made his way into the bakery.

My grandmother was busy writing the day’s special — mille-feuille — on the blackboard behind the counter, and Penelope was putting the final touches on a box of chocolate éclairs for one of the Moss sisters. At the sound of the bells on the door, Penelope glanced up, ready to holler a cheerful Be with you in a moment! But when she saw John Griffith clutching the shabby bathrobe to his chest, the women’s slippers on his feet, she could only tap Emilienne on the shoulder.

It took a minute for Emilienne to recognize the once-formidable John Griffith. When she did, she could only widen her eyes in alarm as he shuffled into the shop, pressed his nose to the countertop, and blew foggy halos against the glass. As he leaned back to admire his work, he looked up and saw Emilienne Lavender staring back at him.

“All I’ve ever wanted,” he whispered.

Emilienne brought her hand to her throat. She glanced at Penelope and then back at the man standing before her.

“I’m sorry,” she choked. “What was that?”

“All I’ve ever wanted in my whole damned waste of a life,” he said, banging his fists against the countertop in front of him. Nervously, the Moss sister began eating one of her éclairs.

John pointed a shaking finger at Emilienne. “Is you,” he said simply, then left.

For once my grandmother had nothing to say.

It was Penelope who muttered, “That poor man needs help.” The Moss sister nodded in agreement.

It took a few weeks after the bakery incident for help to appear at John Griffith’s door. That help brought with him a framed diploma from Whitman College; a slight twitch he’d developed in his right eye; his wife, Laura Lovelorn; and his wife’s money — ready to prove just how useful he could be.

Some commented on how strange it was to see him, this grown version of Jack Griffith, taking over his father’s affairs, turning the now run-down house into one far more impressive than it had ever been. The neighborhood watched, transfixed, as the kitchen was stocked with state-of-the-art appliances: a chrome toaster and coffee maker, a dishwasher, and a set of newly purchased Tupperware. There was a Formica dining set with vinyl and chrome chairs and a sunshine-yellow GE refrigerator. The living room had a Dunbar sofa and bamboo chairs, a sunburst clock, and a painting believed to be an original Jackson Pollock. The walls of the house were painted in popular shades of bubblegum pink, lime green, and pale blue; the rooms decorated with ceramic nodding dogs, pineapple ice buckets, and an ashtray in the shape of a pair of pink poodles. Jack had a sunken recreation room added to the back of the house, complete with wood paneling and wall-to-wall carpeting. A kidney-shaped swimming pool was dug into the backyard, overlooked by an angry-looking Tahitian statue; a thatched-roof bar was fully stocked with dark rum and brandy for mai tais and mojitos. There was a new washing machine and dryer, and a housemaid to use them. And in the attached garage was parked a brand-new Cadillac Eldorado, the largest on the market with its extravagant tailfins, twin bullet-tail lamps, and wide whitewall tires.

That isn’t to say that Jack and his wife used her inheritance solely for selfish purposes. Far from it. After all, Laura Lovelorn was a good woman, and men are always influenced by good women. So, after the renovations on the house were paid for, Jack paid for several expensive electroshock therapies for his father. Jack then made several large donations to local charities. He and his wife threw extravagant parties at least three times a year for their neighbors and influential members of the community. And when Jack had his unstable father committed to the very psychiatric hospital they believed took in Fatima Inês, it was quite clear that Jack Griffith had finally slipped out from behind his father’s shadow. It was Jack, not John, who now stood centered in the light of the frosted-pink glass ceiling lamp hanging in the center of the house’s entryway.