The Storied Life of A. J. Fikry(13)

Nic would want me to be nicer to her sister, he thinks. “How’s the production coming?” A.J. asks.

Ismay smiles, and she looks like a little girl. “My word, A.J., I wasn’t aware that you even knew that there was one.”

“The Crucible,” A.J. says. “Kids come into the store to buy copies.”

“Yes, that makes sense. Awful play, really. But the girls get to do a lot of screaming and yelling, which they enjoy. Me, less so. I always come to rehearsal with a bottle of Tylenol. And maybe in the midst of all that screaming and yelling, they accidentally learn a little about American history. Of course, the real reason I picked it is because there are so many female roles—less tears when I post the list, you know. But now, with the baby coming, it’s starting to seem like, well, a lot of drama.”

Because he feels obligated to her for coming over with the food, A.J. volunteers to help. “Maybe I could paint flats or print programs or something?”

She wants to say How unlike you, but she resists. Aside from her husband, she believes her brother-in-law to be one of the most selfish and self-centered men she has ever met. If one afternoon with a baby can have such a refining influence on A.J., imagine what could happen to Daniel when the baby is born. Her brother-in-law’s small gesture gives her hope. She rubs her belly. It’s a boy in there, and they’ve already chosen a name and a backup name if the original name doesn’t suit.

THE NEXT AFTERNOON, once the snow has stopped and even begun to melt away into mud, a body washes up against the small strip of land near the lighthouse. The ID in her pocket says that this is Marian Wallace, and it does not take long for Lambiase to deduce that the body and the baby are, in fact, related.

Marian Wallace has no people on Alice, and no one knows why she was here or who she came to see or why she decided to kill herself by swimming into the icy waters of the Alice Island Sound in December. That is to say, no one knows the specific reason. They know that Marian Wallace is black, that she is twenty-two years old, and that she had a twenty-five-month-old toddler. To these facts, they can add what she wrote in her note to A.J. A flawed but adequate narrative emerges. Law enforcement concludes that Marian Wallace is a suicide, nothing more.

As the weekend goes on, more information about Marian Wallace emerges. She attended Harvard on scholarship. She was a Massachusetts State Champion swimmer, and an avid creative writer. She was from Roxbury. Her mother is dead—cancer when Marian was thirteen. The maternal grandmother died a year later of the same cause. Her father is a drug addict. She spent her high school years in and out of foster care. One of her foster mothers remembers young Marian always with her head in a book. No one knows who the father of her baby is. No one even remembers her having a boyfriend. She was put on academic leave from college because she failed all her classes the previous semester—the demands of motherhood and a rigorous academic schedule having become too much to bear. She was pretty and smart, which makes her death a tragedy. She was poor and black, which means people say they saw it coming.

Sunday night, Lambiase stops by the bookstore to check on Maya and give A.J. the update. He has several younger siblings and he offers to watch Maya while A.J. tends to store business. “Do you mind?” A.J. asks. “Don’t you have somewhere to go?”

Lambiase is recently divorced. He had married his high school sweetheart, so it took him a long time to realize that she was not, in fact, a sweetheart or a very nice person at all. In arguments, she was fond of calling him stupid and fat. He is not stupid, by the way, though he is neither well read nor well traveled. He is not fat, though he is built like a bulldog—thick-muscled neck, short legs, broad, flat nose. A sturdy American bulldog, not an English one.

Lambiase does not miss his wife, though he does miss having somewhere to go after work.

He parks himself on the floor and pulls Maya onto his lap. After Maya falls asleep, Lambiase tells A.J. the things he’s learned about the mother.

“What’s strange to me,” A.J. says, “is why she was on Alice Island in the first place. It’s kind of a pain to get here, you know. My own mother’s visited me once in all the years I’ve lived here. You really believe she wasn’t coming to see someone specific?”

Lambiase shifts Maya in his lap. “I’ve been thinking about that. Maybe she didn’t have a plan of where she was going. Maybe she just took the first train and then the first bus and then the first boat and this is where she ended up.”

A.J. nods out of politeness, but he doesn’t believe in random acts. He is a reader, and what he believes in is narrative construction. If a gun appears in act one, that gun had better go off by act three.

“Maybe she wanted to die somewhere with nice scenery,” Lambiase adds. “So the lady from DCF will be coming to get this little bundle of joy on Monday. Since the mother didn’t have any family and the paternity is unknown, they’ll have to find a foster home for her.”

A.J. counts the cash in the drawer. “Kind of rough for kids in the system, no?”

“It can be,” Lambiase says. “But this young, she’ll probably do all right.”

A.J. recounts the cash in the drawer. “You said the mother had been through the foster system?”

Lambiase nods.

“Suppose she thought the kid would stand a better chance in a bookstore.”

“Who can say?”