Shanghai Girls (Shanghai Girls #1)(29)



“Slide in behind,” she orders. May and I look at each other. What’s Mama thinking? “Do it!” she hisses. “Do it now!”

Once May and I get behind the planks, Mama reaches in. She holds her bride-price bag and our papers wrapped in silk. “Take these.”

“Mama—”

“Shhh!”

She grabs my hand and wraps it around the bag and package. We hear her scrape one of the sawhorses across the floor. The planks push up against my sister and me, forcing us to turn our faces to the side. That’s how tight a space Mama has made. But we’re hardly hidden. It will be only a matter of time before the soldiers find us.

“Stay here,” she whispers. “Don’t come out no matter what you hear.” She grabs my wrist and shakes it. She switches to the Sze Yup dialect, not wanting May to understand. “I mean it, Pearl. Stay here. Don’t let your sister move from this place.”

We hear Mama leave the room and shut the door. Next to me May takes shallow breaths. Each exhale falls on my face warm and moist. My heart thumps in my chest.

From the other room we hear the door being kicked open, the stomp of boots, loud military voices, and soon enough Mama pleading and bargaining with the soldiers. At one point, the door to this room swings open. Lantern light flickers in from the sides of our hiding place. Mama screams—sharp and shrill—the door shuts, and the light goes away.

“Mama,” May mewls.

“You have to be quiet,” I whisper.

We hear grunting and laughing, but nothing from our mother. Is she already dead? If she is, then they’ll come in here. Don’t I have to do something to give my sister a chance? I drop the things Mama gave me, and then I slide to my left.

“No!”

“Quiet!”

In our flattened space, May holds on to my arm with one hand.

“Don’t go out there, Pearl,” she pleads. “Don’t leave me.”

I jerk my arm, and May’s hand falls away. As quietly as possible, I edge out from behind the planks. Without hesitation I walk to the door, open it, step into the main room, and close the door behind me.

Mama’s on the floor with a man inside her. I’m struck by how thin her calves are, the result of nearly a lifetime of walking—rather, not walking—on her bound feet. Another dozen or so soldiers in yellow uniforms, leather shoes, and carrying rifles slung over their shoulders stand around, watching, waiting their turns.

Mama groans when she sees me.

“You promised you would stay where you were.” Her words are weak with pain and sorrow. “It was my honor to save you.”

The dwarf bandit atop my mother slaps her. Strong hands grab me and pull me this way and that. Who will get me first? The strongest? The man in my mother suddenly stops what he’s doing, pulls up his trousers, and bullies his way through the others to try to seize me for his prize.

“I told them I was alone,” Mama mutters in despair. She tries to stand but gets only as far as her knees.

In the insanity of the moment, somehow I remain calm.

“They can’t understand you,” I say, coolly, unfazed, not thinking for fear.

“I wanted you and May to be safe,” Mama says as she weeps.

Someone pushes me. A couple of the soldiers go back to Mama and hit her on the head and shoulders. They shout at us. Maybe they don’t want us talking, but I’m not sure. I don’t know their language. Finally one of the soldiers tries English.

“What is the old woman saying? Who else are you hiding?”

I see greed in his eyes. There are so many soldiers and only two women, one of whom is a mother.

“My mother is upset because I didn’t stay hidden,” I answer in English. “I am her only child.” I don’t have to pretend to weep. I begin to sob, terrified of what’s going to happen next.

There are certain moments when I fly away, when I leave my body, the room, the earth, and just soar through the night sky searching for people and places I love. I think of Z.G. Would he see what I’ve done as a supreme act of filial piety? I think of Betsy. I even think of my Japanese student. Is Captain Yamasaki nearby, aware that it’s me, hoping that May will be discovered? Is he thinking about how he wanted her as a wife but now he could have her as a war trophy?

My mother’s beaten, but even her blood and her screams don’t stop the soldiers. They unwrap her feet, the bindings swirling through the air like acrobats’ ribbons. Her feet look the color of a corpse gone cold—bluish white with shades of green and purple beneath the crushed flesh.

The soldiers pull and prod them. Then they stomp on her feet to try to bring them back into “normal” shape. Her cries are not those of footbinding or childbirth. They’re the deep, anguished screams of an animal experiencing agony beyond comprehension.

I close my eyes and try to ignore everything they’re doing, but my teeth itch to bite the man on top of me. In my mind I keep seeing the bodies of the women we passed on the road earlier today, not wanting to see my own legs in those unnatural, inhuman angles. I feel tearing—not like on my wedding night—but something much worse, something searing, as though my insides are being torn apart. The air is thick and gummy with the suffocating smells of blood, mosquito incense, and Mama’s exposed feet.

A few times—when Mama’s cries are the worst—I open my eyes and see what they’re doing to her. Mama, Mama, Mama, I want to cry out, but I don’t. I won’t give these monkey people the pleasure of hearing my terror. I reach out and grab her hand. How can I describe the look that passes between us? We’re a mother and daughter being raped repeatedly, for all we know until we both die. I see in her eyes my birth, the endless tragedies of mother love, a total absence of hope, and then somewhere deep, deep in those liquid pools a fierceness I’ve never seen before.

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