The Cruel Prince (The Folk of the Air #1)(7)

“Stop staring at him,” Taryn demands.

“Didn’t you see—” I start to explain, but she cuts me off, grabbing hold of me and hauling us toward the stairs, toward our landing of shimmering stone, where we can hide. Her nails sink into my skin.

“Don’t give them any more reason to bother you than they’ve already got!” The intensity of her response surprises me into snatching back my hand. Angry red half moons mark where she grabbed me.

I look back toward where Locke was, but the crowd has swallowed him up.





As dawn breaks, I open the windows to my bedroom and let the last of the cool night air flow in as I strip off my Court dress. I feel hot all over. My skin feels too tight, and my heart won’t stop racing.

I’ve been to Court before many times. I’ve been witness to more awfulness than wings being torn or my person insulted. Faeries make up for their inability to lie with a panoply of deceptions and cruelties. Twisted words, pranks, omissions, riddles, scandals, not to mention their revenges upon one another for ancient, half-remembered slights. Storms are less fickle than they are, seas less capricious.

Like, for example, as a redcap, Madoc needs bloodshed the way a mermaid needs the salt spray of the sea. After every battle, he ritually dips his hood into the blood of his enemies. I’ve seen the hood, kept under glass in the armory. The fabric is stiff and stained a brown so deep it’s almost black, except for a few smears of green.

Sometimes I go down and stare at it, trying to see my parents in the tide lines of dried blood. I want to feel something, something besides a vague queasiness. I want to feel more, but every time I look at it, I feel less.

I think about going to the armory now, but I don’t. I stand in front of my window and imagine myself a fearless knight, imagine myself a witch who hid her heart in her finger and then chopped her finger off.

“I’m so tired,” I say out loud. “So tired.”

I sit there for a long time, watching the rising sun gild the sky, listening to the waves crash as the tide goes out, when a creature flies up to alight on the edge of my window. At first it seems like an owl, but it’s got hob eyes. “Tired of what, sweetmeat?” it asks me.

I sigh and answer honestly for once. “Of being powerless.”

The hob studies my face, then flies off into the night.



I sleep the day away and wake disoriented, battling my way out of the long, embroidered curtains around my bed. Drool has dried along one of my cheeks.

I find bathwater waiting for me, but it has gone tepid. Servants must have come and gone. I climb in anyway and splash my face. Living in Faerie, it’s impossible not to notice that everyone else smells like verbena or crushed pine needles, dried blood or milkweed. I smell like pit sweat and sour breath unless I scrub myself clean.

When Tatterfell comes in to light the lamps, she finds me dressing for a lecture, which begins in the late afternoons and stretches on into some evenings. I wear gray leather boots and a tunic with Madoc’s crest—a dagger, a crescent moon turned on its side so it rests like a cup, and a single drop of blood falling from one corner embroidered in silk thread.

Downstairs, I find Taryn at the banquet table, alone, nursing a cup of nettle tea and picking at a bannock. Today, she does not suggest anything will be fun.

Madoc insists—perhaps out of guilt or shame—that we be treated like the children of Faerie. That we take the same lessons, that we be given whatever they have. Changelings have been brought to the High Court before, but none of them has been raised like Gentry.

He doesn’t understand how much that makes them loathe us.

Not that I am not grateful. I like the lessons. Answering the lecturers cleverly is something no one can take from me, even if the lecturers themselves occasionally pretend otherwise. I will take a frustrated nod in place of effusive praise. I will take it and be glad because it means I can belong whether they like it or not.

Vivi used to go with us, but then she became bored and didn’t bother. Madoc raged, but since his approval of a thing only makes her despise it, all his railing just made her more determined to never, ever go back. She has tried to persuade us to stay home with her, but if Taryn and I cannot manage the machinations of the children of Faerie without quitting our lessons or running to Madoc, how will he ever believe we can manage the Court, where those same machinations will play out on a grander and more deadly scale?

Taryn and I set off, swinging our baskets. We don’t have to leave Ins-mire to get to the High King’s palace, but we do skirt the edge of two other tiny islands, Insmoor, Isle of Stone, and Insweal, Isle of Woe. All three are connected by half-submerged rocky paths and stones large enough that it’s possible to leap your way from one to the next. A herd of stags is swimming toward Insmoor, seeking the best grazing. Taryn and I walk past the Lake of Masks and through the far corner of the Milkwood, picking our way past the pale, silvery trunks and bleached leaves. From there, we spot mermaids and merrows sunning themselves near craggy caves, their scales reflecting the amber glow of the late-afternoon sun.

All the children of the Gentry, regardless of age, are taught by lecturers from all over the kingdom on the grounds of the palace. Some afternoons we sit in groves carpeted with emerald moss, and other evenings we spend in high towers or up in trees. We learn about the movements of constellations in the sky, the medicinal and magical properties of herbs, the languages of birds and flowers and people as well as the language of the Folk (though it occasionally twists in my mouth), the composition of riddles, and how to walk soft-footed over leaves and brambles to leave neither trace nor sound. We are instructed in the finer points of the harp and the lute, the bow and the blade. Taryn and I watch them as they practice enchantments. For a break, we all play at war in a green field with a broad arc of trees.