The Liar's Key (The Red Queen's War #2)(81)

“What’s wrong with your hand, Mama?” She’s standing with her right hand in her own shadow and it looks wrong . . . a touch too bright. She looks down and quickly folds her arms, a guilty motion. Jally stares up at her and I watch. She’s the same woman that I see in my locket. Not much more than thirty and seeming younger, long dark hair, dark eyes, beautiful. The picture I have is by a very skilled artist but somehow it doesn’t capture her. It’s only when these memories flow through me that I remember how far she travelled to be my mother, how alone she must have felt in a strange land. Grandmother may have picked Mother for her blood but whatever heritage she carried in her veins it made little impact on my appearance or that of my brothers. She may have darkened the gold of our hair but to look at us there’s nothing of the Indus to see. The blond comes from Gabron, Grandmother’s third husband, or from her father or grandfather, Gholloths one and two, passed down to our father—though he hides it beneath a cardinal’s hat often as not, along with his bald spot—and on down to us. “Your hand looks . . . different.”

“Nothing’s wrong with it, Jally. Let’s get you back to Nanna Odette.”

Where her fingers can be glimpsed behind the other arm I can see the glow, more pronounced now.

“Stealing is bad,” Jally says. I suppose it’s true—though I wouldn’t let it stop me—but I can’t see the relevance.

“It’s borrowing.” Mother brings her hand out and opens it. The orichalcum is glowing in her palm, brighter than it was in Garyus’s room, the light more steady. “But you’re right, Jally, it was wrong not to ask.” She leans forward. “Can you give it back to him and not say where you got it? He won’t be cross with you.” She looks worried and that makes Jally afraid. He nods slowly, reaching out to take it.

“I won’t say, Mama.” He says it in a solemn tone, confusion filling him. He’s sad but he doesn’t know why. I could tell him that he’s seen for the first time his mother do wrong, his mother be afraid and without certainty. It’s a hurt every child must suffer as they grow.

Mother shakes her head, keeping the orichalcum in her grasp. “A moment.” She turns away from me, goes toward the doorway that opens onto a chamber I call the Star Room, and steps inside. I follow to the threshold, peering through the crack in the door that she failed to close properly. She has her back to me. From the motion of her arm I can see she is moving her hand down from her chest to her belly. The glow gets brighter, throwing black shadows in all directions, brighter still, and suddenly it’s a glare, like a flash of lightning, painting the whole room with an intensity that allows no colour. Mother drops the orichalcum cone with a shriek and I burst in through the door after her. As I run around her to discover what she’s hiding I see she has both hands folded over her stomach, one atop the other. Tears are running from eyes screwed tight.

I stop, the orichalcum forgotten. “What is it . . . ?” Jally hasn’t the slightest idea. I know though. She’s pregnant and the child has a thousand times more talent in the womb than Kara has after all her years of training as a v?lva.

We stand there in the drawing room beneath a ceiling studded with star-shaped roundels, and watch one another.

“It will be all right, Jally.” A lie, whispered as if even Mother doesn’t believe it enough to say out loud. She smiles, pushing aside her hair and bends toward me. But I’m looking over her shoulder at the face of a man looming behind her. No smile there. I half recognize him but with the light streaming through the doorway to his rear his features are shadowed, offered only in rumour, hair so black as to be almost the blue of a magpie’s wing, with grey spreading up from the temples.

“J—” The rest of my name comes out bloody. Both of us look down at the blade that has emerged from her belly. In the next second she has fallen forward, pulling clear of the sword, now dripping in the man’s hand. Blood flows along the curves of the script set into the steel.

“Ssssh,” he says, and sets the cutting edge against the side of Mother’s neck where she lies bleeding on the Indus rugs. The man stands revealed now in his uniform, the tunic and breastplate of the general palace guard. His face is somehow blurred, for a broken second it wants to look like Alphons—the younger of the doormen—and when I refuse that it shifts toward old Raplo who winked at me that morning. I shake both away and see him clear, just for a moment. It’s Edris Dean, without the scar along his cheekbone, and too young for the grey, but greying even so.

Jally’s thoughts, that have for so long bubbled behind my own, childish and wide-roaming, have now fallen silent. He looks at Mother, at the sword, at Edris, and his mind is a smooth void.

“I knew you were coming . . .” I say it with Jally’s mouth.

“No you didn’t.” Edris pulls back his blade, slicing Mother’s throat. She starts to thrash, trying to rise. “No one ever does. That’s my talent, sure enough. Given by God Almighty himself. The future-sworn can’t see me, boy.” He holds the point of his sword toward me. “I cast no shadow on the days to come. Bedevils the fortune-tellers no end, to be sure. Keep telling me I won’t live to see the morning.”

“I’ll kill you myself,” I say, and I mean it. A strange sense of calm enfolds me.

“Do you say so?” Edris smiles. “Maybe. But first you have to die.” And he thrusts his sword into my chest. Some deeper part of Jally had us moving already, throwing himself backward, and a last twitch of Mother’s leg, either by accident or design, puts Edris off his attack. Even so, the point of his blade cuts between my ribs and I hit the ground screaming, blood soaking my tunic. Even as I scream the thrust of the blade toward my chest is replayed across the darkness behind eyes screwed tight. I glimpse runes, half-visible on the steel beneath my mother’s blood.