The Cruel Prince (The Folk of the Air #1)(4)

“Heading somewhere?” she asks softly from the shadows, startling Taryn.

Vivi knows perfectly well where we’re heading.

When we first came here, Taryn and Vivi and I would huddle in Vivi’s big bed and talk about what we remembered from home. We’d talk about the meals Mom burned and the popcorn Dad made. Our next-door neighbors’ names, the way the house smelled, what school was like, the holidays, the taste of icing on birthday cakes. We’d talk about the shows we’d watched, rehashing the plots, recalling the dialogue until all our memories were polished smooth and false.

There’s no more huddling in bed now, rehashing anything. All our new memories are of here, and Vivi has only a passing interest in those.

She’d vowed to hate Madoc, and she stuck to her vow. When Vivi wasn’t reminiscing about home, she was a terror. She broke things. She screamed and raged and pinched us when we were content. Eventually, she stopped all of it, but I believe there is a part of her that hates us for adapting. For making the best of things. For making this our home.

“You should come,” I tell her. “Taryn’s in a weird mood.”

Vivi gives her a speculative look and then shakes her head. “I’ve got other plans.” Which might mean she’s going to sneak over to the mortal world for the evening or it might mean she’s going to spend it on the balcony, reading.

Either way, if it annoys Madoc, it pleases Vivi.

He’s waiting for us in the hall with his second wife, Oriana. Her skin is the bluish color of skim milk, and her hair is as white as fresh-fallen snow. She is beautiful but unnerving to look at, like a ghost. Tonight she is wearing green and gold, a mossy dress with an elaborate shining collar that makes the pink of her mouth, her ears, and her eyes stand out. Madoc is dressed in green, too, the color of deep forests. The sword at his hip is no ornament.

Outside, past the open double doors, a hob waits, holding the silver bridles of five dappled faerie steeds, their manes braided in complicated and probably magical knots. I think of the knots in my hair and wonder how similar they are.

“You both look well,” Madoc says to Taryn and me, the warmth in his tone making the words a rare compliment. His gaze goes to the stairs. “Is your sister on her way?”

“I don’t know where Vivi is,” I lie. Lying is so easy here. I can do it all day long and never be caught. “She must have forgotten.”

Disappointment passes over Madoc’s face, but not surprise. He heads outside to say something to the hob holding the reins. Nearby, I see one of his spies, a wrinkled creature with a nose like a parsnip and a back hunched higher than her head. She slips a note into his hand and darts off with surprising nimbleness.

Oriana looks us over carefully, as though she expects to find something amiss.

“Be careful tonight,” Oriana says. “Promise me you will neither eat nor drink nor dance.”

“We’ve been to Court before,” I remind her, a Faerie nonanswer if ever there was one.

“You may think salt is sufficient protection, but you children are forgetful. Better to go without. As for dancing, once begun, you mortals will dance yourselves to death if we don’t prevent it.”

I look at my feet and say nothing.

We children are not forgetful.

Madoc married her seven years ago, and shortly after, she gave him a child, a sickly boy named Oak, with tiny, adorable horns on his head. It has always been clear that Oriana puts up with me and Taryn only for Madoc’s sake. She seems to think of us as her husband’s favored hounds: poorly trained and likely to turn on our master at any moment.

Oak thinks of us as sisters, which I can tell makes Oriana nervous, even though I would never do anything to hurt him.

“You are under Madoc’s protection, and he has the favor of the High King,” Oriana says. “I will not see Madoc made to look foolish because of your mistakes.”

With that little speech complete, she walks out toward the horses. One snorts and strikes the ground with a hoof.

Taryn and I share a look and then follow her. Madoc is already seated on the largest of the faerie steeds, an impressive creature with a scar beneath one eye. Its nostrils flare with impatience. It tosses its mane restlessly.

I swing up onto a pale green horse with sharp teeth and a swampy odor. Taryn chooses a rouncy and kicks her heels against its flanks. She takes off like a shot, and I follow, plunging into the night.





Faeries are twilight creatures, and I have become one, too. We rise when the shadows grow long and head to our beds before the sun rises. It is well after midnight when we arrive at the great hill at the Palace of Elfhame. To go inside, we must ride between two trees, an oak and a thorn, and then straight into what appears to be the stone wall of an abandoned folly. I’ve done it hundreds of times, but I flinch anyway. My whole body braces, I grip the reins hard, and my eyes mash shut.

When I open them, I am inside the hill.

We ride on through a cavern, between pillars of roots, over packed earth.

There are dozens of the Folk here, crowding around the entrance to the vast throne room, where Court is being held—long-nosed pixies with tattered wings; elegant, green-skinned ladies in long gowns with goblins holding up their trains; tricksy boggans; laughing foxkin; a boy in an owl mask and a golden headdress; an elderly woman with crows crowding her shoulders; a gaggle of girls with wild roses in their hair; a bark-skinned boy with feathers around his neck; a group of knights all in scarab-green armor. Many I’ve seen before; a few I have spoken with. Too many for my eyes to drink them all in, yet I cannot look away.