The Liar's Key (The Red Queen's War #2)(76)

“That was . . . unfortunate. But he must be tested again.” An old voice, deeper, and more stern even than Nanna Willow’s but still a woman’s. My grandmother then.

“Why?” Mother asks. A pause, perhaps remembering herself. “Why must he be, your highness?”

“I didn’t have you brought all the way from the Indus to question me, Nia. I bartered dynasties with your cantankerous raja to make a match for my fool of a son in the hope that if I bred eastern wolf with Red March ass the promise of my line might out once more in a third generation.”

“But you tested him, your highness. He doesn’t have what you hoped for. He’s a sensitive boy and it took so long for him to recover . . . Is it really necessary for him—”

“The Lady Blue has thought him important enough to send assassins after. Perhaps she has seen in her crystals and mirrors something that my sister missed in her own examination.”

“Assassins?”

“Three so far, two this month. My sister saw them coming, and they were stopped. Not without cost though. The Lady Blue has dangerous individuals in her employ.”

“But—”

“This is the long game, Nia. The future burns and those who might save us are children or have yet to be born. In many futures the Ancraths are the key. Either the emperor comes from their line or finds his throne because of the deeds of that house. They carry change with them, these Ancraths, and change is needed. The future-sworn agree that two Ancraths are required—working together. The rest is harder to see.”

“I know nothing of Ancrath. And my son isn’t some piece to move on your gaming board!” Mother’s anger surfaces now. If the Red Queen scares her she isn’t letting it show. She is the daughter of a king. At night she sings me old songs from her homeland, of marble palaces set with jewels, where peacocks strut and beyond the gates lie tigers and spice. “Jalan is not your toy, any more than I’m some broodmare you bought at market. My father is—”

“That’s exactly what you are, my dear. Your royal father sold you west. Raja Varma took my rubies and silver rather than pay your weight in gold as dowry to some local satrap in order that he might overlook the taint in you that I so value. And I paid the price because in many futures your child stands at the right hand of the emperor, laying waste his enemies and restoring him to the throne.”

“You—” I take my ear from the door and the thickness of timber reduces the rest to angry but indistinct denial. Some cold dread pulls me from my eavesdropping. Now it turns me toward the archway and the stairs beyond, just as if a hand had settled upon my neck and steered me, icy fingered.

She stands upon the topmost step, bone-thin, bone-white, the dead skin around her mouth wrinkled into some awful smile. I can’t tell what colour her eyes might be, only that one is blind and the other a drowning pool. The sun splashes across the floor, the wall, the chairs, but the archway where she stands is so deep in shadow she might almost be a trick of the light.

I run. In this we are in accord, the boy and I. One swift kick sends the chair skittering across the flagstones. I chase it and when it stops I’m up and climbing, fear boosting me so that I gain the seat in one stride, the back in the next, and as it topples I launch toward the window. I’ve not been in the west spire before but I’ve been in the east. The young Jalan assumes they are the same. I pray it.

I’ve learned to fear a lot of things as I grew. Most things perhaps. Heights though, they still thrill me. I hang on to the stonework as I swing through the window, feet searching for the ledge that should be down and to the left. The boy doesn’t look to check but slides lower, letting the window’s edge slip through his hands. He lets go and a moment later his boots find purchase. We stand flattened to the outer wall, the windowsill above our head, arms wide to embrace the stones, a three-inch ledge supporting us.

By degrees I circle round to the gargoyle, twin to the ugly demon that watches the realm from the side of the east spire, just below the highest window. There are a series of such demons set in a descending spiral on both spires, all of the same design but as individual as people, each with its twin in the corresponding spot on the other spire. I know their faces better than I know those of my small tribe of cousins. My fingers tremble but it’s the fear of the blind-eye woman that puts the tremor there rather than of the fall beneath me.

I drop from ledge to gargoyle, slide around horns and barbs to reach the supporting ledge, circle to the next, drop again. This is how I discovered the old man in the tower—only then I was climbing upward, and nearly a year younger. It’s a wonder I didn’t die.

Great-uncle Garyus lives, or is kept, in the east spire. When I first climbed there I was too young to understand the danger. And besides, the spires were made for climbing. There can be few towers in the empire with so many handholds, so much ornamentation placed at convenient intervals. It had seemed like an invitation. And even at an early age escape obsessed me. If the guards and nurses at the Roma Hall took their eye off me for more than a second I was off, running, hiding, climbing, learning all the ways out, all the ways in. Any high window drew me. Except the one in the west spire—that always looked like a devouring mouth, just waiting for me to clamber in.

I reach the palace roof and scamper up the tiled slope, over the serrations of the crest, and down toward the east spire. The dark slates are burning hot, scorching my hands. I try to keep my arms and legs clear, sliding on my arse, feeling the heat even through my trousers. Sweat-slick palms lose traction on the slate. I slide faster with nothing to grip, jolting my spine. A misjudged effort to slow myself turns me sideways and in a heartbeat I’m tumbling, rolling down the roof toward the drop. Arms flail, the world blurs, I’m screaming.