Shadow of Night (All Souls Trilogy, #2)(42)

“It’s all right, Matthew.” I pushed my hood from my face to survey the great hall beyond. Gone was the display of armor and pikes I’d seen in the twenty-first century. Instead a carved wooden screen helped deflect the drafts when the door was opened. Gone, too, were the faux-medieval decorations, the round table, the porcelain bowl. Instead tapestries blew gently against stone walls as the warm air from the fireplace mingled with the colder air from outside. Two long tables flanked by low benches filled the remaining space, and men and women shuttled between them laying out plates and cups for supper. There was room for dozens of creatures to gather there. The minstrels’ gallery high above wasn’t empty now but crowded with musicians readying their instruments.

“Amazing,” I breathed from between stiff lips.

Cold fingers grasped my chin and turned it. “You’re blue,” Matthew said.

“I will bring a brazier for her feet, and warm wine,” Alain promised. “And we will build up the fires.”

A warmblooded human appeared and took my wet cloak. Matthew turned sharply in the direction of what I knew as the breakfast room. I listened but heard nothing.

Alain shook his head apologetically. “He is not in a good temper.”

“Evidently not.” Matthew looked down. “Philippe is bellowing for us. Are you sure, Diana? If you don’t want to see him tonight, I’ll brave his wrath.”

But Matthew would not be alone for his first meeting with his father in more than six decades. He had stood by me while I’d faced my ghosts, and I would do the same for him. Then I was going to go to bed, where I planned to remain until Christmas.

“Let’s go,” I said resolutely, picking up my skirts.

Sept-Tours was too ancient to have modern conveniences like corridors, so we snaked through an arched door to the right of the fireplace and into the corner of a room that would one day be Ysabeau’s grand salon. It wasn’t overstuffed with fine furniture now but decorated with the same austerity as every other place I’d seen on our journey. The heavy oak furniture resisted casual theft and could sustain the occasional ill effects of battle, as evidenced by the deep slash that cut diagonally across the surface of a chest.

From there Alain led us into the room where Ysabeau and I would one day take our breakfast amid warm terra-cotta walls at a table set with pottery and weighty silver cutlery. It was a far cry from that place in its present state, with only a table and chair. The tabletop was covered with papers and other tools of the secretary. There was no time to see more before we were climbing a worn stone staircase to an unfamiliar part of the chateau.

The stairs came to an abrupt halt on a wide landing. A long gallery opened up to the left, housing an odd assortment of gadgets, clocks, weaponry, portraits, and furniture. A battered golden crown perched casually on the marble head of some ancient god. A lumpy pigeon’s-blood ruby the size of an egg winked malevolently at me from the crown’s center.

“This way,” Alain said, motioning us forward into the next chamber. Here was another staircase, this one leading up rather than down. A few uncomfortable benches sat on either side of a closed door. Alain waited, patiently and silently, for a response to our presence. When it came, the single Latin word resounded through the thick wood:

“Introite.”

Matthew started at the sound. Alain cast a worried look at him and pushed the door. It silently swung open on substantial, well-oiled hinges.

A man sat opposite, his back to us and his hair gleaming. Even seated it was evident that he was quite tall, with the broad shoulders of an athlete. A pen scratched against paper, providing a steady treble note to harmonize with the intermittent pops of wood burning in the fireplace and the gusts of wind howling outside.

A bass note rumbled into the music of the place: “Sedete.”

Now it was my turn to jump. With no door to muffle its impact, Philippe’s voice resonated until my ears tingled. The man was used to being obeyed, at once and without question. My feet moved toward the two awaiting chairs so that I could sit as he’d commanded. I took three steps before realizing that Matthew was still in the doorway. I returned to his side and grasped his hand in mine. Matthew stared down, bewildered, and shook himself free from his memories.

In moments we had crossed the room. I settled into a chair with the promised wine and a pierced-metal foot warmer to prop up my legs. Alain withdrew with a sympathetic glance and a nod. Then we waited. It was difficult for me but impossible for Matthew. His tension increased until he was nearly vibrating with suppressed emotion.

By the time his father acknowledged our presence, my anxiety and temper were both dangerously close to the surface. I was staring down at my hands and wondering if they were strong enough to strangle him when two ferociously cold spots bloomed on my bowed head. Lifting my chin, I found myself gazing into the tawny eyes of a Greek god.

When I had first seen Matthew, my instinctive response had been to run. But Matthew—large and brooding as he’d been that September night in the Bodleian Library—hadn’t appeared half so otherworldly. And it wasn’t because Philippe de Clermont was a monster. On the contrary. He was, quite simply, the most breathtaking creature I had ever seen—supernatural, preternatural, daemonic, or merely human.

No one could look at Philippe de Clermont and think he was mortal flesh. The vampire’s features were too perfect, and eerily symmetrical. Straight, dark eyebrows settled over eyes that were a pale, mutable golden brown touched with flecks of green. Exposure to sun and elements had touched his brown hair with strands of gleaming gold, silver, and bronze. Philippe’s mouth was soft and sensual, though anger had drawn his lips hard and tight tonight.