Payment in Blood (Inspector Lynley, #2)(73)

Lynley parked here, for the green lay directly across from Wine’s the Plough, a building no different from any of the other sagging structures on the street. He examined it while next to him Sergeant Havers buttoned her coat beneath her chin and gathered her notebook and shoulder bag.

Lynley could see that, originally, the pub had simply been called The Plough, and that on either side of its name had been fixed the words Wines and Liquors. The latter had fallen off sometime in the past, however, leaving merely a dark patch on the wall where the word had once been, the shape of its letters still legible. Rather than replace Liquors, or even repaint the building for that matter, to the first word had been added an apostrophe by means of a tin mug nailed into the plaster. Thus the building was renamed, no doubt to someone’s amusement.

“It’s the same village, Sergeant,” Lynley said after a cursory examination through the windscreen. Aside from a liver-coloured mongrel sniffing along an ill-formed hedge, the place might have been abandoned.

“Same as what, sir?”

“As that drawing posted in Joy Sinclair’s study. The petrol station, the greengrocers. There’s the cottage set back behind the church as well. She’d been here long enough to become familiar with the place. I’ve no doubt someone will remember her. You take care of the high while I have a word with John Darrow.”

Havers reached for the door handle with a sigh of resignation. “Always the footwork,” she groused.

“Good exercise to clear your head after last night.”

She looked at him blankly. “Last night?”

“Dinner, film? The chap from the supermarket?”

“Oh, that,” Havers said, fidgeting in her seat. “Believe me, it was very forgettable, sir.” She got out of the car, letting in a gust of air that commingled the faint odours of the sea, dead fish, and rotting debris, and strode over to the first building, disappearing behind its weathered black door.

By pub hours it was early yet, the drive from London having taken them less than two hours, so Lynley was not surprised to find the door locked when he tried to enter Wine’s the Plough across the street. He stepped back from the building and looked above to what seemed to be a flat, but his observation gained him nothing. Limp curtains served as a barrier against prying eyes. No one was about at all, and there was no automobile or motorbike to indicate that the building was currently under anyone’s ownership. Nonetheless, when Lynley peered through the grimy windows of the pub itself, a missing slat in one of the shutters revealed a light shining in a far doorway that appeared to lead to the building’s cellar stairs.

He returned to the door and knocked upon it soundly. Within moments, he heard heavy footsteps. They trudged to the door.

“Not opened,” a man’s gravelly voice said behind it.

“Mr. Darrow?”

“Aye.”

“Would you open the door please?”

“Y’r business is?”

“Scotland Yard CID.”

That got a reaction, although not much of one. The door was unbolted and held open a mere six or seven inches. “All’s in order in here.” Eyes the shape and size of hazel nuts, the colour of a brown gone bad with yellow, dropped to the identification that Lynley held.

“May I come in?”

Darrow didn’t look up as he considered the request and the limited responses available to him. “Not about Teddy, is it?”

“Your son? No, it’s nothing to do with him.”

Apparently satisfied, the man held the door open wider, stepped back, and admitted Lynley into the pub. It was a humble establishment, in keeping with the village it served. Its sole decoration appeared to be a variety of unlit signs behind and above the Formica-topped bar, identifying the liquors sold on the premises. There was very little furniture: half a dozen small tables surrounded by stools and a bench running beneath the front windows. This was padded, but the cushion was sun-bleached from its original red to rusty pink, and dark stains patterned it. A stinging burnt smell tinctured the air, a combination of cigarette smoke, a dead fire in a blackened fireplace, and windows too long closed against the winter weather.

Darrow positioned himself behind the bar, perhaps with the intention of treating Lynley like a customer in spite of the hour and his police identification. For his part, Lynley followed suit in front of it although it meant standing and he would much rather have conducted this interview at one of the tables.

Darrow, he guessed, was in his mid-forties, a rough-looking man who projected a decided air of suppressed violence. He was built like a boxer, squat, with long, powerful limbs, a barrel chest, and incongruously small, well-shaped ears which lay flat against his skull. His clothes suited him. They suggested a man able to make the transition from publican to brawler in the time it would take to ball up a fist. He wore a wool shirt, with cuffs turned up to reveal hirsute arms, and a pair of loose-fitting trousers for ease of movement. Evaluating all this, Lynley doubted that any fist fights broke out in Wine’s the Plough unless Darrow himself provoked them.

He had in his pocket the jacket of Death in Darkness, which he had taken from Joy Sinclair’s study. Removing it, he folded it so that the author’s smiling photograph was facing up. “Do you know this woman?” he asked.

Recognition flickered unmistakably in Darrow’s eyes. “I know her. What of it?”