The Storied Life of A. J. Fikry(16)
“Um . . . I was on my way to a PhD in American literature before I quit that to open this bookstore. My specialty was Edgar Allan Poe. ‘The Fall of the House of Usher’ is a decent primer on what not to do with children.”
“That’s something,” Jenny says by which she means it’s something entirely unhelpful. “You’re sure you’re up to this? It’s an enormous financial and emotional and time commitment.”
“No,” A.J. says, “I’m not sure. But I think Maya has as good a chance with me as with anyone else. I can watch her while I work, and we like each other, I think.”
“Love you,” Maya says.
“Yes, she keeps saying that,” A.J. says. “I warned her about giving love that hasn’t yet been earned, but honestly, I think it’s the influence of that insidious Elmo. He loves everyone, you know?”
“I’m familiar with Elmo,” Jenny says. She wants to cry. There is going to be so much paperwork. And that’s just for the foster placement. The adoption proper’s going to be murder, and Jenny will be the one who has to make the two-hour trip to Alice Island every time someone from DCF has to check on Maya and A.J. “Okay, you two, I have to call my boss.” As a girl, Jenny Bernstein, product of two stable and loving parents from Medford, Massachusetts, had adored orphan stories like Anne of Green Gables and A Little Princess. She has recently begun to suspect that the sinister effect of repeated reading of these stories was what led her to choose social work as a profession. In general, the profession had turned out to be less romantic than her readings had led her to believe. Yesterday, one of her former classmates discovered a foster mother who had starved a sixteen-year-old teenage boy down to forty-two pounds. All the neighbors had thought the teen was a six-year-old child. “I still want to believe in happy endings,” the classmate had said, “but it’s getting hard.” Jenny smiles at Maya. What a lucky little girl, she thinks.
THAT CHRISTMAS AND for weeks after, Alice buzzes with the news that A.J. Fikry the widower / bookstore owner has taken in an abandoned child. It is the most gossip-worthy story Alice has had in some time—probably since Tamerlane was stolen—and what is of particular interest is the character of A. J. Fikry. The town had always considered him to be snobbish and cold, and it seems inconceivable that such a man would adopt a baby just because it was abandoned in his store. The town florist tells a story about leaving a pair of sunglasses in Island Books and coming back less than one day later to find that A.J. had thrown them out. “He said his store had no room for a lost-and-found. And that’s what happens to very nice, vintage Ray-Bans!” the florist says. “Can you imagine what will happen to an actual human being?” Furthermore, for years, A.J. had been asked to participate in town life—to sponsor soccer teams, to patronize bake sales, to buy ads in the high school yearbook. The man had always declined and not always politely either. They can only conclude that A.J. has grown soft since losing Tamerlane.
The mothers of Alice fear that the baby will be neglected. What can a single man know about child rearing? They make it their cause to stop by the store as often as possible to give A.J. advice and sometimes small gifts—old baby furniture, clothes, blankets, toys. The mothers are surprised to find Maya to be a sufficiently clean, happy, and self-possessed little person. Only after they’ve left the store do they cluck about how tragic Maya’s backstory is.
For his part, A.J. does not mind the visits. The advice he mainly ignores. The gifts, he accepts (though he does liberally curate and disinfect them after the women have left). He knows about the postvisit clucking and decides not to let it annoy him. He leaves a jug of Purell on the counter next to a sign that commands please disinfect before handling the infanta. Besides, the women do actually know a few things that he doesn’t know, things about potty training (bribery works) and teething (fancy ice-cube trays) and vaccinations (you can skip the chicken pox one). It turns out that, as a source of child-rearing advice, Google is wide but not, alas, terribly deep.
While visiting the baby, many of the women even buy books and magazines. A.J. begins to stock books because he thinks the women will enjoy discussing them. For a while, the circle responds to contemporary stories about overly capable women trapped in troubled marriages; they like if she has an affair—not that they themselves have (or will admit to having had) affairs. The fun is in judging these women. Women who abandon their children are a bridge too far, although husbands who have terrible accidents are usually received warmly (extra points if he dies, and she finds love again). Maeve Binchy is popular for a while, until Margene, who in another life had been an investment banker, raises the complaint that Binchy’s work is too formulaic. “How many times can I read about a woman married too young to a bad, handsome man in a stifling Irish town?” A.J. is encouraged to expand his curatorial efforts. “If we’re going to have this book group,” Margene says, “we may as well have some variety.”
“Is this a book group?” A.J. says.
“Isn’t it?” Margene says. “You didn’t think all this child-rearing advice came for free, did you?”
In April, The Paris Wife. In June, A Reliable Wife. In August, American Wife. In September, The Time Traveler’s Wife. In December, he runs out of decent books with wife in the title. They read Bel Canto.
“And it wouldn’t hurt you to expand the picture-book section,” Penelope, who always looks exhausted, suggests. “The kids should have something to read when they’re here, too.” The women bring their own little ones for Maya to play with, so it only makes sense. Not to mention, A.J. is tired of reading The Monster at the End of This Book, and though he has never been particularly interested in picture books before, he decides to make himself an expert. He wants Maya to read literary picture books if such a thing exists. And preferably modern ones. And preferably, preferably feminist ones. Nothing with princesses. It turns out that these works most definitely do exist. One night, he finds himself saying, “As a form, the picture book has a similar elegance to the short story. Do you know what I mean, Maya?”