The Family Upstairs(79)



And in the foreground of the photograph, holding the camera at arm’s length and beaming into the lens with very white teeth is the man who calls himself Phin. She turns the screen to face Clemency.

‘Is that …?’

‘Oh my God.’ Clemency brings a fingertip closer to the screen and points at the woman. ‘That’s her! That’s Lucy.’

Libby uses her fingertips on the screen to stretch out the woman’s face. Lucy looks like Martina, the woman she’d briefly thought was her mother. She has the dark skin and the glossy black hair, but hers is singed rusty brown at the tips. Her forehead is lightly lined. Her eyes are dark brown, like Martina’s. Like her son’s. She looks weathered; she looks tired. She looks absolutely beautiful.

They get to Cheyne Walk five hours later.

At the door, Libby feels for the house keys in the pocket of her handbag. She could just let herself in; it’s her house after all. And then she gulps as it hits her. It’s not her house. It’s not her house at all. The house was for Martina and Henry’s baby. A baby that was never born.

She puts the keys back into her bag and she calls the number attached to the WhatsApp message.

‘Hello?’

It’s a woman. Her voice is soft and melodic.

‘Is that … Lucy?’

‘Yes,’ says the woman. ‘Who’s this?’

‘This is … this is Serenity.’





61


Lucy puts the phone down and stares at Henry.

‘She’s here.’

They go to the front door together.

The dog starts to bark at the sound of people outside and Henry picks him up and tells him to shush.

Lucy’s heart races as her hand goes to the door handle. She touches her hair, smooths it down. She makes herself smile.

And there she is. The daughter that she had to leave behind. The daughter that she has killed to come back for.

Her daughter is average height, average build, nothing like the huge roly-poly baby she’d left behind in the Harrods cot. She has soft blond hair, but no curls. She has blue eyes, but not the pale aqua blue of the baby she’d had to abandon. She’s wearing cotton shorts, a short-sleeved blouse, pink canvas plimsolls. She’s clutching a grass-green handbag to her stomach. She’s wearing small gold sleepers with crystal drops hanging from them, just one in each ear lobe. She’s not wearing any make-up.

‘Serenity …?’

She nods. ‘Or Libby. For my day job.’ She laughs lightly.

Lucy laughs too. ‘Libby. Of course. You’re Libby. Come in. Come in.’

She has to resist the urge to put her arms around her. Instead she guides her into the hallway with just a hand against her shoulder.

Following behind Serenity is a big, handsome man with a beard. She introduces him as Miller Roe. She says, ‘He’s my friend.’

Lucy leads them all to the kitchen where her children sit waiting nervously.

‘Kids,’ she says, ‘this is Serenity. Or actually Libby. And Libby is …’

‘The baby?’ says Marco, his eyes wide.

‘Yes, Libby is the baby.’

‘Which baby, Mama?’ says Stella.

‘She’s the baby I had when I was very young. The baby I had to leave in London. The baby I never told anyone about, ever. She’s your big sister.’

Marco and Stella both sit with their jaws hanging open. Libby sort of waves at them. For a moment it is awkward. But then Marco says, ‘I knew it! I knew it all along! From the minute I saw it on your phone! I knew it would be your baby. I just knew it!’

He gets to his feet and runs across the kitchen and for a moment Lucy thinks he is running away, that he is angry with her for having a secret baby, but he runs towards Libby and throws his arms around her waist, squeezes her hard, and over the top of his head Lucy sees Libby’s eyes open with surprise but also with pleasure. She touches the top of his head and smiles at Lucy.

Then, of course, because Marco has done it, Stella follows suit and clings to Libby’s hips. And there, thinks Lucy, there they are. Her three babies. Together. At last. She stands with her hands clasped to her mouth and tears fall down her cheeks.





62




CHELSEA, 1994


I’m not completely heartless, Serenity, I promise.

Remember how I let you hold my finger the day you were born, how I looked at you and felt something bloom inside me? I still felt that, when you and I came face to face here two nights ago. You were still that baby to me; you still had that innocence about you, that total lack of guile.

But you had something else.

You had his blue eyes, his creamy skin, his long dark eyelashes.

You don’t look much like Lucy.

You don’t look anything like David Thomsen.

You look just like your dad.

And it’s ridiculous looking back on it that I couldn’t see it when it was right there under my nose. When your blond curls came through and your bright blue eyes and your full lips. How did David not see it? How did Birdie not see it? How did anyone not see it? I guess because it was impossible to believe. Impossible even to conceive.

That my sister was sleeping with David and Phin at the same time.

I didn’t find out until the day after Birdie’s birthday party.

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